Books with title Hello, Orlando!

Orlando: A Biography is an influential novel by Virginia Woolf, first published on 11 October 1928. A semi-biographical novel based in part on the life of Woolf's lover Vita Sackville-West, it is generally considered one of Woolf's most accessible novels. The novel has been influential stylistically, and is considered important in literature generally, and particularly in the history of women's writing and gender studies. A film adaptation was released in 1992, starring Tilda Swinton as Orlando and Quentin Crisp as Queen Elizabeth I.

Orlando is the extraordinary tale of a young man who finds wealth and favour in the court of Elizabeth I of England, but who never grows old. After experiencing love and adventure, a long sleep turns him into a woman, who in her turn faces discrimination and eventually love as the centuries unfold. This ground-breaking novel can be read in may ways: as an extended love-letter to Vita Sackville-West, as a meditation on the different treatment that men and women have experienced over the centuries and as an examination of the way literature itself has changed; 'Orlando' becomes the typical hero or heroine of every age.

Orlando is generally considered Woolf's most accessible and influential novels. Concerning the 300 year life of a man born during the reign of Elizabeth I and his quest to write a great poem, having love affairs as both man and women against the backdrop of some of the most important moments in European history. This novel has been hugely influential stylistically and is still an important moment in literary history and particularly in women's writing and gender studies.

Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

Orlando buys a derelict farm as a present for the kittens, and having tidied up and sorted out all the animals who have been living inside the farmhouse-pits in the parlour armchairs, hens in the plate rack and bees in the spare room-he, Grace and the kittens spend a wonderful year making butter, going to market, harvesting, lambing, and all the work of a farm. This book is especially based on Kathleen Hale's own experiences as a land girl in the First World War.

He--for there could be no doubt of his sex, though the fashion of the time did something to disguise it--was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one, save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair on a cocoanut. Orlando's father, or perhaps his grandfather, had struck it from the shoulders of a vast Pagan who had started up under the moon in the barbarian fields of Africa; and now it swung, gently, perpetually, in the breeze which never ceased blowing through the attic rooms of the gigantic house of the lord who had slain him.