Books with title Louisa May Alcott

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

LOUISA MAY ALCOTT is universally recognized as the greatest and most popular story-teller for children in her generation. She has known the way to the hearts of young people, not only in her own class, or even country, but in every condition of life, and in many foreign lands. Plato says, "Beware of those who teach fables to children;" and it is impossible to estimate the influence which the popular writer of fiction has over the audience he wins to listen to his tales. The preacher, the teacher, the didactic writer find their audience in hours of strength, with critical faculties all alive, to question their propositions and refute their arguments. The novelist comes to us in the intervals of recreation and relaxation, and by his seductive powers of imagination and sentiment takes possession of the fancy and the heart before judgment and reason are aroused to defend the citadel. It well becomes us, then, who would guard young minds from subtle temptations, to study the character of those works which charm and delight the children.Of no author can it be more truly said than of Louisa Alcott that her works are a revelation of herself. She rarely sought for the material of her stories in old chronicles, or foreign adventures. Her capital was her own life and experiences and those of others directly about her; and her own well-remembered girlish frolics and fancies were sure to find responsive enjoyment in the minds of other girls.It is therefore impossible to understand Miss Alcott's works fully without a knowledge of her own life and experiences. By inheritance and education she had rich and peculiar gifts; and her life was one of rare advantages, as well as of trying difficulties. Herself of the most true and frank nature, she has given us the opportunity of knowing her without disguise; and it is thus that I shall try to portray her, showing what influences acted upon her through life, and how faithfully and fully she performed whatever duties circumstances laid upon her. Fortunately I can let her speak mainly for herself.Miss Alcott revised her journals at different times during her later life, striking out what was too personal for other eyes than her own, and destroying a great deal which would doubtless have proved very interesting.The small number of letters given will undoubtedly be a disappointment. Miss Alcott wished to have most of her letters destroyed, and her sister respected her wishes. She was not a voluminous correspondent; she did not encourage many intimacies, and she seldom wrote letters except to her family, unless in reference to some purpose she had strongly at heart. Writing was her constant occupation, and she was not tempted to indulge in it as a recreation. Her letters are brief, and strictly to the point, but always characteristic in feeling and expression; and, even at the risk of the repetition of matter contained in her journals or her books, I shall give copious extracts from such as have come into my hands.

Dear Reader: The Childhood of Famous Americans series, sixty-five years old in 1997, chronicles the early years of famous American men and women in an accessible manner. Each book is faithful in spirit to the values and experiences that influenced the person's development. History is fleshed out with fictionalized details, and conversations have been added to make the stories come alive to today's reader, but every reasonable effort has been made to make the stories consistent with the events, ethics, and character of their subjects. These books reaffirm the importance of our American heritage. We hope you learn to love the heroes and heroines who helped shape this great country. And by doing so, we hope you also develop a lasting love for the nation that gave them the opportunity to make their dreams come true. It will do the same for you. Happy Reading! The Editors

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. An intimate portrait of one of America's most beloved writers is revealed in this 1889 work from editor Ednah Dow Cheney. Originally published just a year after Louisa May Alcott's death at the age of 55, this unparalleled collection of Alcott's surviving personal letters and journal entries and the additional biographical commentary from family friend Cheney serve to paint a picture of Alcott's "true and frank nature" and "how faithfully and fully she performed whatever duties circumstances laid upon her." This important work gives the reader insight into Alcott's life, and portrays how her experiences informed her timeless and much-loved classics.