Books with title Flip! Beyond the Horizon

Mia Evans has one goal in life: to be perfect enough that her parents will love her, or at least love each other again. Three years ago, her brother left her family, choosing a girl over the Evans name. Watching her mother cry and her father shut the rest of them out, Mia made a promise to herself that she would be the one to bring them back together again. Yet, despite her acceptance to Stanford, her perfect academic record, and a flawless resume`, Mia finds her family getting further and further apart.Enter Ryan Murphy, the boy next door. Ryan has loved Mia Evans since the day he saw her sitting on her front porch weeping into her knees. Fifteen then, Ryan had been unsure of what to do, so he'd sat at his window and watched over her, and in that time, a piece of him became hers.Now, three years later, Ryan hasn't told Mia how he feels, but he gets the chance when he's forced to beg her to tutor him and save him from his mother. As their relationship progresses, Ryan realizes that Mia is more than he could have ever dreamed of, and that his feelings go a lot deeper than he ever imagined possible. And still, can they work?Mia didn't want to want Ryan Murphy. Just the opposite, actually. She agreed to tutor him because that's her job, but she doesn't have to like it, or the fact that she can't seem to stop noticing how gorgeous he is.Against all of her better judgment, Mia finds herself falling for Ryan, and falling hard. When the time comes for Mia to make the same decision that broke her family three years ago, she's torn: follow her heart, and lose her family, or follow her family and lose the only person whose ever really loved her.

The first of O'Neill's three Pulitzer Prize-winning plays, "Beyond the Horizon" was written in 1918. The drama revolves around two brothers, Robert and Andy, who live on their family's farm and both love the same woman, Ruth. While Robert longs to escape the farm and experience a long sea voyage, Andy wishes to remain on the Mayo farm and remain close to the land. Neither of these men realize their wishes, however, for Ruth's choice of husband begins the tragic downward spiral of the entire family. A story at once about the conflict of dreams and responsibility, choices and happiness, "Beyond the Horizon" is the innovative play of a dramatist destined to become one of America's greatest playwrights.

Widely regarded as America's greatest dramatist, Eugene O'Neill introduced innovative dramatic techniques, probed the inner psychological states of his characters and used language and symbolism to create plays of remarkable depth and power.Originally presented in 1920, Beyond the Horizon (O'Neill's first full-length drama) won him a Pulitzer Prize. In it, the Mayo brothers — having fallen in love with the same woman — head down diverging paths in life. Robert Mayo, who had dreamed of adventure "beyond the horizon," remains behind to work the family farm and marry the lady in question. His brother Andrew goes to sea and eventually to South America. Unsuited to lead a nomadic existence, he returns — a broken and financially ruined man — to find his brother also a failure. In the end and nearing death, Robert realizes the release he sought from financial burdens and unhappiness lies just "beyond the horizon."This revolutionary work of tragic realism established the reputation of a playwright who, after Shakespeare and George Bernard Shaw, became one of the most widely translated and produced dramatists of the 20th century, and one of the most vital forces in the American theater.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Five British teenagers from different backgrounds find themselves thrown together as residents of a London clinic. They are hoping to find a cure for the frequent flips they experience into a fifth dimension and are forced to suffer being experimented on by a crazy professor.The professor is bent on gaining a Nobel prize but he is sadly enthralled to the Daisychain organisation whose aim is world domination. The Daisychain takes a particular and deadly interest in the young people. Constant probing and scanning are only the beginning of the things the professor needs to carry out.The young people have to escape. Can they go over the top in the fifth to do it? Would it be safe there? Having no idea what they will find, the second book in the Flip! trilogy takes us beyond the horizon.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historic book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1920. Not illustrated. Excerpt: ... ACT THREE SCENE ONE Scene--Same as Act Two, Scene One--The sitting room of the farm house about six o'clock in the morning of a day toward the end of October five years later. It is not yet dawn, but as the action progresses the darkness outside the windows gradually fades to grey. The room, seen by the light of the shadeless oil lamp with a smoky chimney which stands on the table, presents an appearance of decay, of dissolution. The curtains at the windows are torn and dirty and one of them is missing. The closed desk is grey with accumulated dust as if it had not been used in years. Blotches of dampness disfigure the wall paper. Threadbare trails, leading to the kitchen and outer doors, show in the faded carpet. The top of the coverless table is stained with the imprints of hot dishes and spilt food. The rung of one rocker has been clumsily mended with a piece of plain board. A brown coating of rust covers the unblacked stove. A pile of wood is stacked up carelessly against the wall by the stove. 123 The whole atmosphere of the room, contrasted with that of former years, is one of an habitual poverty too hopelessly resigned to be any longer ashamed or even conscious of itself. At the rise of the curtain Ruth is discovered sitting by the stove, with hands outstretched to the warmth as if the air in the room were damp and cold. A heavy shawl is wrapped about her shoulders, half-concealing her dress of deep mourning. She has aged horribly. Her pale, deeply lined face has the stony lack of expression of one to whom nothing more can ever happen, whose capacity for emotion has been exhausted. When she speaks her voice is without timbre, low and monotonous. The negligent disorder of her dress, the slovenly arrangement of her hair, now streaked with grey, her...

Mia Evans has one goal in life: to be perfect enough that her parents will love her, or at least love each other again. Three years ago, her brother left her family, choosing a girl over the Evans name. Watching her mother cry and her father shut the rest of them out, Mia made a promise to herself that she would be the one to bring them back together again. Yet, despite her acceptance to Stanford, her perfect academic record, and a flawless resume`, Mia finds her family getting further and further apart. Enter Ryan Murphy, the boy next door. Ryan has loved Mia Evans since the day he saw her sitting on her front porch weeping into her knees. Fifteen then, Ryan had been unsure of what to do, so he'd sat at his window and watched over her, and in that time, a piece of him became hers. Now, three years later, Ryan hasn't told Mia how he feels, but he gets the chance when he's forced to beg her to tutor him and save him from his mother. As their relationship progresses, Ryan realizes that Mia is more than he could have ever dreamed of, and that his feelings go a lot deeper than he ever imagined possible. And still, can they work? Mia didn't want to want Ryan Murphy. Just the opposite, actually. She agreed to tutor him because that's her job, but she doesn't have to like it, or the fact that she can't seem to stop noticing how gorgeous he is. Against all of her better judgment, Mia finds herself falling for Ryan, and falling hard. When the time comes for Mia to make the same decision that broke her family three years ago, she's torn: follow her heart, and lose her family, or follow her family and lose the only person whose ever really loved her.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.