Books with title Tanglewood tales: Illustrated

Sequel to A Wonder Book for Girls and Boys by master storyteller Nathaniel Hawthorne. Six more Greek myths retold by the fictional Eustace Bright to his enthusiastic throng of young listeners, namely The Minotaur, The Pygmies, The Dragon's Teeth, Circe's Palace, The Pomegranate Seeds, and The Golden Fleece. Attractively illustrated by Willy Pogany. Suitable for ages 9 and up.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

One of 19th-century America's greatest authors recounts timeless tales from Greek mythology in this delightful partner to A Wonder-Book for Girls and Boys. Nathaniel Hawthorne's evocative interpretations of traditional stories about heroes, sorceresses, kings, and other legendary characters provide young readers and listeners with a spellbinding introduction to classic myths.The adventures begin with "The Minotaur," the tale of an Athenian prince's conquest of a monstrous half-man, half-bull. Other stories include "The Pygmies," concerning a friendly giant and his small-minded neighbors; "The Dragon's Teeth," recounting the birth of a team of warriors and the founding of a city; "Circe's Palace," in which an enchantress matches wits with the trickster Ulysses; "The Pomegranate Seeds," a tale of the underworld; and "The Golden Fleece," the story of an aspiring king and his quest for the shining symbol that will win a throne.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.

In the winter of 1853 the "Tanglewood Tales," a series of stories like the "Wonder-Book," was written. The introductory chapter has some interesting observations on the adaptation of the classic myths to children. This work belongs to a special class of books, those in which men of genius have retold stories of the past in forms suited to the present. The stories themselves are set in a piece of narrative and description which gives the atmosphere of the time of the writer, and the old legends are turned from stately myths not merely to children's stories, but to romantic fancies.