Books with title Queen and the Cross

Sweet-smelling basil marks the spot in this treasure hunt led by a queenly saint...join her as she treks to Jerusalem in search of the Holy Cross of Jesus Christ! In this fabulous and instructive blend of tale and history, children ages 5-8 will be inspired by the lore and legend of the faith. Boys and girls alike will be captivated by Helen, a heroic empress on a mission, and will be encouraged to treasure the Holy Cross in their own lives! As children accompany Helen on her quest to find the true cross upon which Jesus died, they will relive her adventures. They will experience Helen's excitement when she thinks she has discovered the 'X' that marks the spot-sweet-smelling basil-since basil is the herb of kings and Jesus is the King of Life. But just as it seems that the site of the Holy Cross has been identified, not one, but three crosses are found while digging... How will the one true cross be determined? Read on to discover the legend of the Holy Cross and learn all about Helen's thrilling life! Features & Benefits Contains an opening hymn and prayer Includes a brief biography of Saint Helen following the legend Mentions the locations where the true cross exists today Concludes with a quote from Emperor Constantine's letter to Bishop Macarius.

AD 634. ANGLO SAXON BRITAIN. Confusion and conflict continue as warlords battle across Britain to become the first King of the English. After a stunning victory against the native Waelisc, Beobrand returns to a hero's welcome. His valour is rewarded by wealth and land by Oswald, King of Northumbria. Exhausted, he retires to his new estate with his bride only to find himself surrounded once again by enemies old and new. With treachery and death on all sides, Beobrand fears he will lose all he holds dear. On a quest for revenge and redemption, he accepts the mantle of lord, leading his men into the darkest of nights and the bloodiest of battles. The Cross and the Curse is the second gripping, action-packed instalment in The Bernicia Chronicles. 'Murder, betrayal and vengeance fuel tribal warfare and personal combat. Beobrand is the warrior to follow' DAVID GILMAN.

Life revolves around Queen Strivia in the kingdom of Herton. Everyone must notice her. Her family motto, "C'est tout sur moi" means "It's all about me". Young Rosie, the queen's stable groom, has a big secret that she does not want Queen Strivia to know. Rosie tries to work quietly in the stable so the queen will not notice her. One day, unexpectedly, Rosie is assigned to ride on the queen's carriage and attend the carriage horses. Then Rosie is thrust further into the spotlight when Queen Strivia becomes the focus of a mysterious plot. Will the queen learn Rosie's secret? Join Rosie as she discovers the true meaning of "C'est tout sur moi".

Queen Helena has brought the greatest of gifts to the people of Cyprus. But when she tries to present the treasure, the Queen discovers that the local churches have been infested with a deadly problem. It’s up to Queen Helena and a little village girl to come up with a solution that will make the churches safe once more. The Queen and the Cats tells a little-known, but dearly loved story of Saint Helena, mother to Emperor Constantine. Part of the Faith in Action series, this book will introduce children ages 3-8 to people from Christian history. Find More Great Options for Kindle Kids Books! Xist Publishing Children's Books Choose from over 180 illustrated children's books!

AD 634, Anglo-Saxon Britain: warlords battle across Britain to become the first king of the English. After a stunning victory against the native Waelisc, Beobrand returns a hero. His valor is rewarded with wealth and land by Oswald, king of Northumbria. He retires to his new estate with his bride only to find himself surrounded by enemies old and new. With treachery and death on all sides, Beobrand fears he will lose all he holds dear. On a quest for revenge and redemption, he accepts the mantle of lord, leading his men into the darkest of nights and the bloodiest of battles.

Bess has Bonded to the unusual Opal dragon, Frostfire, and Queen Elizabeth herself wants to meet her! The Queen has a particular mission for Bess to undertake, and a great secret of State. Meanwhile, Bess and her friends must worry about their Basque friend, John Wolf, who is being held hostage whilst his daughter is to go to the School of Draxery. A rescue is in order; but the Necromancer of Spain will not leave things alone so tamely. Visits from courtiers and others of more hostile intent intrude on the education of Bess, Diccon, Tangwystl and their friends, while they hurry to make their combat gardening big enough to be of use.

Like much of G. K. Chesterton's fiction, The Ball and the Cross is both witty and profound, cloaking serious religious and philosophical inquiry in sparkling humor and whimsy. Serialized in the British publication The Commonwealth in 1905-06, Chesterton's second novel first appeared in book form in America in 1909, delighting and challenging readers with its heady mixture of fantasy, farce, and theology. The plot of The Ball and the Cross chronicles a hot dispute between two Scotsmen, one a devout but naive Roman Catholic, the other a zealous but naive atheist. Their fanatically held opinions—leading to a duel that is proposed but never fought—inspire a host of comic adventures whose allegorical levels vigorously explore the debate between theism and atheism. Martin Gardner's superb introduction to The Ball and the Cross reveals the real-life debate between Chesterton and a famous atheist that provided inspiration for the story, and it explores some of the novel's possible allegorical meanings. Appraising the book's many intriguing philosophical qualities, Mr. Gardner alerts readers as well to the pleasures of its "colorful style . . . amusing puns and clever paradoxes . . . and the humor and melodrama of its crazy plot."

The thrilling allegorical novel from the author of The Man Who Was Thursday and the Father Brown Stories First serialized in the Commonwealth, G. K. Chesterton’s fantastical third novel opens with a debate between Professor Lucifer and Brother Michael as they soar across the sky above London. Part farce, part theological exploration, The Ball and the Cross soon settles on the story of another pair of contraries. When differences of opinion lead an atheist and a devout Roman Catholic to plan a duel to the death, fate intervenes and propels the two men toward deeper understanding. Widely considered to be one of Chesterton’s most accessible and substantive works, The Ball and the Cross was commended by Pope John Paul I for the profound truths it reveals. Readers for over a hundred years have marveled at the brilliance of this exhilarating tale about belief, nonbelief, and our collective search for the truth. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

The flying ship of Professor Lucifer sang through the skies like a silver arrow; the bleak white steel of it, gleaming in the bleak blue emptiness of the evening. That it was far above the earth was no expression for it; to the two men in it, it seemed to be far above the stars. The professor had himself invented the flying machine, and had also invented nearly everything in it. Every sort of tool or apparatus had, in consequence, to the full, that fantastic and distorted look which belongs to the miracles of science. For the world of science and evolution is far more nameless and elusive and like a dream than the world of poetry and religion; since in the latter images and ideas remain themselves eternally, while it is the whole idea of evolution that identities melt into each other as they do in a nightmare.All the tools of Professor Lucifer were the ancient human tools gone mad, grown into unrecognizable shapes, forgetful of their origin, forgetful of their names. That thing which looked like an enormous key with three wheels was really a patent and very deadly revolver. That object which seemed to be created by the entanglement of two corkscrews was really the key. The thing which might have been mistaken for a tricycle turned upside-down was the inexpressibly important instrument to which the corkscrew was the key. All these things, as I say, the professor had invented; he had invented everything in the flying ship, with the exception, perhaps, of himself. This he had been born too late actually to inaugurate, but he believed at least, that he had considerably improved it.There was, however, another man on board, so to speak, at the time. Him, also, by a curious coincidence, the professor had not invented, and him he had not even very greatly improved, though he had fished him up with a lasso out of his own back garden, in Western Bulgaria, with the pure object of improving him. He was an exceedingly holy man, almost entirely covered with white hair. You could see nothing but his eyes, and he seemed to talk with them. A monk of immense learning and acute intellect he had made himself happy in a little stone hut and a little stony garden in the Balkans, chiefly by writing the most crushing refutations of exposures of certain heresies, the last professors of which had been burnt (generally by each other) precisely 1,119 years previously. They were really very plausible and thoughtful heresies, and it was really a creditable or even glorious circumstance, that the old monk had been intellectual enough to detect their fallacy; the only misfortune was that nobody in the modern world was intellectual enough even to understand their argument. The old monk, one of whose names was Michael, and the other a name quite impossible to remember or repeat in our Western civilization, had, however, as I have said, made himself quite happy while he was in a mountain hermitage in the society of wild animals. And now that his luck had lifted him above all the mountains in the society of a wild physicist, he made himself happy still.“I have no intention, my good Michael,” said Professor Lucifer, “of endeavouring to convert you by argument. The imbecility of your traditions can be quite finally exhibited to anybody with mere ordinary knowledge of the world, the same kind of knowledge which teaches us not to sit in draughts or not to encourage friendliness in impecunious people. It is folly to talk of this or that demonstrating the rationalist philosophy. Everything demonstrates it. Rubbing shoulders with men of all kinds——” - Taken from "The Ball and the Cross" written by G. K. Chesterton

Like much of G. K. Chesterton's fiction, The Ball and the Cross is both witty and profound, cloaking serious religious and philosophical inquiry in sparkling humor and whimsy. Serialized in the British publication The Commonwealth in 1905-06, Chesterton's second novel first appeared in book form in America in 1909, delighting and challenging readers with its heady mixture of fantasy, farce, and theology. The plot of The Ball and the Cross chronicles a hot dispute between two Scotsmen, one a devout but naive Roman Catholic, the other a zealous but naive atheist. Their fanatically held opinions—leading to a duel that is proposed but never fought—inspire a host of comic adventures whose allegorical levels vigorously explore the debate between theism and atheism. Martin Gardner's superb introduction to The Ball and the Cross reveals the real-life debate between Chesterton and a famous atheist that provided inspiration for the story, and it explores some of the novel's possible allegorical meanings. Appraising the book's many intriguing philosophical qualities, Mr. Gardner alerts readers as well to the pleasures of its "colorful style . . . amusing puns and clever paradoxes . . . and the humor and melodrama of its crazy plot."