Books with title Harry Muir: A Story of Scottish Life - Scholar's Choice Edition

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Margaret Oliphant Wilson Oliphant (née Margaret Oliphant Wilson) (4 April 1828 – 25 June 1897), was a Scottish novelist and historical writer, who usually wrote as Mrs. Oliphant. Her fictional works encompass "domestic realism, the historical novel and tales of the supernatural". *Life* The daughter of Francis W. Wilson (c.1788–1858), a clerk, and his wife, Margaret Oliphant (c.1789–1854), she was born at Wallyford, near Musselburgh, East Lothian, and spent her childhood at Lasswade (near Dalkeith), Glasgow and Liverpool. As a girl, she constantly experimented with writing. In 1849 she had her first novel published: Passages in the Life of Mrs. Margaret Maitland. This dealt with the Scottish Free Church movement, with which Mr. and Mrs. Wilson both sympathised, and met with some success. It was followed by Caleb Field in 1851, the year in which she met the publisher William Blackwood in Edinburgh and was invited to contribute to the famous Blackwood's Magazine. The connection was to last for her whole lifetime, during which she contributed well over 100 articles, including a critique of the character of Arthur Dimmesdale in Nathaniel Hawthorne's The Scarlet Letter. In May 1852, she married her cousin, Frank Wilson Oliphant, at Birkenhead, and settled at Harrington Square in London. An artist working mainly in stained glass, her husband had delicate health, and three of their six children died in infancy,while the father himself developed alarming symptoms of tuberculosis, then known as consumption. For the sake of his health they moved in January 1859 to Florence, and then to Rome, where Frank Oliphant died. His wife, left almost entirely without resources, returned to England and took up the burden of supporting her three remaining children by her own literary activity.She had now become a popular writer, and worked with amazing industry to sustain her position. Unfortunately, her home life was full of sorrow and disappointment. In January 1864 her only remaining daughter Maggie died in Rome, and was buried in her father's grave. Her brother, who had emigrated to Canada, was shortly afterwards involved in financial ruin, and Mrs. Oliphant offered a home to him and his children, and added their support to her already heavy responsibilities.In 1866 she settled at Windsor to be near her sons who were being educated at Eton. That year, her second cousin, Annie Louisa Walker, came to live with her as a companion-housekeeper.[3] This was her home for the rest of her life, and for more than thirty years she pursued a varied literary career with courage scarcely broken by a series of the gravest troubles. The ambitions she cherished for her sons were unfulfilled. Cyril Francis, the elder, died in 1890, leaving a Life of Alfred de Musset, incorporated in his mother's Foreign Classics for English Readers, The younger, Francis (whom she called "Cecco"), collaborated with her in the Victorian Age of English Literature and won a position at the British Museum, but was rejected by Sir Andrew Clark, a famous physician. Cecco died in 1894. With the last of her children lost to her, she had but little further interest in life. Her health steadily declined, and she died at Wimbledon, London, on 25 June 1897.In the 1880s she was the literary mentor of the Irish novelist Emily Lawless. During this time Oliphant wrote several works of supernatural fiction, including the long ghost story A Beleaguered City (1880) and several short tales, including "The Open Door" and "Old Lady Mary".

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.