Books with title Mohun: Or, the Last Days of Lee

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

On the wall over the mantel-piece, here in my quiet study at Eagle's-Nest, are two crossed swords. One is a battered old sabre worn at Gettysburg, and Appomattox; the other, a Federal officer's dress sword captured in 1863. It was a mere fancy to place them there, as it was a whim to hang upon that nail yonder, the uniform coat with its stars and braid, which Stuart wore on his famous ride around McClellan in 1862. Under the swords hang portraits of Lee, Jackson, and Stuart. Jackson wears his old coat, and his brow is raised as though he were looking out from beneath his yellow old cadet cap. Stuart is seated, grasping his sabre, with his plumed hat resting on his knee. His huge beard flows on his breast, his eyes are clear and penetrating, and beneath the picture I have placed a slip cut from one of his letters to me, and containing the words, "Yours to count on, J.E.B. Stuart." Lastly, the gray commander-in-chief looks with a grave smile over his shoulder, the eyes fixed upon that excellent engraving of the "Good Old Rebel," a private of the Army of Northern Virginia, seated on a log, after the war, and reflecting with knit brows on the past and the present.