Books with title Mary Olivier: A Life

Originally published alongside Ulysses in the pages of the legendary Little Review, Mary Olivier: A Life is an intimate, lacerating account of the ties between daughter and mother, a book of transfixing images and troubling moral intelligence that confronts the exigencies and ambiguities of freedom and responsibility with empathy and power. May Sinclair's finest novel stands comparison with the work of Willa Cather, Katherine Mansfield, and the young Virginia Woolf.As a child, Mary Olivier's dreamy disposition and fierce intelligence set her apart from her Victorian family, especially her mother, "Little Mamma," whose dazzling looks cannot hide her meager love for her only daughter. Mary grows up in a world of her own, a solitude that leaves her free to explore her deepest passions, for literature and philosophy, for the austere beauties of England's north country, even as she continues to attend to her family. But in time the independence Mary values—at almost any cost—threatens to become a form of captivity itself.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

May Sinclair was the pseudonym of Mary Amelia St. Clair (24 August 1863 – 14 November 1946), a popular British writer who wrote about two dozen novels, short stories and poetry. She was an active suffragist, and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose, and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915–67), in The Egoist, April 1918. MARY OLIVIER: A LIFE The curtain of the big bed hung down beside the cot. When old Jenny shook it the wooden rings rattled on the pole and grey men with pointed heads and squat, bulging bodies came out of the folds on to the flat green ground. If you looked at them they turned into squab faces smeared with green. Every night, when Jenny had gone away with the doll and the donkey, you hunched up the blanket and the stiff white counterpane to hide the curtain and you played with the knob in the green painted iron railing of the cot. It stuck out close to your face, winking and grinning at you in a friendly way. You poked it till it left off and turned grey and went back into the railing. Then you had to feel for it with your finger. It fitted the hollow of your hand, cool and hard, with a blunt nose that pushed agreeably into the palm.

Lang: - eng, Pages 404. Reprinted in 2015 with the help of original edition published long back [1919]. This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible). Hope you will like it and give your comments and suggestions.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.