Books in Signet Classics series

200 years after it was first published, Mary Shelley's Frankenstein has stood the test of time as a gothic masterpiece—a classic work of humanity and horror that blurs the line between man and monster...The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. With an Introduction by Douglas Clegg And an Afterword by Harold Bloom

Frederick Douglass's dramatic autobiographical account of his early life as a slave in America.Born into a life of bondage, Frederick Douglass secretly taught himself to read and write. It was a crime punishable by death, but it resulted in one of the most eloquent indictments of slavery ever recorded. His gripping narrative takes us into the fields, cabins, and manors of pre–Civil War plantations in the South and reveals the daily terrors he suffered. Written more than a century and a half ago by a Black man who went on to become a famous orator, U.S. minister to Haiti, and leader of his people, this timeless classic still speaks directly to our age. It is a record of savagery and inhumanity that goes far to explain why America still suffers from the great injustices of the past. With an Introduction by Peter J. Gomes and an Afterword by Gregory Stephens

Robert Louis Stevenson’s rousing seafaring classic. “Fifteen men on a dead man’s chest— Yo-ho-ho, and a bottle of rum!” For sheer storytelling delight and pure adventure, Treasure Island has never been surpassed. From young Jim Hawkins’s first encounter with the sinister beggar Pew to the climactic battle with the most memorable villain in literature, Long John Silver, this novel has fired readers’ imaginations for generations. A rousing tale of treachery, greed, and daring, Treasure Island continues to enthrall readers of all ages.With an Introduction by Patrick Scott and an Afterword by Sara Levine

Before there was Game of Thrones, there was Beowulf... SONG OF BATTLE AND KINGS Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable—reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel. Translated and with an Introduction by Burton Raffel and an Afterword by Roberta Frank

“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—SalonIt Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press. Called “a message to thinking Americans” by the Springfield Republican when it was published in 1935, It Can’t Happen Here is a shockingly prescient novel that remains as fresh and contemporary as today’s news. With an Introduction by Michael Meyer and an Afterword by Gary Scharnhorst

Three horror icons come together in one indispensable tome—with an introduction by Stephen King. “Within the pages of this volume you will come upon three of the darkest creations of English nineteenth-century literature; three of the darkest in all of English and American literature, many would say…and not without justification…These three creatures, presented together for the first time, all have a great deal in common beyond their power to go on frightening generation after generation of readers…but that fact alone should be considered before all others.”—From the Introduction by Stephen King A scientist oversteps the bounds of conscience and brings to life a tortured creation. A young adventurer succumbs to the night world of a diabolic count. A man of medicine explores his darker side only to fall prey to it. They are legendary tales that have held readers spellbound for more than a century. The titles alone—Frankenstein, Dracula, and Dr. Jekyll and Mr. Hyde—have become part of a universal language that serves to put a monster’s face on the good-and-evil duality of our very human nature. And the authors—Mary Shelley, Bram Stoker, and Robert Louis Stevenson—equally as mythic, are still possessed of an inventive and subversive power that can shake a reader to this day with something far more profound than fear. They gave root to the modern horror novel, and like the creatures they invented, they’ve achieved immortality.

Daniel Defoe’s classic tale of a solitary castaway’s survival and triumph, widely considered to be the first English novel.“I, poor miserable Robinson Crusoe, being shipwrecked, came on shore on this dismal unfortunate island, all the rest of the ship’s company being drowned. In despair of any relief, I saw nothing but death before me…” Thus Crusoe begins his journal in Daniel Defoe’s classic novel: the vividly realistic account of a solitary castaway’s triumph over nature—and over the fears, self-doubt and loneliness that are parts of human nature. For almost three centuries, Robinson Crusoe has remained one of the best known and most read tales in modern literature, a popularity owing as much to the enduring freshness and immediacy of its style as to its widely acknowledged status as the very first English novel.

THE GREATEST ADVENTURE OF ALL TIME—NOW WITH A NEW AFTERWORD. Homer’s Odyssey has been called “the first novel,” “the first expression of the mind in literary form,” and “the best story ever written.” Whether fans of suspense, fantasy or human drama, readers of all ages thrill to Homer’s vibrant picture of Odysseus on his decade-long journey, as he meets the lotus-eaters, cunningly flees Cyclops, angers his gods, resists the sexy Sirens, narrowly escapes Scylla and Charybdis, averts his eyes from Medusa, docks in exotic cities—all the while struggling to make it home to his wife and son. Adventure on the high seas, legendary romance, tests of endurance, betrayal, heroism—the saga has all these and more, imagined by the most famous bard of all time. But, as Aristotle pointed out, “his greatness was that he himself was nowhere to be found in his story. His characters were everywhere.” Blind and possibly illiterate, Homer has still “in loftiness of thought surpass’d”* any storyteller since 900 B.C.E. *John Dryden

“One of the major autobiographies of the African-American tradition.”—Henry Louis Gates, Jr.“It has been painful to me, in many ways, to recall the dreary years I passed in bondage. I would gladly forget them if I could. Yet the retrospection is not altogether without solace; for with these gloomy recollections come tender memories of my good old grandmother, like light fleecy clouds floating over a dark and troubled sea.”One of the most memorable slave narratives, Harriet Jacobs’s Incidents in the Life of a Slave Girl illustrates the overarching evil and pervasive depravity of the institution of slavery. In great and painful detail, Jacobs describes her life as a Southern slave, the exploitation that haunted her daily life, her abuse by her master, the involvement she sought with another white man in order to escape her master, and her determination to win freedom for herself and her children. From her seven years of hiding in a garret that was three feet high, to her harrowing escape north to a reunion with her children and freedom, Jacobs’s Incidents in the Life of a Slave Girl remains an outstanding example of one woman’s extraordinary courage in the face of almost unbeatable odds, as well as one of the most significant testimonials in American history.

This tragic novel of sin and redemption is Hawthorne's masterpiece of American fiction.An ardent young woman, her cowardly lover, and her aging vengeful husband—these are the central characters in this stark drama of the conflict between passion and convention in the harsh world of seventeenth-century Boston. Tremendously moving and rich in psychological insight, this dramatic depiction of the struggle between mind and heart illuminates Hawthorne's concern with our Puritan past and its influence on American life.With an Introduction by Brenda Wineappleand an Afterword by Regina BarrecaThis edition includes an early Hawthorne story that contains the germ of The Scarlet Letter.

Sage, storyteller, and wit, Washington Irving created such staples of American fiction as the stories “Rip Van Winkle” and “The Legend of Sleepy Hollow.” He earned his preeminence in early American literature with the masterpieces in miniature collected here: dozens of stories, travel essays, biographical discourses, and literary musings. “His influence on American writers is unquestioned,” wrote Edgar Allan Poe, and his stories have proved as enduring as the Catskill Mountains the author immortalized.“Exceptional talent….I am one of his most ardent admirers. I admired Mr. Irving’s work so much, in fact, that I gave it the ultimate praise; I ‘borrowed it.’”—Edgar Allan Poe With an Introduction by Wayne Franklin

The classic novel of hope, redemption, and the indomitable human spirit, from beloved novelist George Eliot.In this heartwarming classic by George Eliot, a gentle linen weaver named Silas Marner is wrongly accused of a heinous theft actually committed by his best friend. Exiling himself to the rustic village of Raveloe, he becomes a lonely recluse. Ultimately, Marner finds redemption and spiritual rebirth through his unselfish love for an abandoned child who mysteriously appears one day in his isolated cottage. Somber, yet hopeful, Eliot’s realistic depiction of an irretrievable past, tempered with the magical elements of myth and fairy tale, remains timeless in its understanding of human nature and has been beloved for generations.With an Introduction by Frederick R. Karl and an Afterword by Kathryn Hughes