Books with title Aratra Pentelici: Seven Lectures on the Elements of Sculpture Given before the University of Oxford in Michaelmas Term, 1870

Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 is presented here in a high quality paperback edition. This popular classic work by John Ruskin is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of John Ruskin then we highly recommend this publication for your book collection.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1890 Excerpt: ... the Purgatory, and learn that whole passage by heart; and if ever you chance to go to Pistoja, look at La Robbia's coloured porcelain bas-reliefs of the seven works of Mercy on the front of the hospital there; and note especially the faces of the two sick men--one at the point of death, and the other in the first peace and long-drawn breathing of health after fever--and you will know what Dante meant by the preceding line, "Morti li morti, e i vivi paren vivi." 130. But now, may we not ask farther,--is it impossible for art such as this, prepared for the wise, to please the simple also? Without entering on the awkward questions of degree, how many the wise can be, or how much men should know, in order to be rightly called wise, may we not conceive an art to be possible, which would deceive everybody, or everybody worth deceiving? I showed you at my First Lecture, a little ringlet of Japan ivory, as a type of elementary bas-relief touched with colour; and in your rudimentary series you have a drawing, by Mr. Burgess, of one of the little fishes enlarged, with every touch of the chisel facsimiled on the more visible scale; and showing the little black bead inlaid for the eye, which in the original is hardly to be seen without a lens. You may, perhaps, be surprised when I tell you that (putting the question of subject aside for the moment, and speaking only of the mode of execution and aim at resemblance,) you have there a perfect example of the Greek ideal of method in sculpture. And you will admit that, to the simplest person whom we could introduce as a critic, that fish would be a satisfactory, nay, almost a deceptive, fish; while, to any one caring for subtleties of art, I need not point out that every touch of the chisel is applied with consum...

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FACSIMILE REPRODUCTION: 1890Aratra Pentelici; seven lectures on the elements of sculpture, given before the University of Oxford in Michaelmas term, 1870 [FACSIMILE] Originally published by Orpington G. Allen in 1890. Book will be printed in black and white, with grayscale images. Book will be 6 inches wide by 9 inches tall and soft cover bound. Any foldouts will be scaled to page size. If the book is larger than 1000 pages, it will be printed and bound in two parts. Due to the age of the original titles, we cannot be held responsible for missing pages, faded, or cut off text. 360 pages.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Aratra Pentelici: Seven Lectures On The Elements Of Sculpture Given Before The University Of Oxford In Michaelmas Term, 1870; Volume 1 Of The Collected Works Of John Ruskin<author> John Ruskin<publisher> George Allen, 1890<subjects> Sculpture; Wood-engraving