Books in The Cambridge Edition of the Works of Virginia Woolf series

Orlando, a novel loosely based on the life of Vita Sackville-West, Virginia Woolf's lover and friend, is one of Woolf's most playful and tantalizing works. This edition provides readers with a fully collated and annotated text. A substantial introduction charts the birth of the novel in the romance between Woolf and Sackville-West, and the role it played in the evolution and eventual fading of that romance. Extensive explanatory notes reveal the extent to which the novel is embedded in Woolf's knowledge of Sackville-West, her family history and her writings. Thorough annotation of every literary and historical allusion in the text establishes its significance as a parodic literary and social history of England, as well as a spoof of one of Woolf's favorite forms, the biography. It also includes all variants from the extant proofs, as well as editions of the novel produced during Woolf's lifetime.

Virginia Woolf's extraordinary last novel, Between the Acts, was published in July 1941. In the weeks before she died in March that year, Woolf wrote that she planned to continue revising the book and that it was not ready for publication. Her husband prepared the work for publication after her death, and his revisions have become part of the text now widely read by students and scholars. Unlike most previous editions, the Cambridge edition returns to the final version of the novel as Woolf left it, examining the stages of composition and publication. Using the final typescript as a guide, this edition fully collates all variants and thus accounts for all the editorial decisions made by Leonard Woolf for the first published edition. With detailed explanatory notes, a chronology and an informative critical introduction, this volume will allow scholars to develop a fuller understanding of Woolf's last work.

A romantic comedy in which the central characters have a distinctly unromantic disposition, Night and Day was Virginia Woolf's second novel. Written during the First World War, the novel is set in the suffrage campaign of the pre-war years. Often understood as a deliberate exercise in classicism, it has been neglected by critics drawn to Woolf's later more overtly experimental fictions. This edition provides a substantial introduction, which traces the chronology of the novel's composition and publication, and which draws on previously neglected sources to trace its reception. Its extensive explanatory notes clarify the novel's relation to Woolf's reading and to the literary, cultural, and historical context of its time, with attention both to the time of its setting and its composition. Maps locate the key settings in London and England. The introduction and textual apparatus trace the complex history of the impressions and editions issued during Woolf's lifetime.

Jacob's Room, Virginia Woolf's third novel, is short compared with its predecessor Night and Day. She said herself that she learnt what to leave out by putting it all in. Jacob's Room may be read as the simple story of a young man's life from childhood until his death in the First World War, but it is much more than that: it subtly indicts a society that instils obedience and celebrates militarism. Consequently, Jacob's death seems random yet inevitable. Extensive explanatory notes clarify the myriad passing allusions, which should lead to a reassessment of Jacob's Room as one of the great modernist masterpieces, taking its place with Ulysses and The Waste Land in the iconic year of 1922. The substantial introduction includes a detailed account of the novel's composition, publication, and early critical reception, together with chronologies of composition and of Woolf's life.

One of the first of Jane Austen's novels to be written, and one of the last to be published, Northanger Abbey is both an amusing story of how a naive girl enters society and wins the affection of a witty young clergyman, and a high-spirited parody of the lurid Gothic novels that were popular during Austen's youth. In the process it features a vivid account of social life in late eighteenth-century Bath, and Austen's famous defence of the novel as a literary form. This edition, based on the text of the novel as published posthumously in 1818, is accompanied by explanatory notes, and an appendix summarising the plots and situations of the Gothic fictions that form the basis of much of Austen's comedy. In addition there is an extensive critical introduction covering the context, publication, and critical history of the novel, a chronology of Austen's life, and authoritative textual apparatus.

Emma is Austen's most technically accomplished novel. The full implications of its hidden plot are only revealed by a second reading. Presented here for the first time with the spelling and the punctuation of the first edition of 1816, the text allows readers to see the novel as Austen's contemporaries first encountered it. The volume includes comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, and a chronology of Austen's life as well. This edition is an indispensable resource for all scholars and readers of Austen.

In recent years, Mansfield Park has come to be regarded as Austen's most controversial novel. It was published in two editions in her lifetime and the 1814 and 1816 texts are fully collated in this work--allowing readers to see the differences between the first edition and the second. This includes some important amendments made by Jane Austen herself. Also included, with a brief note on Elizabeth Inchbald, is the text of Lovers' Vows, the play around which much of the plot of Mansfield Park revolves.