Books with title Selected Poems

"No one else has ever made avant-garde, experimental poems so attractive to both the general and the special reader."―Randall JarrellThe one hundred and fifty-six poems here, arranged in twelve sections and introduced by E. E. Cummings's biographer, Richard S. Kennedy, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.

"No one else has ever made avant-garde, experimental poems so attractive to both the general and the special reader."—Randall JarrellThe one hundred and fifty-six poems here, arranged in twelve sections and introduced by E. E. Cummings's biographer, Richard S. Kennedy, include his most popular poems, spanning his earliest creations, his vivacious linguistic acrobatics, up to his last valedictory sonnets. Also featured are thirteen drawings, oils, and watercolors by Cummings, most of them never before published.Adjusting type size may change line breaks. Landscape mode may help to preserve line breaks.

Robert Browning, a towering poetic presence of the Victorian era, was hailed by Henry James as a tremendous and incomparable modern. The sheer immediacy and colloquial energy of his poetry ensure enduring appeal. Browning paints landscapes both suburban and sublime, combines lyric and demotic language, and introduces everyday events of the streets and marketplace into the rarified world of Victorian poetry.This edition includes examples from the early Dramatic Lyrics (1842) and Dramatic Romances and Lyrics (1845); from the masterpieces Mena and Women (1855) and Dramatis Personae (1864), and from the less familiar works of his later years. Together they convey the intensity, the lyric beauty, and the vitality of Browning's poetry.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

e.e. cummings is without question one of the major poets of this century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

A collection to introduce English readers to the wonders of Lorca's poetry This selection has been the introduction for generations of American readers to the mesmerizing poems of Federico Garcia Lorca (1898-1937). Lorca is admired the world over for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. Most of all, Lorca's poems are admired for their beauty. Undercurrents of his major influences ― Spanish folk traditions of his native Andalusia and Granada, gypsy ballads, and surrealists Salvador Dali and Luis Bunuel ― stream throughout Lorca's work.

E.E. Cummings is without question one of the major poets of this century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends — It gives a lovely light!“First Fig” from A Few Figs from Thistles (1920)The 1956 Collected Poems of Edna St. Vincent Millay finds new life in this beautiful edition from Harper Perennial Modern Classics. Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression. This invaluable compendium of her work is not only an essential addition to any collection of the world’s most moving and memorable poetry but an unprecedented look into the life of Millay. An extensive P.S. section includes personal letters, never-before-seen photographs, information about Millay’s homestead at Steepletop, and an original essay by leading Millay scholar Holly Peppe.

"Like every major artist she challenges the reader's intellect and imagination."—Boston HeraldSelected Poems, the first selection to encompass the rich diversity of Hilda Doolittle's poetry, is both confirmation and celebration of her long-overdue inclusion in the modernist canon. With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.

As well as being one of the major literary figures of the twentieth century and the recipient of the 1923 Nobel Prize for Literature, William Butler Yeats (1865-1939) is the greatest lyric poet that Ireland has produced.Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an illuminating introduction by author and academic Dr Robert Mighall.Yeats’ early work includes the beguiling 'When You are Old', 'The Cloths of Heaven' and 'The Lake Isle of Innisfree' but, unusually for a poet, Yeats's later works, including 'Parnell's Funeral', surpass even those of his youth. All are present in this volume, which reproduces the 1933 edition of W. B. Yeats's Collected Poems.

A new edition of the later selected work of a Nobel Prize-winning poetOften considered to be "the greatest poet of our age" (The Guardian), Seamus Heaney was awarded the Nobel Prize in Literature in 1995 "for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past." He saw poetry as a vocation and credited it with "the power to persuade the vulnerable part of our consciousness of its rightness in spite of the evidence of wrongness all around it, the power to remind us that we are hunters and gatherers of values." Paul Muldoon wrote that Heaney was "the only poet I can think of who was recognized worldwide as having moral as well as literary authority." Shortly before his death in 2013, Seamus Heaney began to compile Selected Poems 1988–2013, and although he was unable to complete the project, his choices have been followed here. This volume encapsulates the finest work from Seeing Things (1991) with its lines of loss and revelation; The Spirit Level (1996) where we experience "the poem as ploughshare that turns time / Up and over."; the landmark translation of Beowulf (1999); Electric Light (2001), a book of origins and oracles; and his final collections, District and Circle (2006) and Human Chain (2010), which limn the interconnectedness of being, our lifelines to our inherited past.

The appearance in 1926 of Langston Hughes's first volume of poems, The Weary Blues, announced the arrival on the American literary scene not only of a new voice and tone, but also of a new sort of voice. Close to the rhythms of Negro speech and song, these apparently artless verses -- which, of course, in reality proclaim a poet of sophistication and keen sensibility -- brought to many readers throughout the English-speaking world a new enjoyment of the multifarious voices of Harlem and the other places where Negroes live in large numbers. Since The Weary Blues, Langston Hughes -- to mention only his verse -- has published Fine Clothes to the Jew (1927), The Dream Keeper (1932), Shakespeare in Harlem (1942), Fields of Wonder (1947), One Way Ticket (1949), Montage of a Dream Deferred (1951), Ask Your Mama (1961), and The Panther and the Lash (1967).Selected Poems of Langston Hughes represents Langston Hughes's own decisions as to which of his poems he most wanted to preserve and reprint. It contains not only selections from his published books (including private publication), but also poems that either had never been published before or had appeared only in periodicals.Here are reflected the rhythms of jazz, the blues, and spirituals. Arna Bontemps has called Langston Hughes the "original jazz poet," and it is worth noting that Hughes in his last years often read his poetry to jazz accompaniment. But there is more in these poems than jazz, its rhythms and its significance. Here, too, are the travail, the joys and accomplishments, the wide-eyed wonder and bitter realizations of a transplanted race. Here, most important of all, are the affirmations and speech of a true poet. Primarily a lyricist, Langston Hughes learned how to speak with intensity of the things that mattered to him, the human factors that he understood and appreciated, whether in praise, in condemnation, or in sheer song.