Books with title Lysbeth: A tale of the Dutch

The time was in or about the year 1544, when the Emperor Charles V. ruled the Netherlands, and our scene the city of Leyden. Any one who has visited this pleasant town knows that it lies in the midst of wide, flat meadows, and is intersected by many canals filled with Rhine water. But now, as it was winter, near to Christmas indeed, the meadows and the quaint gabled roofs of the city lay buried beneath a dazzling sheet of snow, while, instead of boats and barges, skaters glided up and down the frozen surface of the canals, which were swept for their convenience. Outside the walls of the town, not far from the Morsch poort, or gate, the surface of the broad moat which surrounded them presented a sight as gay as it was charming. Just here one of the branches of the Rhine ran into this moat, and down it came the pleasure-seekers in sledges, on skates, or afoot. They were dressed, most of them, in their best attire, for the day was a holiday set apart for a kind of skating carnival, with sleighing matches, such games as curling, and other amusements.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The author writes, "By an example of the trials, adventures, and victories of a burgher family of the generation of Philip II and William the Silent, he strives to set before readers of to-day something of the life of those who lived through perhaps the most fearful tyranny that the western world has known. How did they live, one wonders; how is it that they did not die of very terror, those of them who escaped the scaffold, the famine and the pestilence?" This publication from Boomer Books is specially designed and typeset for comfortable reading.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Lysbeth - A Tale of the Dutch - H. Rider Haggard - World Classics. There are, roughly, two ways of writing an historical romance—the first to choose some notable and leading characters of the time to be treated, and by the help of history attempt to picture them as they were; the other, to make a study of that time and history with the country in which it was enacted, and from it to deduce the necessary characters. In the case of "Lysbeth" the author has attempted this second method. By an example of the trials, adventures, and victories of a burgher family of the generation of Philip II. and William the Silent, he strives to set before readers of to-day something of the life of those who lived through perhaps the most fearful tyranny that the western world has known. How did they live, one wonders; how is it that they did not die of very terror, those of them who escaped the scaffold, the famine and the pestilence? This and another—Why were such things suffered to be?—seem problems worth consideration, especially by the young, who are so apt to take everything for granted, including their own religious freedom and personal security. How often, indeed, do any living folk give a grateful thought to the forefathers who won for us these advantages, and many others with them? The writer has sometimes heard travellers in the Netherlands express surprise that even in an age of almost universal decoration its noble churches are suffered to remain smeared with melancholy whitewash. Could they look backward through the centuries and behold with the mind's eye certain scenes that have taken place within these very temples and about their walls, they would marvel no longer. Here we are beginning to forget the smart at the price of which we bought deliverance from the bitter yoke of priest and king, but yonder the sword bit deeper and smote more often. Perhaps that is why in Holland they still love whitewash, which to them may be a symbol, a perpetual protest; and remembering stories that have been handed down as heirlooms to this day, frown at the sight of even the most modest sacerdotal vestment. Those who are acquainted with the facts of their history and deliverance will scarcely wonder at the prejudice. Sir Henry Rider Haggard, KBE (22 June 1856 – 14 May 1925) was an English writer of adventure novels set in exotic locations, predominantly Africa, and a founder of the Lost World literary genre. He was also involved in agricultural reform throughout the British Empire. His stories, situated at the lighter end of Victorian literature, continue to be popular and influential. Haggard's stories are still widely read today. Ayesha, the female protagonist of She, has been cited as a prototype by psychoanalysts as different as Sigmund Freud (in The Interpretation of Dreams) and Carl Jung. Her epithet "She Who Must Be Obeyed" is used by British author John Mortimer in his Rumpole of the Bailey series as the private name which the lead character uses for his wife, Hilda, before whom he trembles at home (despite the fact that he is a barrister with some skill in court). Haggard's Lost World genre influenced popular American pulp writers such as Edgar Rice Burroughs, Robert E. Howard, Talbot Mundy, Philip José Farmer, and Abraham Merritt. Allan Quatermain, the adventure hero of King Solomon's Mines and its sequel Allan Quatermain, was a template for the American character Indiana Jones, featured in the films Raiders of the Lost Ark, Temple of Doom, Indiana Jones and the Last Crusade, and Kingdom of the Crystal Skull. Quatermain has gained recent popularity thanks to being a main character in the League of Extraordinary Gentlemen.