Books with title Rupert Of Hentzau

* Beautifully illustrated with atmospheric paintings by renowned artists, Rupert of Hentzau is the gripping sequel to The Prisoner of Zenda.* The story commences three years after the conclusion of The Prisoner of Zenda, and deals with the same fictional country somewhere in Germanic Middle Europe, the kingdom of Ruritania. Most of the same characters recur: Rudolf Elphberg, the dissolute absolute monarch of Ruritania; Rudolf Rassendyll, the English gentleman who had acted as his political decoy, being his distant cousin and look alike; Flavia, the princess, now queen; Rupert of Hentzau, the dashing well-born villain; and Fritz von Tarlenheim, the loyal courtier.* Just as accessible and enjoyable for today's readers as it would have been when first published, the novel is one of the great works of English literature and continues to be widely read throughout the world.* This meticulous edition from Heritage Illustrated Publishing is a faithful reproduction of the original text and is enhanced with images of classic works of art carefully selected by our team of professional editors.

Rupert of Hentzau is a sequel by Anthony Hope to The Prisoner of Zenda, written in 1895 but not published until 1898. The story is set within a framing narrative told by a supporting character from The Prisoner of Zenda. The frame implies that the events related in both books took place in the late 1870s and early 1880s. This story commences three years after the conclusion of Zenda, and deals with the same fictional country somewhere in Germanic Middle Europe, the kingdom of Ruritania. Most of the same characters recur: Rudolf Elphberg, the dissolute absolute monarch of Ruritania; Rudolf Rassendyll, the English gentleman who had acted as his political decoy, being his distant cousin and lookalike; Flavia, the princess, now queen; Rupert of Hentzau, the dashing well-born villain; Fritz von Tarlenheim, the loyal courtier; Colonel Sapt, the King's Bodyguard; Lieutenant von Bernenstein, the loyal soldier. (Wikipedia)

Rupert of Hentzau is a sequel by Anthony Hope to The Prisoner of Zenda, written in 1895, but not published until 1898.Queen Flavia, dutifully but unhappily married to her cousin Rudolf V, writes to her true love Rudolf Rassendyll. The letter is carried by von Tarlenheim to be delivered by hand, but it is stolen by the exiled Rupert of Hentzau, who sees in it a chance to return to favour by informing the pathologically jealous and paranoid King.

The many thousands who have read and admired The Prisoner of Zenda will reach eagerly for its sequel, which has been published under the title Rupert of Hentzau. They will not be disappointed. Sequels of successful stories are frequently weaker and somewhat forced, but in this case it must be admitted that Anthony Hope has given us a book as powerful, vigorous and fascinating as the first. It is a cleverly wrought out romance, resplendent with stirring incidents and ingeniously invented adventures, told with the visor which carries the reader swiftly to the end, and which we are accustomed to find in all of Hope's writings. The book will doubtless have as large a sale as The Prisoner of Zenda, and will be gladly welcomed by many a person, who after having been wearied by the daily cares, seeks rest of mind and diversion in a good story.

Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 – 8 July 1933), was an English novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered best for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance.Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name. Hope wrote 32 volumes of fiction over the course of his lifetime and he had a large popular following. In 1896 he published The Chronicles of Count Antonio, followed in 1897 by a tale of adventure set on a Greek island, entitled Phroso.He went on a publicity tour of the United States in late 1897, during which he impressed a New York Times reporter as being somewhat like Rudolf Rassendyll: a well-dressed Englishman with a hearty laugh, a soldierly attitude, a dry sense of humour, "quiet, easy manners," and an air of shrewdness.

A man who has lived in the world, marking how every act, although in itself perhaps light and insignificant, may become the source of consequences that spread far and wide, and flow for years or centuries, could scarcely feel secure in reckoning that with the death of the Duke of Strelsau and the restoration of King Rudolf to liberty and his throne, there would end, for good and all, the troubles born of Black Michael’s daring conspiracy. The stakes had been high, the struggle keen; the edge of passion had been sharpened, and the seeds of enmity sown. Yet Michael, having struck for the crown, had paid for the blow with his life: should there not then be an end? Michael was dead, the Princess her cousin’s wife, the story in safe keeping, and Mr. Rassendyll’s face seen no more in Ruritania. Should there not then be an end? So said I to my friend the Constable of Zenda, as we talked by the bedside of Marshal Strakencz. The old man, already nearing the death that soon after robbed us of his aid and counsel, bowed his head in assent: in the aged and ailing the love of peace breeds hope of it. But Colonel Sapt tugged at his gray moustache, and twisted his black cigar in his mouth, saying, “You’re very sanguine, friend Fritz. But is Rupert of Hentzau dead? I had not heard it.”