Books with title Dead souls

Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life. Chichikov, combs the back country wheeling and dealing for "dead souls" (deceased serfs who still represent money to anyone sharp enough to trade in them), and we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. Although the novel ends in mid-sentence, it is usually regarded as complete in the extant form.

A stranger arrives in a Russian backwater community with a bizarre proposition for the local landowners: cash for their "dead souls," the serfs who have died in their service and for whom they must continue to pay taxes until the next census. The landowner receives a payment and a relief of his tax burden, and the stranger receives — what? Gogol's comic masterpiece offers the answer in a vast and satirical painting of the Russian panorama, as it traces the path and encounters of its mysterious protagonist, Pavel Ivanovich Chichikov, in pursuit of his dubious scheme.The plot of Dead Souls is reputed to have been inspired by an actual episode related to the author by his friend, the poet Pushkin. Although intended as a three-part novel, only the first part and a few fragments of a draft of the second part exist; Gogol completed and destroyed the second part, and died in the course of his ascetic preparations for writing the third. Some readers consider his novel a realistic portrait of nineteenth-century Russia; others regard it as a work of great symbolism, proclaiming the trickster Chichikov an accurate image of commercial travelers the world over, whose success rests less upon their actual wares than on their grasp of human nature and powers of persuasion. Among the greatest nineteenth-century Russian novels, Dead Souls continues to inspire twenty-first century authors and readers.

"Dead Souls" is the story of Chichikov, a young middle-class gentleman who comes to a small town with a dubious plan to improve his wealth and position in life. He begins by spending beyond his means on the premise that he can impress the local officials and gain standing and connections in the community that will give him the capacity to live easily into the future. At the heart of his plan is the idea of acquiring "dead souls" or more explicitly serfs of landowners who have died since the last census. Since the taxes of landowners are based upon the number of serfs that they employ, Chichikov believes that the landowners will be all too happy to part with these "dead souls". A satirical gem, Gogol's "Dead Souls" exemplifies his particular gift of exhibiting the true failings of humanity in all their absurdity.

Dead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne's Sentimental Journey), it is usually regarded as complete in the extant form.

A stranger arrives in a Russian backwater community with a bizarre proposition for the local landowners: cash for their "dead souls," the serfs who have died in their service and for whom they must continue to pay taxes until the next census. The landowner receives a payment and a relief of his tax burden, and the stranger receives — what? Gogol's comic masterpiece offers the answer in a vast and satirical painting of the Russian panorama, as it traces the path and encounters of its mysterious protagonist, Pavel Ivanovich Chichikov, in pursuit of his dubious scheme.The plot of Dead Souls is reputed to have been inspired by an actual episode related to the author by his friend, the poet Pushkin. Although intended as a three-part novel, only the first part and a few fragments of a draft of the second part exist; Gogol completed and destroyed the second part, and died in the course of his ascetic preparations for writing the third. Some readers consider his novel a realistic portrait of nineteenth-century Russia; others regard it as a work of great symbolism, proclaiming the trickster Chichikov an accurate image of commercial travelers the world over, whose success rests less upon their actual wares than on their grasp of human nature and powers of persuasion. Among the greatest nineteenth-century Russian novels, Dead Souls continues to inspire twenty-first century authors and readers.

With an Introduction by Tony Briggs. Russia in the 1840s. There is a stranger in town, and he is behaving oddly. The unctuous Pavel Chichikov goes around the local estates buying up dead souls . These are the papers relating to serfs who have died since the last census, but who remain on the record and still attract a tax demand. Chichikov is willing to relieve their owners of the tax burden by buying the titles for a song. What he does not say is that he then proposes to take out a huge mortgage against these fictitious citizens and buy himself a nice estate in Eastern Russia. Will he get away with it? Who will rumble him? Does this narrative contain a deeper message about Russia itself or the spiritual health of humanity? There is much interest and some suspense in considering these issues, but the real pleasure of this story lies elsewhere. It is an enjoyable comic romp through a retarded part of a backward country, a picaresque series of grotesque portraits, situations and conversations described with Gogolian humour based mainly on hyperbole. This is, quite simply, the funniest book in the Russian language before the twentieth century.

MP3 CD Format Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata, but especially the devious complexities in Russia with its landowners and serfs.We are introduced to Tchitchikov, a businessman who, in order to trick the tax authorities, buys up dead souls' or serfs whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters. Gogol's obsession with attempting to display the untold riches of the Russian soul' eventually led him to madness, religious mania, and death.Dismissed by him as merely a pale introduction to the great epic poem which is taking shape in my mind,' Dead Souls is the culmination of Gogol's genius.

Since its publication in 1842, Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life. Chichikov, combs the back country wheeling and dealing for "dead souls" (deceased serfs who still represent money to anyone sharp enough to trade in them), and we are introduced to a Dickensian cast of peasants, landowners, and conniving petty officials, few of whom can resist the seductive illogic of Chichikov's proposition. Although the novel ends in mid-sentence, it is usually regarded as complete in the extant form.

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This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Chichikov, a middle-aged gentleman of middling social class and means, arrives in a small town and turns on the charm to woo key local officials and landowners. He reveals little about his past, or his purpose, as he sets about carrying out his bizarre and mysterious plan to acquire "dead souls." The government would tax the landowners based on how many serfs (or "souls") the landowner owned, determined by the census. Censuses in this period were infrequent, so landowners would often be paying taxes on serfs that were no longer living, thus the "dead souls." It is these dead souls, existing on paper only, that Chichikov seeks to purchase from the landlords in the villages he visits. Setting off for the surrounding estates, Chichikov at first assumes that the ignorant provincials will be more than eager to give their dead souls up in exchange for a token payment. The task of collecting the rights to dead people proves difficult, however, due to the persistent greed, suspicion, and general distrust of the landowners.

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