A Journal of the Plague year: By Daniel Defoe - Illustrated
Daniel Defoe
(CreateSpace Independent Publishing Platform, Sept. 14, 2016)
Why buy our paperbacks? Printed in USA on High Quality Paper Standard Font size of 10 for all books Fulfilled by Amazon Expedited shipping 30 Days Money Back Guarantee BEWARE OF LOW-QUALITY SELLERS Don't buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. Be rest assured about the quality of our books. We guarantee you will have a great experience with us. About A Journal of the Plague year A Journal of the Plague Year is a novel by Daniel Defoe, first published in March 1722. This novel is an account of one man's experiences of the year 1665, in which the Great Plague or the bubonic plague struck the city of London. The book is told somewhat chronologically, though without sections or chapter headings. Presented as an eyewitness account of the events at the time, it was written in the years just prior to the book's first publication in March 1722. Defoe was only five years old in 1665, and the book itself was published under the initials H. F. and is probably based on the journals of Defoe's uncle, Henry Foe. In the book, Defoe goes to great pains to achieve an effect of verisimilitude, identifying specific neighborhoods, streets, and even houses in which events took place. Additionally, it provides tables of casualty figures and discusses the credibility of various accounts and anecdotes received by the narrator. The novel is often compared to the actual, contemporary accounts of the plague in the diary of Samuel Pepys. Defoe's account, which appears to include much research, is far more systematic and detailed than Pepys's first-person account. Defoe's account may also be compared to the description of the plague in Alessandro Manzoni's The Betrothed (orig. Italian: I Promessi Sposi). Despite some similarities (for example, both works were written many years after the end of the plague), the two writers used different techniques: Defoe wrote a work full of detail using another's viewpoint and with a detached tone, while Manzoni not only reconstructed the general atmosphere of the pestilence-stricken Milan, but as well analysed individual responses to the plague with a poetic sensitivity of his own.