Books with title Dombey and Son: Complete With 40 Original Illustrations

When the cabin port-holes are dark and greenBecause of the seas outside;When the ship goes wop (with a wiggle between)And the steward falls into the soup-tureen,And the trunks begin to slide;When Nursey lies on the floor in a heap,And Mummy tells you to let her sleep,And you aren't waked or washed or dressed,Why, then you will know (if you haven't guessed)You're 'Fifty North and Forty West!'

"Sense and Sensibility" is the story of two sisters, Elinor and Marianne Dashwood, who have contrasting temperaments. On the surface Elinor, the older sister represents sense or reason while Marianne represents sensibility or emotion, however upon closer examination we find that they both exhibit varying aspects of each characteristic. A classic coming of age story "Sense and Sensibility" was Jane Austen's first published novel.

By the time the novel appeared to tremendous popular and critical acclaim in 1871-2, George Eliot was recognized as England's finest living novelist. It was her ambition to create a world and portray a whole community--tradespeople, middle classes, country gentry--in the rising provincial town of Middlemarch, circa 1830. Vast and crowded, rich in narrative irony and suspense, «Middlemarch» is richer still in character, in its sense of how individual destinies are shaped by and shape the community, and in the great art that enlarges the reader's sympathy and imagination. It is truly, as Virginia Woolf famously remarked, 'one of the few English novels written for grown-up people'."One of the few English novels written for grown-up people." —Virginia Woolf"What do I think of ‘Middlemarch’? What do I think of glory — except that in a few instances this 'mortal has already put on immortality.' George Eliot was one. The mysteries of human nature surpass the 'mysteries of redemption,' for the infinite we only suppose, while we see the finite." —Emily Dickinson"‘Middlemarch’ is probably the greatest English novel." —Julian Barnes"They've [women] produced the greatest writer in the English language ever, George Eliot, and arguably the third greatest, Jane Austen, and certainly the greatest novel, ‘Middlemarch’..." —Martin Amis

Written in the 19th century, this lengthy and thorough text documents the various manifestations of demons and devils in the Christian religion. The forms they take, and the means by which they appear in the physical world, are cataloged. How they correspond to actual phenomena, such as death and pestilence, is likewise noted. Conway draws upon various writings within the Biblical scriptures, together with later works published in the Middle Ages and subsequent centuries, to arrive at his own comprehensive treatment of the subject.The second part of the work concerns devils. Various figures such as Ahriman and Viswámitra receive chapters, in which the writings about them are quoted to form a complete image of their behavior and meanings. Appearances of devils in later works, such as the diabolical Mephistopheles in Goethe's Faust, are also cataloged.

Anthony Hope was born Feb. 9, 1863, in London. His father was the headmaster of the St. Johns Foundation School for the Sons of Poor Clergy. He was educated at Marlborough School and Baliol College, Oxford, obtaining an M.A. with honors in 1885. He studied to become a lawyer, and was admitted to the bar in 1887. He set up his own practice, but clients were few and far between, and he spent the periods in between cases by writing novels. When he couldn't find a publisher for his first novel, he published it himself. The novel became a hit, coincidentally at the same time his law practice began to take off. When it got to the point where he had to choose between his law practice and writing, he chose writing.He published two successful novels in 1894--"The Dolly Dialogues", which was fairly successful but is little remembered today, and the now-classic "The Prisoner of Zenda". "Zenda" is generally credited as the first--and the best--of what came to be known as "Ruritanian" novels, stories set in a small fictional European principality involving intrigue, double-crossing, power grabs and forbidden romance at the royal court (Richard Harding Davis, among others, took up that particular genre with his "Graustark" series), and "Zenda" has been made into film and television productions at least ten times. In 1898 Hope wrote a sequel of sorts, "Rupert of Hentzau", using the villainous character of "Zenda".He first toured the US in 1897, and made several subsequent trips there. On one of them he met an American woman named Elizabeth Somerville Sheldon, and they married in 1903. The marriage produced two sons and a daughter. Hope was knighted in 1918 and bought a country estate at Tadworth in Surrey, where he spent the rest of his life. He wrote more books and several plays. He died in 1933 at age 70.

Widely considered one of Dickens most superb and complete novels, "Bleak House" has a complex plot that contains one of his most elaborate attacks on a flaw of society: the chancery system. The kind John Jarndyce is tied up in litigation that only his wards Richard and Ada care to discuss. He then becomes guardian of Esther, an orphaned young woman who comprises a part of the experimental narration of the novel. A series of events take the vast array of comic and tragic characters from the slums of London to the mansions of noblemen, involving some in treachery and others in discovery. Dickens blends the perfect balance of comedy and social satire in a story that contains mystery, tragedy, murder, redemption, and enduring love.

THE train from 'Frisco was very late. It should have arrived at Hugson's siding at midnight, but it was already five o'clock and the gray dawn was breaking in the east when the little train slowly rumbled up to the open shed that served for the station-house. As it came to a stop the conductor called out in a loud voice:"Hugson's Siding!"At once a little girl rose from her seat and walked to the door of the car, carrying a wicker suit-case in one hand and a round bird-cage covered up with newspapers in the other, while a parasol was tucked under her arm. The conductor helped her off the car and then the engineer started his train again, so that it puffed and groaned and moved slowly away up the track. The reason he was so late was because all through the night there were times when the solid earth shook and trembled under him, and the engineer was afraid that at any moment the rails might spread apart and an accident happen to his passengers. So he moved the cars slowly and with caution.

Five Children and It is a children's novel by English author E. Nesbit. It was originally published in 1902 in the Strand Magazine under the general title The Psammead, or the Gifts, with a segment appearing each month from April to December. The stories were then expanded into a novel which was published the same year. It is the first volume of a trilogy that includes The Phoenix and the Carpet (1904) and The Story of the Amulet (1906). The book has never been out of print since its initial publication.Like Nesbit's The Railway Children, the story begins when a group of children move from London to the countryside of Kent. The five children – Cyril, Anthea, Robert, Jane, and their baby brother, known as the Lamb – are playing in a gravel pit when they uncover a rather grumpy, ugly, and occasionally malevolent Psammead, a sand-fairy with ability to grant wishes. The Psammead persuades the children to take one wish each day to be shared among them, with the caveat that the wishes will turn to stone at sunset. This, apparently, used to be the rule in the Stone Age, when all that children wished for was food, the bones of which then became fossils. The five children's first wish is to be "as beautiful as the day". The wish ends at sunset and its effects simply vanish, leading the Psammead to observe that some wishes are too fanciful to be changed to stone.All the wishes go comically wrong. The children wish to be beautiful, but the servants do not recognise them and shut them out of the house. They wish to be rich, then find themselves with a gravel-pit full of gold spade guineas that no shop will accept as they are no longer in circulation, so they can't buy anything. A wish for wings seems to be going well, but at sunset the children find themselves stuck on top of a church bell tower with no way down, getting them into trouble with the gamekeeper who must take them home (though this wish has the happy side-effect of introducing the gamekeeper to the children's housemaid, who later marries him). Robert is bullied by the baker's boy, then wishes that he was bigger — whereupon he becomes eleven feet tall, and the other children show him at a travelling fair for coins. They also wish themselves into a castle, only to learn that it is being besieged, while a wish to meet real Red Indians ends with the children nearly being scalped.The children's infant brother, the Lamb, is the victim of two wishes gone awry. In one, the children become annoyed with tending their brother and wish that someone else would want him, leading to a situation where everyone wants the baby, and the children must fend off kidnappers and Gypsies. Later, they wish that the baby would grow up faster, causing him to grow all at once into a selfish, smug young man who promptly leaves them all behind.Finally, the children accidentally wish that they could give a wealthy woman's jewellery to their mother, causing all the jewellery to appear in their home. It seems that the gamekeeper, who is now their friend, will be blamed for robbery, and the children must beg the Psammead for a complex series of wishes to set things right. It agrees, on the condition that they will never ask for any more wishes. Only Anthea, who has grown close to It, makes sure that the final wish is that they will meet It again. The Psammead assures them that this wish will be granted.

There are dreadful -- perhaps scurrilous -- rumors about the Borgias of renaissance Italy, and here Dumas, author of such classics as THE THREE MUSKETEERS, in his Celebrated Crimes series, dishes up the dirt in all its ugly glory. This book was not written for children. Dumas has minced no words in describing the violent scenes of a violent time. From 1839 to 1841, Dumas, with the assistance of several friends, compiled Celebrated Crimes, an eight-volume collection of essays on famous criminals and crimes from European history. He featured Beatrice Cenci, Martin Guerre, Cesare and Lucrezia Borgia, as well as more recent events and criminals, including the cases of the alleged murderers Karl Ludwig Sand and Antoine FranCois Desrues, who were executed.

The Dyer's DogSHE was beautiful, with a strange unearthly beauty. She had a little black nose. Her eyes were small, but bright and full of charm. Her ears were long and soft, and her tail curled like one of the ostrich plumes in the window of the dyer with whom she lived.I have met many little dogs with noses as charming, and eyes as bright, and tails as curly; but never one who, like my Bessie, was a rich, deep pink all over.

A real storyteller can make a great story out of anything, even the most trivial occurrence. Composed between 1863 and 1875, the sixty-three often outrageous sketches in Sketches, New and Old contain, for instance, a piece about the difficulty of getting a pocket watch repaired properly; complaints about barbers and office bores; and satirical comments on bureaucrats, courts of law, the profession of journalism, the claims of science, and the workings of government. In Mark Twain's hands, all these potentially dry and dull topics bristle with vitality and interest. "What fascinates Twain," Lee Smith writes in her introduction, is how people "react to the things that happen to them." Twain "lets them speak in their own voices by and large, in a chorus ranging from high-flown oratory to the plain speech of working people.... It seems generally true that the more elevated the speech, the likelier that person is to be an idiot; words of wisdom and common sense are invariably voiced by the common man"--or woman. "The most profound and moving sketch in this whole collection" Smith writes, is one "told by a freed slave." The candid, ironic, playful, and petulant sketches in this volume are indispensable to our understanding of a harried genius during thirteen quite amazing years.