Books with title Heretic

The world of Arkaria is a dangerous place, filled with dragons, titans, goblins and other dangers. Those who live in this world are faced with two choices: live an ordinary life, or become an adventurer and seek the extraordinary.After an ambush in the human capital of Reikonos deprives Cyrus Davidon of his beloved sword, Praelior, he and Sanctuary find themselves surrounded once more by countless enemies, including their old allies in the guild of Goliath. As the chaos rises, and their foes close in, Cyrus and his guildmates are once more left fighting for their own survival against all the world – an impossible battle, and one they are unlikely to win.

A sharp, skilled and utterly fearless archer in the army of King Edward III, young Thomas of Hookton has been making his way through France for three years now, fighting fiercely alongside the English troops. But being a soldier in the great Hundred Years War is only a means to an end: Thomas of Hookton is hot on the trails of the man who brutally slaughtered his father and stole his only treasure - rumored to be the Holy Grail - from the ancient church of Hookton. All Europe wants the grail, and though many doubt it even exists, no one would willingly allow an enemy to find Christendom's most precious relic. To seek revenge and reclaim what's rightfully his, Thomas finds himself in a murderous race with the dangerous black rider who keeps cunningly eluding his grasp. In the tradition of Ken Follett and Edward Rutherford, Heretic is the third book in Bernard Cornwell's remarkable new series about the search for the Holy Grail.

From New York Times bestselling author Bernard Cornwell, the sequel to The Archer’s Tale and Vagabond—the spellbinding tale of a young man, a fearless archer, who sets out wanting to avenge his family’s honor and winds up on a quest for the Holy Grail.Already a seasoned veteran of King Edward's army, young Thomas of Hookton possesses the fearlessness of a born leader and an uncanny prowess with the longbow. Now, at the head of a small but able band of soldiers, he has been dispatched to capture the castle of Astarac. But more than duty to his liege has brought him to Gascony, home of his forebears and the hated black knight who brutally slew Thomas's father. It is also the last place where the Holy Grail was reported seen. Here, also, a beautiful and innocent, if not pious, woman is to be burned as a heretic. Saving the lady, Genevieve, from her dread fate will brand Thomas an infidel, forcing them to flee together across a landscape of blood and fire. And what looms ahead is a battle to the death that could ultimately shape the future of Christendom.

Already a seasoned veteran of King Edward's army, young Thomas of Hookton possesses the fearlessness of a born leader and an uncanny prowess with the longbow. Now, at the head of a small but able band of soldiers, he has been dispatched to capture the castle of Astarac. But more than duty to his liege has brought him to Gascony, home of his forebears and the hated black knight who brutally slew Thomas's father. It is also the last place where the Holy Grail was reported seen. Here, also, a beautiful and innocent, if not pious, woman is to be burned as a heretic. Saving the lady, Genevieve, from her dread fate will brand Thomas an infidel, forcing them to flee together across a landscape of blood and fire. And what looms ahead is a battle to the death that could ultimately shape the future of Christendom.

From New York Times bestselling author Bernard Cornwell, the sequel to The Archer’s Tale and Vagabond—the spellbinding tale of a young man, a fearless archer, who sets out wanting to avenge his family’s honor and winds up on a quest for the Holy Grail.Already a seasoned veteran of King Edward's army, young Thomas of Hookton possesses the fearlessness of a born leader and an uncanny prowess with the longbow. Now, at the head of a small but able band of soldiers, he has been dispatched to capture the castle of Astarac. But more than duty to his liege has brought him to Gascony, home of his forebears and the hated black knight who brutally slew Thomas's father. It is also the last place where the Holy Grail was reported seen. Here, also, a beautiful and innocent, if not pious, woman is to be burned as a heretic. Saving the lady, Genevieve, from her dread fate will brand Thomas an infidel, forcing them to flee together across a landscape of blood and fire. And what looms ahead is a battle to the death that could ultimately shape the future of Christendom.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word orthodox. In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox. He had no pride in having rebelled against them; they had rebelled against him. The armies with their cruel security, the kings with their cold faces, the decorous processes of State, the reasonable processes of law - all these like sheep had gone astray. The man was proud of being orthodox, was proud of being right. If he stood alone in a howling wilderness he was more than a man; he was a church. He was the centre of the universe; it was round him that the stars swung. All the tortures torn out of forgotten hells could not make him admit that he was heretical. But a few modern phrases have made him boast of it. He says, with a conscious laugh, "I suppose I am very heretical," and looks round for applause. The word heresy not only means no longer being wrong; it practically means being clear-headed and courageous. The word orthodoxy not only no longer means being right; it practically means being wrong. All this can mean one thing, and one thing only. It means that people care less for whether they are philosophically right. For obviously a man ought to confess himself crazy before he confesses himself heretical. The Bohemian, with a red tie, ought to pique himself on his orthodoxy. The dynamiter, laying a bomb, ought to feel that, whatever else he is, at least he is orthodox." - Gilbert K. Chesterson

The eagerly anticipated follow-up to the number one bestseller Vagabond, this is the third instalment in Bernard Cornwell's Grail Quest series. In 1347 the English capture Calais and the war with France is suspended by a truce. But for Thomas of Hookton, the hero of Harlequin and Vagabond, there is no end to the fighting. He is pursuing the grail, the most sacred of Christendom's relics, and is sent to his ancestral homeland, Gascony, to engineer a confrontation with his deadliest enemy, Guy Vexille. Once in the south country Thomas becomes a raider, leading his archers in savage forays that will draw his enemy to his arrows. But then his fortunes change. Thomas becomes the hunted as his campaign is destroyed by the church. With only one companion, a girl condemned to burn as a heretic, Thomas goes to the valley of Astarac where he believes the grail was once hidden and might still be concealed, and there he plays a deadly game of hide and seek with an overwhelming enemy. Then, just as Thomas succeeds in meeting his enemy face to face, fate intervenes as the deadliest plague in the history of mankind erupts into Europe. What had been a landscape of castles, monasteries, vineyards a

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox." So begins "Heretics" by Gilbet K. Chesterton. "Heretics" is a classic piece of religious exposition.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox." So begins "Heretics" by Gilbet K. Chesterton. "Heretics" is a classic piece of religious exposition.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox." So begins "Heretics" by Gilbet K. Chesterton. "Heretics" is a classic piece of religious exposition.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox." So begins "Heretics" by Gilbet K. Chesterton. "Heretics" is a classic piece of religious exposition.

"Nothing more strangely indicates an enormous and silent evil of modern society than the extraordinary use which is made nowadays of the word "orthodox." In former days the heretic was proud of not being a heretic. It was the kingdoms of the world and the police and the judges who were heretics. He was orthodox." So begins "Heretics" by Gilbet K. Chesterton. "Heretics" is a classic piece of religious exposition.