Books with title King Henry VI

Henry V is a history play by William Shakespeare, believed to have been written near 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was titled The Cronicle History of Henry the fift,[1]:p.6 which became The Life of Henry the Fifth in the First Folio text.The play is the final part of a tetralogy, preceded by Richard II, Henry IV, Part 1, and Henry IV, Part 2. The original audiences would thus have already been familiar with the title character, who was depicted in the Henry IV plays as a wild, undisciplined young man. In Henry V, the young prince has matured. He embarks on an expedition to France and, his army badly outnumbered, defeats the French at Agincourt.

This edition celebrates King Henry VI Part 2 as one of the most exciting and dynamic plays of the English renaissance theatre, with its exploration of power politics and social revolution and its focus on the relationship between divine justice and sin. An extensive discussion of performance history traces the play's progress on stage from abridgement and adaptation to full historical epic. A survey of criticism discusses the wide range of responses provoked by the play's handling of its historical theme, and concludes by focusing on the element of burlesque in the attempted social revolution portrayed.

A fresh look at a play usually regarded as the first component of a three-part historical epic, this edition argues that Henry VI Part 1 is a 'prequel', a freestanding piece that returns for ironic and dramatic effect to a story already familiar to its audience. The play's ingenious use of stage space is closely analysed, as is its manipulation of a series of setpiece combats to give a coherent syntax of action. Discussion of the dramatic structure created by the opposing figures of Talbot and Jeanne la Pucelle, and exploration of the critical controversies surrounding the figure of Jeanne, lead to a reflection on the nature of the history play as genre in the 1590s.

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors.Henry V is a history play by William Shakespeare, believed to have been written in approximately 1599. It tells the story of King Henry V of England, focusing on events immediately before and after the Battle of Agincourt (1415) during the Hundred Years' War. In the First Quarto text, it was entitled The Cronicle History of Henry the fift, which became The Life of Henry the Fifth in the First Folio text.The play is the final part of a tetralogy, preceded by Richard II, Henry IV, Part 1 and Henry IV, Part 2. The original audiences would thus have already been familiar with the title character, who was depicted in the Henry IV plays as a wild, undisciplined lad known as "Prince Harry" and by Falstaff as "Hal". In Henry V, the young prince has become a mature man and embarks on a successful conquest of France.

For this updated edition of Shakespeare's most celebrated war play, Professor Gurr has added a new section to his introduction which considers recent critical and stage interpretations, especially concentrating on the 'secret' versus 'official' readings of the play. He analyses the play's double vision of Henry as both military hero and self-seeking individual. The appendices provide a comprehensive collection of source materials, while the stage history shows how subsequent centuries have received and adapted the play on the stage and in film. An updated reading list completes the edition.

For this updated edition of Shakespeare's most celebrated war play, Professor Gurr has added a new section to his introduction which considers recent critical and stage interpretations, especially concentrating on the 'secret' versus 'official' readings of the play. He analyses the play's double vision of Henry as both military hero and self-seeking individual. Professor Gurr shows how the patriotic declarations of the Chorus are contradicted by the play's action. The play's more controversial sequences are placed in the context of Elizabethan thought, in particular the studies of the laws and morality of war written in the years before Henry V. Also studied is the exceptional variety of language and dialect in the play. The appendices provide a comprehensive collection of source materials, while the stage history shows how subsequent centuries have received and adapted the play on the stage and in film. An updated reading list completes the edition.

In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as `kingmaker'. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.

Being a mere infant on the throne of England, King Henry VI is in trouble. The power struggle between the houses of Lancaster and York resurfaces. A feud between the Duke of Gloucester the current ruler and cardinal, while the Duke of York and Richard Plantagenet are engaged in a fierce disagreement where they are more concerned with destroying one another than they are in protecting England. Talbot the leader in France is unable to suppress the French and is being driven back to the sea by Joan of Arc. William Shakespeare is widely regarded as the greatest writer of the English language. Works of Romeo and Juliet, Othello, A Mid Summer's Night Dream and The Taming of the Shrew have been taught and been on stage since they were written. His influence on culture is far more reaching as he has invented many of the words that we are using today.

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. Henry VI, Part 1, often referred to as 1 Henry VI, is a history play by William Shakespeare, and possibly Christopher Marlowe and/or Thomas Nashe, believed to have been written in 1591, and set during the lifetime of King Henry VI of England. Whereas Henry VI, Part 2 deals with the King's inability to quell the bickering of his nobles, and the inevitability of armed conflict, and Henry VI, Part 3 deals with the horrors of that conflict, Henry VI, Part 1 deals with the loss of England's French territories and the political machinations leading up to the Wars of the Roses, as the English political system is torn apart by personal squabbles and petty jealousy. Although the Henry VI trilogy may not have been written in chronological order, the three plays are often grouped together with Richard III to form a tetralogy covering the entire Wars of the Roses saga, from the death of Henry V in 1422 to the rise to power of Henry VII in 1485. It was the success of this sequence of plays that firmly established Shakespeare's reputation as a playwright. Some regard Henry VI, Part 1 as the weakest of Shakespeare's plays and, along with Titus Andronicus, it is generally considered one of the strongest candidates for evidence that Shakespeare collaborated with other dramatists early in his career.

Being a mere infant on the throne of England, King Henry VI is in trouble. The power struggle between the houses of Lancaster and York resurfaces. A feud between the Duke of Gloucester the current ruler and cardinal, while the Duke of York and Richard Plantagenet are engaged in a fierce disagreement where they are more concerned with destroying one another than they are in protecting England. Talbot the leader in France is unable to suppress the French and is being driven back to the sea by Joan of Arc. William Shakespeare is widely regarded as the greatest writer of the English language. Works of Romeo and Juliet, Othello, A Mid Summer's Night Dream and The Taming of the Shrew have been taught and been on stage since they were written. His influence on culture is far more reaching as he has invented many of the words that we are using today.