Books with title A Fool's Errand.

What was a carpetbagger? Albion W. Tourgee was called one, and he wrote, "To the southern mind it meant a scion of the North, a son of an "abolitionist" a creature of the conqueror, a witness to their defeat, a mark of their degradation: to them he was hateful, because he recalled all of evil or of shame they had ever known . . . To the Northern mind, however, the word had no vicarious significance. To their apprehension, the hatred was purely personal, and without regard to race or nativity. They thought (foolish creatures!) that it was meant to apply solely to those, who, without any visible means of support, lingering in the wake of a victorious army, preyed upon the conquered people. "Tourgee's novel, originally published in 1879 anonymously as A Fool's Errand, By One of the Fools, is not strictly autobiographical, though it draws on Tourgee's own experiences in the South. In the story Comfort Servosse, a Northerner of French ancestry, moves to a Southern state for his health and in the hope of making his fortune. These were also Tourgee's motives for moving South. Servosse is caught up in a variety of experiences that make apparent the deep misunderstanding between North and South, and expresses opinions on the South's intolerance, the treatment of the Negro, Reconstruction, and other issues that probably are the opinions of Tourgee himself. "Reconstruction was a failure" he said, "so far as it attempted to unify the nation, to make one people in fact of what had been one only in name before the convulsion of Civil War. It was a failure, too, so far as it attempted to fix and secure the position and rights of the colored race" Though the discussion of sectional and racial problems is an important element in the book, A Fool's Errand has merit as a dramatic narrative-with its love affair, and its moments of pathos, suffering, and tragedy. This combination of tract and melodrama made it a bestseller in its day.

When her best friend Sophie goes missing, 12-year-old Ruby Tabeata has a choice: wait for her friend to come home or defy her parents and find Sophie. Set during the 1950s Blacklist era when writers like Sophie’s mom were being jailed or fired, Fool’s Errand sends Ruby out of her city and her comfort zone.With nothing to rely on but her grit and determination, Ruby has to outsmart the men chasing Sophie and her mom—discovering that whether or not you succeed, trying to save a friend is never a fool’s errand.Read part one of this middle-grade Beat Street Series, The Beat on Ruby’s Street, to learn how Ruby’s story begins.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

John Hope Franklin: "The value of A Fool's Errand lies in its fearless criticism not merely of the South for its post-[Civil] war attitudes and policies but of the national governmental problems raised by the war and its aftermath. At a time when public sentiment tended to frown on anything that might exacerbate the intersectional difficulties, Tourgee insisted on discussing the problem, because he was convinced that it had not been solved satisfactorily, or indeed, at all... "In his understanding and interpretation of Reconstruction Tourgee would even today be regarded as a radical. Over and over again he emphasized the fact that in the years immediately following the Civil War the former Confederates had control of their own state governments. It was during this period, he argued, that they clearly demonstrated their unwillingness or inability to face up to the implications of the surrender at Appomattox. "... As an intelligent observer and participant in Southern Reconstruction, Tourgee was in an excellent position to provide his contemporaries and posterity with an important commentary and criticism of what he witnessed and experienced. He was a pioneer post-war social critic."

Albion Winegar Tourgee (1838-1905), also wrote under the pseudonym Henry Churton, was an American soldier, Radical Republican, lawyer, judge, novelist, and diplomat. A pioneer civil rights activist, he founded the National Citizens' Rights Association and litigated for the plaintiff Homer Plessy in the famous segregation case Plessy v. Ferguson (1896). Upon the outbreak of the Civil War, in April of the same year he enlisted in the 27th New York Infantry. In 1863, Tourgee was captured at the Battle of Stones River and was held for six months as a prisoner-of-war in Libby Prison in Richmond, Virginia, before his release and parole. After the war, Tourgee established himself as a lawyer, farmer, and editor in Greensboro, North Carolina, where he and his wife moved so he could live in a warmer climate better suited to his war injuries. In 1881, he moved to Mayville, New York, near the Chautauqua Institution, and made his living as writer and editor of the literary weekly Our Continent until it failed in 1884. His works include: 'Toinette (also titled: A Royal Gentleman) (1874), Figs and Thistles (1879) and Bricks Without Straw (1880).

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

When her best friend Sophie goes missing, 12-year-old Ruby Tabeata has a choice: wait for her friend to come home or defy her parents and find Sophie. Set during the 1950s Blacklist era when writers like Sophie’s mom were being jailed or fired, Fool’s Errand sends Ruby out of her city and her comfort zone.With nothing to rely on but her grit and determination, Ruby has to outsmart the men chasing Sophie and her mom—discovering that whether or not you succeed, trying to save a friend is never a fool’s errand.Read part one of this middle-grade Beat Street Series, The Beat on Ruby’s Street, to learn how Ruby’s story begins.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gentlemex, Your demand that I should write a Preface to the book you have printed seems to me utterly preposterous. It is like a man introducing himself, always an awkward, and generally a useless piece of business. What is the use of the prologue to the epic coming on, anyhow, unless it be a sort of advertisement? and in that case you ought to write it. Whoever does that should be Wise enough to play the fool; And to do that well craves a sort of wit. That is not the kind of Fool I am. All such work I delegate to you, and hereby authorize and empower you to say what you please of what I have written, only begging you keep in mind one clear distinction. There are two kinds of Fools. The real Fool is the most sincere of mortals: the Court Fool and his kind the trifling, jesting buffoon but simulate the family virtue, and steal the family name, for sordid purposes. The life of the Fool proper is full of the poetry of faith. He may run after a will-o -the-wisp, while the Wise deride; but to him it is a veritable star of hope. He differs from his fellow-mortals chiefly in this, that he sees or believes what they do not, and consequently undertakes what they never attempt. If he succeed in his endeavor, the world stops laughing, and calls him a Genius: if he fail, it laughs the more, and derides his undertaking as A Fool s Erraxd. So the same individual is often both fool and genius, a fool all his life and a genius after his death, or a fool to one century and a genius to the next, or a fool at home and a prodigy abroad.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings.