Books with title THE DYBBUK: A PLAY IN FOUR ACTS.

Arthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the McCarthyism which gripped America in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.

Wikipedia: Shloyme Zanvl Rappoport (1863 - 1920) , known by his pseudonym 'S. Ansky' was a Russian Jewish author, playwright, and researcher of Jewish folklore. "The Dybbuk" is a drama of mystical passion and demonic possession. The author brings together the saga of his own youthful rebellion against religious authority, his abiding faith in the power of the simple folk, his utopian struggle for equality, and his newfound commitment to the Jewish people. Anksy had just returned from an epoch-making ethnographic expedition through the Yiddish heartland of Eastern Europe, and what he found in the towns and townlets of the Ukraine was a religious civilization that mediated the living and the dead, the strong and the weak, the natural and the supernatural. Anskys return to Mother Russia was accompanied by a profound renegotiation with his hasidic heritage, the Yiddish language, and the Jewish historical imagination.

Based on historical people and real events, Miller's classic play about the witch hunts and trials in 17th century Salem, Massachusetts, is a searing portrait of a community engulfed by hysteria. Written in 1953, The Crucible is a mirror which Miller uses to reflect the anti-Communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the U.S. Reissue.

Few serious American playwrights have captured the imagination of the theatre public all over the world as has Arthur Miller with Death Of A Salesman and The Crucible. Mr. Miller's plays are rooted in a realistically critical view of American life and propelled by the intense personal conviction of a man who cares what he writes about and writes about something that matters. In The Crucible he turns for his setting to the grim days of the Salem witch trials, and brings into urgently brilliant focus an issue that still weighs heavily the progress of American civilization - the problem of guilt by association.

The Seagull is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Tréplev. Though the character of Trigorin is considered Chekhov's greatest male role like Chekhov's other full-length plays, The Seagull relies upon an ensemble cast of diverse, fully developed characters. In contrast to the melodrama of mainstream 19th-century theatre, lurid actions (such as Konstantin's suicide attempts) are not shown onstage. Characters tend to speak in ways that skirt around issues rather than addressing them directly; in other words, their lines are full of what is known in dramatic practice as subtext.