Books with title AMARYLLIS AT THE FAIR.

Eden should’ve died in that car crash. It would’ve been the human thing to do. Unfortunately, since meeting the mysterious Phil Bronwyn, human things are becoming few and far between. For a seventeen-year-old living in Joy, Georgia, a fascination with the new boy shouldn’t be the only thing that makes Eden feel like she belongs. But with nothing to show for her free time but a gig in her parents’ flower shop, a single friend, and a penchant for panic attacks, she has trouble relating to people her own age.Maybe that’s what drew him to her. Phil is running: from exposure, from his sister’s impending death, and from the pain that molded him into the creature of darkness he has become. He’s thrown up walls that make feelings for Eden as impossible as falling in love with the steak on your plate. At least, that’s what he tells himself. Worlds collide when Phil is unable to stand by and watch the object of his long-dormant affections burn to death in that car, even if saving her means damning her. Even if saving her means leaving her best friend to rot. Even if saving her means unleashing a darkness far greater than that which dwells in the soul of a demon:The one that dwells in ours.

John Richard Jefferies (6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction.Jefferies's corpus of writings includes a diversity of genres and topics, including Bevis (1882), a classic children's book, and After London (1885), an early work of science fiction. For much of his adult life, he suffered from tuberculosis, and his struggles with the illness and with poverty also play a role in his writing. Jefferies valued and cultivated an intensity of feeling in his experience of the world around him, a cultivation that he describes in detail in The Story of My Heart (1883). This work, an introspective depiction of his thoughts and feelings on the world, gained him the reputation of a nature mystic at the time.

Originally published in 1887, 'Amaryllis at the Fair' is a work by the English writer Richard Jefferies. It is set on a farm in rural England where a little girl named Amaryllis despairs at her family's hardships. It is full of wonderful descriptions of country life that were close to the writer's heart, himself having grown up in Wiltshire, England. We are republishing this work with a brand new introductory biography of the author.

Amaryllis at the Fair (first published in 1887) portrays the highs and lows of everyday life on a small, debt-ridden family farm. At Coombe Oaks, Farmer Iden is out in all weathers, planting and sowing; his wife is in the dairy or staving off creditors; and their sensitive, artistic daughter, Amaryllis, is watching it all and praying for salvation. With a host of expertly-drawn minor characters, including miserly Grandfather Iden, loyal George the labourer and dissolute landowner's son Raleigh Pamment, Jefferies gives a rounded picture of a rural community - and in the noble Iden paints a fond portrait of his own farmer father...

Eden should’ve died in that car crash. It would’ve been the human thing to do. Unfortunately, since meeting the mysterious Phil Bronwyn, human things are becoming few and far between. For a seventeen-year-old living in Joy, Georgia, a fascination with the new boy shouldn’t be the only thing that makes Eden feel like she belongs. But with nothing to show for her free time but a gig in her parents’ flower shop, a single friend, and a penchant for panic attacks, she has trouble relating to people her own age.Maybe that’s what drew him to her. Phil is running: from exposure, from his sister’s impending death, and from the pain that molded him into the creature of darkness he has become. He’s thrown up walls that make feelings for Eden as impossible as falling in love with the steak on your plate. At least, that’s what he tells himself. Worlds collide when Phil is unable to stand by and watch the object of his long-dormant affections burn to death in that car, even if saving her means damning her. Even if saving her means leaving her best friend to rot. Even if saving her means unleashing a darkness far greater than that which dwells in the soul of a demon:The one that dwells in ours.