Books with title Poems of Nature

A poem for every month, this is a beautiful anthology of nature poems by best-loved children's poet, Joseph Coelho encourages a love for the natural world and the importance of looking after it. ⭐⭐⭐⭐⭐'a treasure for you and your child to share' ⭐⭐⭐⭐⭐'stunning illustrations' ⭐⭐⭐⭐⭐'a true celebration of the world we live in' See how animals behave through the seasons, and the cycle of trees and plants, from the first blossoms of spring through to the stark winter wonderland in December. Twelve inspiring poems from Joseph Coelho, one for each month of the year, paired with folk art from Kelly Louise Judd give this book year-round appeal. A beautiful book for your bookshelf, to spark an idea for your own poem, or to teach a love for nature and to help children foster a love for the natural world. 'Heart-flutteringly lovely and powerful' - Book Trust 'In the classroom, this book could be used as a reference for writers to create their own season poems; play with the language of the original poems or pair their own personal memories with the weather or changing seasons.' - North Somerset Teachers Book Award 'This will appeal to all ages and never date...' - LoveReading4Kids

Extract :INTRODUCTIONThe fifty poems here brought together under the title 'Poems of Nature' are perhaps two-thirds of those which Thoreau preserved. Many of them were printed by him, in whole or in part, among his early contributions to Emerson's Dial, or in his own two volumes, The Week and Walden, which were all that were issued in his lifetime. Others were given to Mr. Sanborn for publication, by Sophia Thoreau, the year after her brother's death (several appeared in the Boston Commonwealth in 1863); or have been furnished from time to time by Mr. Blake, his literary executor.Most of Thoreau's poems were composed early in his life, before his twenty-sixth year. 'Just now,' he wrote in the autumn of 1841, 'I am in the mid-sea of verses, and they actually rustle round me, as the leaves would round the head of Autumnus himself, should he thrust it up through some vales which I know; but, alas! many of them are but crisped and yellow leaves like his, I fear, and will deserve no better fate than to make mould for new harvests.' After 1843 he seems to have written but few poems, and had destroyed perhaps as many as he had retained, because they did not meet the exacting requirements of his friend Emerson, upon whose opinion at that time he placed great reliance. This loss was regretted by Thoreau in after years, when the poetical habit had left him, for he fancied that some of the verses were better than his friend had supposed. But Emerson, who seldom changed his mind, adhered to his verdict, and while praising some of the poems highly, perhaps extravagantly, would admit but a small number of them to the slight selection which he appended to the posthumous edition of Thoreau's Letters, edited by him in 1865; and even these were printed, in some instances, in an abbreviated and imperfect form.[1] A few other poems, with some translations from the Greek, have lately been included by Thoreau's Boston publishers in their volume of Miscellanies (vol. x. of the Riverside Edition, 1894). But no collection so full as the present one has ever been offered to the public.It has not been attempted to make this a complete collection of Thoreau's poems, because, as has been well said, 'many of them seem to be merely pendants to his prose discourse, dropped in as forcible epigrams where they are brief, and in other instances made ancillary to the idea just expressed, or to perpetuate a distinct conception that has some vital connection with the point from which it was poured forth. It is, therefore, almost an injustice to treat them separately at all.'[2] After the discontinuance of The Dial, Thoreau ceased to publish his verses as separate poems, but interpolated them, in the manner described, in his prose essays, where they form a sort of accompaniment to the thought, and from which it is in many cases impossible to detach them. That he himself set some value on them in this connection may be gathered from a sentence in the last of his published letters, in which he writes to a correspondent: 'I am pleased when you say that in The Week you like especially those little snatches of poetry interspersed through the book, for these I suppose are the least attractive to most readers?'Everything that concerns a great writer has its special interest; and Thoreau's poetry, whatever its intrinsic value may be, is full of personal significance; in fact, as Emerson remarked, 'his biography is in his verses.' Thus, many of these poems will be found to throw light on certain passages of his life. 'Inspiration,' for example, is the record of his soul's awakening to the new impulse of transcendentalism; the stanzas on 'Sympathy' perhaps contain in a thinly disguised form the story of his youthful love, and the sacrifice which he imposed on himself to avoid rivalry with his brother; the lines 'To my Brother' refer to the sudden and tragic death of John Thoreau in 1842; and 'The Departure' is believed to be the poem in which ...

"Poems of Nature" by Henry David Thoreau. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Excerpt from Poems of NatureMost of T/zoreau's poems were composed early in lzis life, oofore lzis tzoenty-sixt/z year. 'just now,' be wrote in tlze autumn of 1841, I am in t/ze mid-sea of verses.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Have you ever wondered whether caterpillars dream of flying? Whether frogs miss their tails? Whether birds worry about childcare?From adventurous moles to anxious tadpoles, philosophical snails to fluttering butterflies, discover the secret lives amongst the leaves with these seven nature poems from children’s author Julia Rawlinson.Includes the poems The Wisdom of the Snail, The Seven Ages of a Leaf, The Tadpole's Tail, Beetle, Waiting for my Eggs to Hatch, If a Mole... and Does a Caterpillar Dream?"As a caterpillar crunchesAll those lovely leafy lunches,Does it raise its little eyesTo the butterfly-filled skies?Does it watch them as they dance?Does it wish for just one chanceTo escape its leafy place,And fly free in light and space..."

Excerpt from Poems of Nature The fifzy poems bere brougbt togetber under tbe title 'poems of Nature are perbaps two-tbirds of tbose wbicb Tboreau preserved. Many of tbem were printed by bim, (en wbole or in part, among bis early contributions to Emerson's Dial, or in bis own 'two volumes, The Week and Walden, wbicb were all tbat were issued in bis life time. Otbers were given to M r. Sanborn for publication, by Sopbia Tboreau, tbe year after ber brotber's deatb (several appeared in tbc Boston Commonwealth in 1863) or bave been furnisbed from time to time by Mr. Blabe, bis_literary executor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The fifty poems here brought together under the title ‘Poems of Nature’ are perhaps two-thirds of those which Thoreau preserved. Many of them were printed by him, in whole or in part, among his early contributions to Emerson’s Dial, or in his own two volumes, The Week and Walden, which were all that were issued in his lifetime. Others were given to Mr. Sanborn for publication, by Sophia Thoreau, the year after her brother’s death (several appeared in the Boston Commonwealth in 1863); or have been furnished from time to time by Mr. Blake, his literary executor. Most of Thoreau’s poems were composed early in his life, before his twenty-sixth year, ‘Just now’ he wrote in the autumn of 1841, ‘I am in the mid-sea of verses, and they actually rustle round me, as the leaves would round the head of Autumnus himself, should he thrust it up through some vales which I know; but, alas! many of them are but crisped and yellow leaves like his, I fear, and will deserve no better fate than to make mould for new harvests.’ After 1843 he seems to have written but few poems, and had destroyed perhaps as many as he had retained, because they did not meet the exacting requirements of his friend Emerson, upon whose opinion at that time he placed great reliance. This loss was regretted by Thoreau in after years, when the poetical habit had left him, for he fancied that some of the verses were better than his friend had supposed. But Emerson, who seldom changed his mind, adhered to his verdict, and while praising some of the poems highly, perhaps extravagantly, would admit but a small number of them to the slight selection which he appended to the posthumous edition of Thoreau’s Letters, edited by him in 1865; and even these were printed, in some instances, in an abbreviated and imperfect form. A few other poems, with some translations from the Greek, have lately been included by Thoreau’s Boston publishers in their volume of Miscellanies (vol. x. of the Riverside Edition, 1894). But no collection so full as the present one has ever been offered to the public. It has not been attempted to make this a complete collection of Thoreau’s poems, because, as has been well said, ‘many of them seem to be merely pendants to his prose discourse, dropped in as forcible epigrams where they are brief, and in other instances made ancillary to the idea just expressed, or to perpetuate a distinct conception that has some vital connection with the point from which it was poured forth. It is, therefore, almost an injustice to treat them separately at all.’ After the discontinuance ofThe Dial, Thoreau ceased to publish his verses as separate poems, but interpolated them, in the manner described, in his prose essays, where they form a sort of accompaniment to the thought, and from which it is in many cases impossible to detach them. That he himself set some value on them in this connection may be gathered from a sentence in the last of his published letters, in which he writes to a correspondent: ‘I am pleased when you say that in The Week you like especially those little snatches of poetry interspersed through the book, for these I suppose are the least attractive to most readers.’

Henry David Thoreau (see name pronunciation; July 12, 1817 – May 6, 1862) was an American essayist, poet, and philosopher. A leading transcendentalist, Thoreau is best known for his book Walden, a reflection upon simple living in natural surroundings, and his essay "Civil Disobedience" (originally published as "Resistance to Civil Government"), an argument for disobedience to an unjust state.Thoreau's books, articles, essays, journals, and poetry amount to more than 20 volumes. Among his lasting contributions are his writings on natural history and philosophy, in which he anticipated the methods and findings of ecology and environmental history, two sources of modern-day environmentalism. His literary style interweaves close observation of nature, personal experience, pointed rhetoric, symbolic meanings, and historical lore, while displaying a poetic sensibility, philosophical austerity, and Yankee attention to practical detail. He was also deeply interested in the idea of survival in the face of hostile elements, historical change, and natural decay; at the same time he advocated abandoning waste and illusion in order to discover life's true essential needs............Henry Shakespear Stephens Salt (20 September 1851 – 19 April 1939) was an English writer and campaigner for social reform in the fields of prisons, schools, economic institutions, and the treatment of animals. He was a noted ethical vegetarian, anti-vivisectionist, socialist, and pacifist, and was well known as a literary critic, biographer, classical scholar and naturalist. It was Salt who first introduced Mohandas Gandhi to the influential works of Henry David Thoreau, and influenced Gandhi's study of vegetarianism.Salt is credited with being the first writer to argue explicitly in favour of animal rights, in his Animals' Rights: Considered in Relation to Social Progress (1892), rather than focusing on improvements to animal welfare. He wrote: "If we are ever going to do justice to the lower races, we must get rid of the antiquated notion of a 'great gulf' fixed between them and mankind, and must recognize the common bond of humanity that unites all living beings in one universal brotherhood."...Franklin Benjamin Sanborn (December 15, 1831 – February 24, 1917) was an American journalist, author, and reformer. Sanborn was a social scientist, and a memorialist of American transcendentalism who wrote early biographies of many of the movement's key figures. He founded the American Social Science Association, in 1865, "to treat wisely the great social problems of the day". He was a member of the Secret Six, or "Committee of Six", which funded the militant abolitionist John Brown.

Thoreau (1817-62) was an American essayist, poet, and philosopher. A leading transcendentalist, he is best known for his book Walden, a reflection upon simple living in natural surroundings, and for his essay Civil Disobedience (originally published as Resistance to Civil Government), an argument for disobedience to an unjust state. His books, articles, essays, journals and poetry amount to over 20 volumes and his literary style interweaves close observation of nature, personal experience, pointed rhetoric, symbolic meanings, and historical lore, while displaying a poetic sensibility, philosophical austerity and attention to practical detail. This collection of his nature poems, selected and edited by American author and reformer Franklin Benjamin Sanborn together with English writer and social reform campaigner Henry Stephens Salt, was first published in 1895.

The fifty poems here brought together under the title ‘Poems of Nature’ are perhaps two-thirds of those which Thoreau preserved. Many of them were printed by him, in whole or in part, among his early contributions to Emerson’s Dial, or in his own two volumes, The Week and Walden, which were all that were issued in his lifetime. Others were given to Mr. Sanborn for publication, by Sophia Thoreau, the year after her brother’s death (several appeared in the Boston Commonwealth in 1863); or have been furnished from time to time by Mr. Blake, his literary executor. Most of Thoreau’s poems were composed early in his life, before his twenty-sixth year, ‘Just now’ he wrote in the autumn of 1841, ‘I am in the mid-sea of verses, and they actually rustle round me, as the leaves would round the head of Autumnus himself, should he thrust it up through some vales which I know; but, alas! many of them are but crisped and yellow leaves like his, I fear, and will deserve no better fate than to make mould for new harvests.’ After 1843 he seems to have written but few poems, and had destroyed perhaps as many as he had retained, because they did not meet the exacting requirements of his friend Emerson, upon whose opinion at that time he placed great reliance. This loss was regretted by Thoreau in after years, when the poetical habit had left him, for he fancied that some of the verses were better than his friend had supposed. But Emerson, who seldom changed his mind, adhered to his verdict, and while praising some of the poems highly, perhaps extravagantly, would admit but a small number of them to the slight selection which he appended to the posthumous edition of Thoreau’s Letters, edited by him in 1865; and even these were printed, in some instances, in an abbreviated and imperfect form. A few other poems, with some translations from the Greek, have lately been included by Thoreau’s Boston publishers in their volume of Miscellanies (vol. x. of the Riverside Edition, 1894). But no collection so full as the present one has ever been offered to the public. It has not been attempted to make this a complete collection of Thoreau’s poems, because, as has been well said, ‘many of them seem to be merely pendants to his prose discourse, dropped in as forcible epigrams where they are brief, and in other instances made ancillary to the idea just expressed, or to perpetuate a distinct conception that has some vital connection with the point from which it was poured forth. It is, therefore, almost an injustice to treat them separately at all.’ After the discontinuance ofThe Dial, Thoreau ceased to publish his verses as separate poems, but interpolated them, in the manner described, in his prose essays, where they form a sort of accompaniment to the thought, and from which it is in many cases impossible to detach them. That he himself set some value on them in this connection may be gathered from a sentence in the last of his published letters, in which he writes to a correspondent: ‘I am pleased when you say that in The Week you like especially those little snatches of poetry interspersed through the book, for these I suppose are the least attractive to most readers.’