Books with title Common Clay: A Drama In Four Acts

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

HIGH QUALITY FACSIMILE REPRODUCTION: Kinkead, Cleves: Common Clay, A Drama In Four Acts : Facsimile: Originally published by New York, S. French; etc., etc in 1917. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Lang: - English, Pages 428. Reprinted in 2019 with the help of original edition published long back [1894]. This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions.

Holborn Theatre, London, May 28, 1868. Sir Edward Rolleston (C haracter, Old Man) Mr. Bellaib. Old Wardlaw (O ld Man) Mr. McI ntybe. Robert Tenfold (L eading) Mr. E. Pbioe. Arthur Wardlaw (L eading Juvenile Comedy) Mr. G. Neville. Michael Penfold (O ld Man) Mr. Parselle. Joe Wylie (L ow Comedy) Mr. Jos. I rving. Burtenshaw (U tility) Mr. Westland. Hawkins (C haracter Comedy) Mr. Moreland. A tkina (U tility) Mr. A rthur. Messenger (U tility) Mr. Harbison. Helen Rolleston (L eading Comedy) Miss Henrade. Nancy Rouse (C hambermaid) .: Miss Fanny Josephs. TIME OF PLAYING TWO HOURS AND TWENTY MINUTES. Note. A ct I., thirty minutes; A ct II., twenty-five minutes; A ct III., fifty minutes; A ct IV., twenty minutes. SCENERY. ACT I. Scene. An Office in three grooves. Backing. |D oor. |ABA BA Chairs. .C hair. CT able, chairs b. and l. Fireplace. ]C hair. Backing to D. in f. is a wall; a railing before it, enclosing a desk and seat; wall is light grained wood panelling; fireplace l. 1e. set; map of the Pacific Ocean l. 2k. on set; maps elsewhere ;row of clothes-pegs it. 2e. ;AAA, black japanned boxes with white letters one Mercantile Shipping A cts, 1840-60, another Policies of I nsurance, Miranda, etc.; BB are stands with full-rigged models of ships, one l. marked Shannon, the other, b., Proserpine; Ca copying press on stand ;table L., covered with papers, books, writing materials; chairs at table and b. ;umbrella stand l. tj. e. corner; brass rod and red curtain to the glass part of d. in f. ;carpet(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.