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Books with title In Pawn

  • In Pawn

    Ellis Parker Butler

    language (bz editores, Nov. 21, 2013)
    In Pawn by Ellis Parker ButlerLem Redding had a dimple in his cheek that appeared when he smiled. For a boy with a faceful of freckles he was pretty. He had dear, bright gray eyes, and his smile, aided by the dimple, made most folks love him at sight. His hair was brown, as his dead mother's had been; in fact he was much like that mother in more ways than one—far more like her than he was like Harvey Redding, his father. Lem was quick, agile, lively, and Harvey was plumb lazy.Without an exception Harvey Redding was the laziest man in or near Riverbank. He was one of the heaviest men, too, for he was a glutton. He loved food. He ate too much and he drank too much and he sat too much, all of which increased his girth. He was as huge as Falstaff.For two or three years Harvey Redding had been meaning to get a new belt, but, somehow, he never "got around to it," and for quite a while the tongue of the belt buckle had been in the last hole, while Harvey himself kept right on enlarging. As a result the belt made a tight band around his middle and seemed cutting him in two. When Harvey leaned forward the belt entirely disappeared under a great roll of fat and his face turned purple.In most respects Harvey was the best-natured, easiest-going man in the world, but he had fits of intense irritation, when he lost his temper entirely and "dod-basted" like a trooper. These spells came, usually, when he had to do any work. Moving was work for him. He lost his placidity if he had to get out of his chair to close a door, or put a stick of wood in the stove, or do any hard labor of that sort. He also lost his temper over accidents, as when he fell asleep in his chair—as he did every half-hour during the day—and his lighted pipe fell in at the open bosom of his gray flannel shirt and burned his skin. At such times he "dod-basted" everybody and everything, and almost got out of his chair.
  • In Pawn

    Ellis Parker Butler

    Hardcover (Houghton Mifflin Company, July 6, 1921)
    None
  • In Pawn

    Ellis Parker Butler

    (Library Of Alexandria, Oct. 21, 2018)
    Lem Redding had a dimple in his cheek that appeared when he smiled. For a boy with a faceful of freckles he was pretty. He had dear, bright gray eyes, and his smile, aided by the dimple, made most folks love him at sight. His hair was brown, as his dead mother's had been; in fact he was much like that mother in more ways than one-far more like her than he was like Harvey Redding, his father. Lem was quick, agile, lively, and Harvey was plumb lazy. Without an exception Harvey Redding was the laziest man in or near Riverbank. He was one of the heaviest men, too, for he was a glutton. He loved food. He ate too much and he drank too much and he sat too much, all of which increased his girth. He was as huge as Falstaff. For two or three years Harvey Redding had been meaning to get a new belt, but, somehow, he never "got around to it," and for quite a while the tongue of the belt buckle had been in the last hole, while Harvey himself kept right on enlarging. As a result the belt made a tight band around his middle and seemed cutting him in two. When Harvey leaned forward the belt entirely disappeared under a great roll of fat and his face turned purple. In most respects Harvey was the best-natured, easiest-going man in the world, but he had fits of intense irritation, when he lost his temper entirely and "dod-basted" like a trooper. These spells came, usually, when he had to do any work. Moving was work for him. He lost his placidity if he had to get out of his chair to close a door, or put a stick of wood in the stove, or do any hard labor of that sort. He also lost his temper over accidents, as when he fell asleep in his chair-as he did every half-hour during the day-and his lighted pipe fell in at the open bosom of his gray flannel shirt and burned his skin. At such times he "dod-basted" everybody and everything, and almost got out of his chair. The chair he liked best was an ancient hickory rocker which he had braced and trussed with stout wires. On the seat was a round cushion covered with green rep, worn threadbare, and flattened by long use. Harvey's hair was thin and iron-gray and he never brushed it because brushing hair meant exertion. On the top of his cranium was a spot entirely bald. There were times when Harvey thought that if the world had no flies to alight on that bald spot and no people to make him get out of the chair, he might be perfectly happy. The flies made him ferocious. He slapped at them, when they alighted on his head, with a vigor that would possibly have crushed his skull if his hands had not been like rubber gloves inflated to puffiness. His lips were puffy, too, and of a purple hue. You can, doubtless, visualize Harvey Redding seated in his rocker, puffing endlessly at his pipe, dropping off to sleep every half-hour or so, losing his pipe, awakening with a start, "dod-basting," slapping flies and picking up his fallen reading matter again, grunting as he reached for it. He was a great reader.
  • In Pawn

    1869-1937 Butler, Ellis Parker

    (HardPress, June 23, 2016)
    HardPress Classic Books Series
  • In Pawn

    Ellis Parker Butler

    Paperback (Forgotten Books, Jan. 23, 2018)
    Excerpt from In PawnIn most respects Harvey was the best-na tured, easiest-going man in the world, but he had fits of intense irritation, when he lost his temper entirely and dod-bast like a trooper. These spells came, usually, when he had to do any work. Moving was work for him. He lost his placidity if he had to get out of his chair to close a door, or put a stick of wood in the stove, or do any hard labor of that sort. He also lost his temper over accidents, as when he fell asleep in his chair as he did every half-hour during the day and his lighted pipe fell in at the open bosom of his gray flannel shirt and burned his skin. At such times he dod-basted everybody and everything, and almost got out of his chair.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
  • In Pawn

    Ellis Parker Butler

    Paperback (CreateSpace Independent Publishing Platform, Nov. 17, 2015)
    Lem Redding had a dimple in his cheek that appeared when he smiled. For a boy with a faceful of freckles he was pretty. He had dear, bright gray eyes, and his smile, aided by the dimple, made most folks love him at sight. His hair was brown, as his dead mother's had been; in fact he was much like that mother in more ways than one—far more like her than he was like Harvey Redding, his father. Lem was quick, agile, lively, and Harvey was plumb lazy.
  • In Pawn

    Ellis Parker Butler

    Hardcover (BiblioLife, March 10, 2009)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
  • In Pawn

    Ellis Parker Butler

    Hardcover (Kessinger Publishing, LLC, Sept. 10, 2010)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • In Pawn

    Ellis Parker Butler

    Paperback (BiblioBazaar, March 10, 2009)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.
  • In Pawn

    Ellis Parker Butler

    Paperback (Leopold Classic Library, Feb. 5, 2016)
    Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com
  • A Pawn In Pawn

    Sharp Hilda M.

    Hardcover (Fisher & Unwin, March 15, 1920)
    None
  • A Pawn in Pawn

    Hilda M. Sharp

    Hardcover (Forgotten Books, Jan. 22, 2018)
    Excerpt from A Pawn in PawnAs for the forgiveness her will implied, he did not want that either. Her sins against him, she but known it, were quite as real as any he might have committed against her. For had she not done her unsuspecting, pious best to stifle at its birth that thing which the gods give only once in every long while to a mere mortal?That they had bestowed it on one of the hitherto satisfactorily solid and stolid Tarrant breed was a fact of which in early days she was blissfully ignorant, or she might have done more harm than she did.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.