Books with title How I Know that the Dead Return

William Thomas Stead (5 July 1849 – 15 April 1912) was an English newspaper editor who, as a pioneer of investigative journalism, became a controversial figure of the Victorian era. Stead published a series of hugely influential campaigns while editor of The Pall Mall Gazette, and he is best known for his 1885 series of articles, The Maiden Tribute of Modern Babylon, written in support of a bill to raise the age of consent from 13 to 16, dubbed the "Stead Act."Stead's 'new journalism' paved the way for the modern tabloid in Great Britain. He was influential in demonstrating how the press could be used to influence public opinion and government policy, and advocated "government by journalism". He was also well known for his reportage on child welfare, social legislation and reformation of England's criminal codes.Stead died when the RMS Titanic sank, and was considered to be one of the most famous Englishmen on board.Stead resigned his editorship of the Pall Mall in 1889 in order to found the Review of Reviews (1890) with Sir George Newnes. It was a highly successful non-partisan monthly. The journal found a global audience and was intended to bind the empire together by synthesizing all its best journalism. Stead's abundant energy and facile pen found scope in many other directions in journalism of an advanced humanitarian type. This time saw Stead "at the very height of his professional prestige", according to E T Raymond. He was the first editor to employ female journalists.In the 1890s, Stead became increasingly interested in spiritualism. In 1893 he founded a spiritualist quarterly, called Borderland, in which he gave full play to his interest in psychical research. Stead was editor and he employed Ada Goodrich Freer as assistant editor: she was also a substantial contributor under the pseudonym "Miss X". Stead claimed that he was in the habit of communicating with Freer by telepathy and automatic writing. The magazine ceased publication in 1897.Stead claimed to be in receipt of messages from the spirit world, and, in 1892, to be able to produce automatic writing. His spirit contact was alleged to be the departed Julia Ames, an American temperance reformer and journalist whom he met in 1890 shortly before her death. In 1909 he established Julia's Bureau where inquirers could obtain information about the spirit world from a group of resident mediums.Grant Richards said that "The thing that operated most strongly in lessening Stead's hold on the general public was his absorption in spiritualism".The physiologist Ivor Lloyd Tuckett wrote Stead had no scientific training and was credulous when it came to the subject of spiritualism. Tuckett examined a case of spirit photography that Stead had claimed was genuine. Stead visited a photographer who produced a photograph of him with an alleged deceased soldier known as "Piet Botha". Stead claimed the photographer could not of come across any information about Piet Botha, however, Tuckett discovered that an article in 1899 had been published on Pietrus Botha in a weekly magazine with a portrait and personal details.In the early 20th century Arthur Conan Doyle and Stead were duped into believing that the stage magicians Julius and Agnes Zancig had genuine psychic powers. Both Doyle and Stead wrote the Zancigs performed telepathy. In 1924 Julius and Agnes Zancig confessed that that their mind reading act was a trick and published the secret code and all the details of the trick method they had used under the title of Our Secrets!! in a London Newspaper.Ten years after the Titanic went down, Stead's daughter Estelle published The Blue Island: Experiences of a New Arrival Beyond the Veil, which purported to be a communication with Stead via a medium, Pardoe Woodman. In the book, Stead described his death at sea and discussed the nature of the afterlife.

You wake in the middle of the night, your arms and feet pinned by strong hands. As you thrash your way to consciousness, a calm voice says, "Steady. We're here to help." Your mind registers a paramedic, a policeman, an ambulance. You are lying on the lookout at Keeper's Point, the lookout Amanda Creen supposedly threw herself off. And you have absolutely no idea how you got there. Aaron Rowe walks in his sleep. He has dreams he can't explain, and memories he can't recover. Death doesn't scare him - his new job with a funeral director may even be his salvation. But if he doesn't discover the truth about his hidden past soon, he may fall asleep one night and never wake up.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Aaron Rowe walks in his sleep and haunted by dreams he can’t explain and memories he can’t recover. Death doesn’t scare him—his new job with a funeral director may even be his salvation. But if he doesn’t discover the truth about his hidden past soon, he may fall asleep one night and never wake up. In this dark and witty psychological drama about survival, Aaron finds that making peace with the dead may be easier than coming to terms with the living.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Aaron Rowe walks in his sleep and haunted by dreams he can’t explain and memories he can’t recover. Death doesn’t scare him—his new job with a funeral director may even be his salvation. But if he doesn’t discover the truth about his hidden past soon, he may fall asleep one night and never wake up. In this dark and witty psychological drama about survival, Aaron finds that making peace with the dead may be easier than coming to terms with the living.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.