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Books with title A Little Girl in old Chicago

  • A Little Girl in Old Salem

    Amanda Minnie Douglas

    eBook
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • A Little Girl in Old Quebec

    Amanda Minnie Douglas

    eBook (, March 24, 2011)
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • A Little Girl in Old Quebec

    Amanda Minnie Douglas

    eBook (, March 24, 2011)
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • A Little Girl in Old Boston

    Amanda Minnie Douglas

    eBook
    This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
  • A little girl in old Chicago

    Amanda Douglas

    eBook (, Nov. 12, 2014)
    A little girl in old Chicago. 344 Pages.
  • A little girl in old Chicago

    Amanda Minnie Douglas

    Hardcover (Dodd, Mead and Company, Sept. 3, 1904)
    None
  • A Little Girl In Old Chicago

    Amanda M. Douglas

    Hardcover (Kessinger Publishing, LLC, Sept. 10, 2010)
    This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
  • A Little Girl in Old Pittsburg

    Amanda M. Douglas

    language (, Sept. 24, 2013)
    "Oh, what is it, grandad! Why is Kirsty ringing two bells and oh, what is he saying?"Grandfather Carrick had come out of his cottage and stood in the small yard place that a young oak had nearly filled with a carpet of leaves. He was a medium-sized man with reddish hair streaked with white, and a spare reddish beard, rather ragged, bright blue eyes and a nose retroussé at the best, but in moments of temper or disdain it turned almost upside down, as now."What is he sayin'. Well, it's a dirty black lee! Lord Cornwallis isn't the man to give in to a rabble of tatterdemalions with not a shoe to their feet an' hardly a rag to their back! By the beard of St. Patrick they're all rags!" and he gave an insolent laugh! "It's a black lee, I tell you!"He turned and went in the door with a derisive snort. Daffodil stood irresolute. Kirsty was still ringing his two bells and now people were coming out to question. The street was a rather winding lane with the houses set any way, and very primitive 2 they were, built of logs, some of them filled in with rude mortar and thatched with straw.Then Nelly Mullin came flying along, a bright, dark-haired, rosy-cheeked woman, with a shawl about her shoulders. She caught up the child and kissed her rapturously...
  • A Little Girl in Old Pittsburg

    Amanda M. Douglas

    language (, Sept. 19, 2013)
    Christmas came. There was not much made of it here, as there had been in Virginia, no gift-giving, but family dinners that often ended in a regular carouse, sometimes a fight. For Pittsburg had not reached any high point of refinement, and was such a conglomerate that they could hardly be expected to agree on all points.The little girl lost interest presently in watching for her father, and half believed he was not coming. She was very fond of grandad, and Norry, and the wonderful stories she heard about fairies and "little folk," who came to your house at night, and did wonderful things—sometimes spun the whole night long, and at others did bits of mischief. This was when you had offended them some way.She liked the Leprecawn so much. He was a fairy shoemaker, and when all was still in the night you sometimes heard him. "Tip tap, rip rap, Tick a tack too!" And the little Eily, who wished so for red shoes, but her folks were too poor to buy them. So she was to find six four-leaf clovers, and lay them on the doorstep, which she did."What a queer noise there was in the night," said the mother. "It was like this, 'Tip tap, rip rap,'""Sho!" said the father, "it was the swallows in the chimney." Eily held her peace, but she put four-leafed clovers again on the doorstep, and tried to keep awake, so she could hear the little shoemaker."I'll clear them swallows out of the chimney, they disturb me so," declared the father, and he got a long pole and scraped down several nests. But the next night the sound came again, and the mother began to feel afeared. But when Eily went downstairs there was a pair of little red shoes standing in the corner, and Eily caught them up and kissed them, she was so full of joy. Then her mother said, "The Leprecawn has been here. And, Eily, you must never wear them out of doors at the full of the moon, or you'll be carried off."
  • A Little Girl in Old Quebec

    Amanda M. Douglas

    Paperback (CreateSpace Independent Publishing Platform, April 2, 2018)
    A Little Girl in Old Quebec By Amanda M. Douglas
  • A Little Girl in Old Quebec

    Amanda M. Douglas

    Paperback (CreateSpace Independent Publishing Platform, Feb. 27, 2016)
    Amanda Minnie Douglas was an American writer of adult and juvenile fiction. She was probably best remembered by young readers of her day for the Little Girl and Helen Grant series published over the decades flanking the turn of the twentieth century.
  • A Little Girl in Old Boston

    Amanda Minnie Douglas

    Hardcover (BiblioLife, April 30, 2009)
    This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.