Books with title Fairies and Chimneys

CONTENTSIFAIRIES AND CHIMNEYSFAIRIES YESTERDAY N OXFORD STREET A FAIRY WENT A-MARKETING I STOOD AGAINST THE WINDOW THE FOUNTAIN THE BEST GAME THE FAIRIES PLAY HAVE YOU WATCHED THE FAIRIES? THE CHILD NEXT DOOR DIFFERENCES MOTHER GROWN-UPS CAT'S CRADLE VISITORS WISHES THE BALLOON MAN I DON'T LIKE BEETLES VERY LOVELY SUMMER MORNING FAIRY SONG INVITATION FAIRIES AND CHIMNEYS WHITE MAGIC THERE USED TO BE-- IF THE FAIRIES HAVE NEVER A PENNY TO SPEND IIBIRD LOREPEACOCKS THE CUCKOO THE ROOKS THE ROBIN THE COCK THE GROUSE THE SKYLARK

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In this delightful book of poems, first published in 1920, Rose Fyleman scattered her thoughts into the world like so much dandelion fuzz. And here they have landed, over a century later, in your lap. Lucky, lucky you. I trust the faithful fairies will point from their world to things that are of value in our world. This version has full color illustrations.

In this delightful book of poems, first published in 1920, Rose Fyleman scattered her thoughts into the world like so much dandelion fuzz. And here they have landed, over a century later, in your lap. Lucky, lucky you. I trust the faithful fairies will point from their world to things that are of value in our world. This version has black and white illustrations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It snot so very, very far away; You pass the gardeners shed and you just keep straight ahead I do so hope theyve really come to stay. There sa little wood, with moss in it and beetles, And a little stream that quietly runs through; You wouldnt think theyd dare to come merrymaking there Well, they do. There are fairies at the bottom of our garden! They often have a dance on summer nights; The butterflies and bees make a lovely little breeze, And the rabbits stand about and hold the lights.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Rose Amy Fyleman (1877-1957) was an English writer and poet, noted for her works on the fairy folk, for children. Her poem There Are Fairies at the Bottom of Our Garden was set to music by English composer Liza Lehmann. Her Christmas carol Lift Your Hidden Faces, set to a French carol tune, was included in the Anglican hymnal Songs of Praise (1931) as well as in the Hutterian Brotherhood's Songs of Light (1977). She was born in Nottingham, the third child of John Feilmann and his wife, Emilie, nee Loewenstein, who was of Russian extraction. Her father was in the lace trade, and the family were Jews who had come from Jever in Oldenburg in Germany in 1860. Her other works include: Fairies and Chimneys (1918), The Sunny Book (1918), The Fairy Queen (1919), The Fairy Flute (1921), The Rainbow Cat and Other Stories (1922), The Rose Fyleman Fairy Book (1923), Eight Little Plays for Children (1924), The Adventure Club (1925) and Forty Good Morning Tales (1926).