Books with title Alps and Sanctuaries of Piedmont and the Canton Ticino

Samuel Butler (4 December 1835 – 18 June 1902) was the iconoclastic English author of the Utopian satirical novel Erewhon (1872) and the semi-autobiographical Bildungsroman The Way of All Flesh, published posthumously in 1903. Both have remained in print ever since. In other studies he examined Christian orthodoxy, evolutionary thought, and Italian art, and made prose translations of the Iliad and Odyssey that are still consulted today. He was also an artist.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Alps and Sanctuaries of Piedmont and the Canton Ticino is an unchanged, high-quality reprint of the original edition of 1882. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

I should perhaps apologise for publishing a work which professes to deal with the sanctuaries of Piedmont, and saying so little about the most important of them all—the Sacro Monte of Varallo. My excuse must be, that I found it impossible to deal with Varallo without making my book too long. Varallo requires a work to itself; I must, therefore, hope to return to it on another occasion. For the convenience of avoiding explanations, I have treated the events of several summers as though they belonged to only one. This can be of no importance to the reader, but as the work is chronologically inexact, I had better perhaps say so. The illustrations by Mr. H. F. Jones are on pages 95, 211, 225, 238, 254, 260. The frontispiece and the illustrations on the title-page and on pages 261, 262 are by Mr. Charles Gogin. There are two drawings on pages 136, 137 by an Italian gentleman whose name I have unfortunately lost, and whose permission to insert them I have, therefore, been unable to obtain, and one on page 138 by Signor Gaetano Meo. The rest are mine, except that all the figures in my drawings are in every case by Mr. Charles Gogin, unless when they are merely copied from frescoes or other sources. The two larger views of Oropa are chiefly taken from photographs. The rest are all of them from studies taken upon the spot. I must acknowledge the great obligations I am under to Mr. H. F. Jones as regards the letterpress no less than the illustrations; I might almost say that the book is nearly as much his as mine, while it is only through the care which he and another friend have exercised in the revision of my pages that I am able to let them appear with some approach to confidence.

Excerpt from Alps and Sanctuaries: Of Piedmont and the Canton TicinoHave composed nothing but Italian operas, if the Eng lish public would have supported him. His spirit flew to Italy, but his home was London. So also Shak speare turned to Italy more than to any other country for his subjects. Roughly, he wrote nineteen Italian, or what to him were virtually Italian plays, to twelve English, one Scotch, one Danish, three French, and two early British.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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