Books with title A Chautauqua Idyl

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“A Chautauqua Idyl,” Grace’s first book as a young adult, was written in 1887 to earn enough money for a family trip from her Florida home to the summer Chautauqua gathering at Chautauqua, New York. That illustrated allegory of a Chautauqua gathering held by the flowers, tree, and animals was published in time to be offered for sale that summer and brought enough earnings to take the family there.

I have read Miss Livingston’s little idyl with much pleasure. I cannot but think that if the older and more sedate members of the Chautauquan circles will read it, they will find that there are grains of profit in it; hidden grains, perhaps, but none the worse for being hidden at the first, if they only discover them. Miss Livingston has herself evidently understood the spirit of the movement in which the Chautauquan reading circles are engaged. That is more than can be said of everybody who expresses an opinion upon them. It is because she expresses no opinion, but rather tells, very simply, the story of the working out of the plan, that I am glad you are going to publish her little poem: for poem it is, excepting that it is not in verse or in rhyme.

"A Chautauqua Idyl" by Grace Livingston Hill. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A Chautauqua Idyl by Grace Livingston Hill Down in a rocky pasture, on the edge of a wood, ran a little brook, tinkle, tinkle, over the bright pebbles of its bed. Close to the waters edge grew delicate ferns, and higher up the mossy bank nestled violets, blue and white and yellow. Later in the fall the rocky pasture would glow with golden-rod and brilliant sumach, and ripe milk-weed pods would burst and fill the golden autumn sunshine with fleecy clouds. But now the nodding buttercups and smiling daisies held sway, with here and there a tall mullein standing sentinel. It was a lovely place: off in the distance one could see the shimmering lake, to whose loving embrace the brook was forever hastening, framed by beautiful wooded hills, with a hazy purple mountain back of all.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The violets had put on their gossamers and drawn the hoods up over their heads, the ferns looked sadly drabbled, and the buttercups and daisies on the opposite bank, didn’t even lean across to speak to their neighbors, but drew their yellow caps and white bonnets further over their faces, drooped their heads and wished for the rain to be over. The wild roses that grew on a bush near the bank hid under their leaves. The ferns went to sleep; even the trees leaned disconsolately over the brook and wished for the long rainy afternoon to be over, while little tired wet birds in their branches never stirred, nor even spoke to each other, but stood hour after hour on one foot, with their shoulders hunched up, and one eye shut.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.