Books with title CATHEDRAL TPB

Raymond Carver’s third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. These twelve stories mark a turning point in Carver’s work and “overflow with the danger, excitement, mystery and possibility of life. . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).

Raymond Carver’s third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. These twelve stories mark a turning point in Carver’s work and “overflow with the danger, excitement, mystery and possibility of life. . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).

Mysterious necromancers. Wicked summoners. Fierce witches. Occasional familiars. Military experiments. Secret councils. Forbidden alliances. The Academy of Ancients will suck you in. Briar’s gone from being an aimless foster child to being a witch at Academy of Ancients. She’s not just any ol’ witch, she’s one with two elements. And not only that, she’s one of a kind, evidently. So rare that she’s sought after by a paranormal military cadre. Zach can’t reach his brothers. His efforts to keep Briar safe keep him knee-deep in trouble. And as if that’s bad enough, he’s hell-bent on trespassing on property that Academy has deemed off limits. He wants to explore an abandoned and condemned building nicknamed the cathedral. And in the meantime, at Academy of Ancients, more students are disappearing. Carter’s pretty much zombified, and there’s this general who seems to have it out for Briar. Can’t a teen witch get a break? Warning: This series will hook you! Violence can be found in this series of action-packed fantasy, with necromancers, summoners, and badass witches.

This is Raymond Carver's third collection of stories, a finalist for the Pulitzer Prize, including the canonical titular story about blindness and learning to enter the very different world of another. The twelve stories in Cathedral mark a turning point in Carver's work and "overflow with the danger, excitement, mystery and possibility of life. . . . Carver is a writer of astonishing compassion and honesty . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart" (Jonathan Yardley, Washington Post Book World).

Archdeacon Brandon was, of course, greatly helped by his magnificent physical presence. "Magnificent" is not, I think, too strong a word. Six feet two or three in height, he had the figure of an athlete, light blue eyes, and his hair was still, when he was fifty-eight years of age, thick and fair and curly like that of a boy. He looked, indeed, marvellously young, and his energy and grace of movement might indeed have belonged to a youth still in his teens. It is not difficult to imagine how startling an effect his first appearance in Polchester created. Many of the Polchester ladies thought that he was like "a Greek God" (the fact that they had never seen one gave them the greater confidence), and Miss Dobell, who was the best read of all the ladies in our town, called him "the Viking." This stuck to him, being an easy and emphatic word and pleasantly cultured.