Books in The life and letters series series

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Laughing Feminism focuses on comedy in the works of Frances Burney, Maria Edgeworth, and Jane Austen, authors who scrutinized the subjected prejudices against women in order to expose their absurdity and encourage readers to laugh at the folly of sexist views. Audrey Bilger shows that these women writers employed a full arsenal of comic weapons such as satire, burlesque, and parody to combat patriarchal nonsense and make comedy out of the discrepancies between the myth and reality of womanhood. Bilger draws on current feminist criticism, comic theory, and the methodologies of literary history to provide a context for re-assessing the novels of these writers. At a time when overt feminist statements could ruin a woman's reputation, comedy enabled these authors to smuggle feminism into their writing.

Laughing Feminism focuses on comedy in the works of Frances Burney, Maria Edgeworth, and Jane Austen, authors who scrutinized the subjected prejudices against women in order to expose their absurdity and encourage readers to laugh at the folly of sexist views. Audrey Bilger shows that these women writers employed a full arsenal of comic weapons such as satire, burlesque, and parody to combat patriarchal nonsense and make comedy out of the discrepancies between the myth and reality of womanhood. Bilger draws on current feminist criticism, comic theory, and the methodologies of literary history to provide a context for re-assessing the novels of these writers. At a time when overt feminist statements could ruin a woman's reputation, comedy enabled these authors to smuggle feminism into their writing.

Rachel Reynolds isn't running from her past, but she wouldn't mind if it stopped chasing her, either. A senior in high school getting ready to graduate, Rachel is trying to look ahead toward her future, while forgetting the one night two years ago that set events in motion which altered the course of her entire life. Part of the future she's looking for includes falling out of love with her best friend, an act she seems incapable of, especially when it appears he might just love her, too. As Rachel tries to find her footing in a relationship that has baggage before it starts, a nightmare from her past reappears, upsetting the tenuous balance of Rachel's life and threatening the one person she loves most. (Mature Young Adult)

Sooner or later, in the course of almost any discussion about modern art, Paul Klee will be mentioned. A member of Germany's influential Bauhaus group, he was at the heart of European artistic & cultural experiment during the two world wars. Yet his work transcends simple classification. He constantly explored space line, & hue to create his own pictorial poetry & express his unique inner vision of the world. The totality of his experience & the plurality of nature were not only sources of inspiration but were combined in his paintings to create a completely new reality.