Books in Oberon Modern Plays series

★★★★★ "An extraordinary theatrical triumph" The Times, LondonA radical new version of Federico Garcia Lorca’s masterpiece, set in contemporary London. Billie Piper won the Olivier award for best actress for her portrayal of a young woman driven to the unthinkable by her desperate desire to have a child. Piper repeated the role in the New York production, which played at the Park Avenue Armory in March and April 2018.Simon Stone is an award-winning Australian film and theater director, writer and actor.

My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507.Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale.This edition contains some strong language and may not be suitable for all school curricula. Other editions are available.

Six years ago Pope Benedict XVI stunned the world by resigning, the first Pope in 700 years to do so. What drove this arch-conservative to break with sacred tradition and cede the way for Cardinal Bergoglio – a one time tango club bouncer, football-loving reformer with the common touch – to become Pope Francis, one of most powerful men on earth?In this fascinating, gripping and often funny story of two very different men, Pope Benedict and Cardinal Bergoglio grapple with their complex pasts and uncertain futures. From coming of age under dictatorships in Germany and Argentina, to the scandal of sexual abuse by the clergy, The Pope shines a light into one of the world’s most secretive institutions. At its heart lies a timeless question: in moments of crisis, should we follow the rules or our conscience?

April, 1984. Winston Smith thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell’s fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell’s vision of the future is as relevant as ever. An edited and updated version of the script of this critically acclaimed adaptation, to tie in with the new Broadway production.

Dead Centre’s new solo work for an eleven -year-old boy is devoted to Shakespeare’s only son, Hamnet, who died in 1596, only eleven himself.A single letter separates Hamnet from the philosophical heights of Hamlet. Unlike the Prince, he cannot ask ‘to be or not to be’. Condemned not to be, he now seeks to understand the world from which he has been wrested. Hamnet is too young to understand Shakespeare. We are too old to understand Hamnet. Two generations, asking each other what they want to pass on and receive.

“Men are like yam, you cut them how you like.”Baba Segi has three wives, seven children, and a mansion filled with riches. But now he has his eyes on Bolanle, a young university graduate wise to life’s misfortunes. When Bolanle responds to Baba Segi’s advances, she unwittingly uncovers a secret which threatens to rock his patriarchal household to the core.

If Mrs Tischbein had known the amazing adventures her son Emil would have in Berlin, she'd never have let him go. Emil is excited to be taking the train on his own for the first time. He doesn't like the look of his fellow passenger, the man in the bowler hat. Emil will just have to keep his wits about him and his money in his pocket. But Emil falls asleep and when he wakes up the man in the bowler hat is gone - and so is the money! Emil is determined to get it back. He teams up with a gang of young detectives and so begins a hair-raising chase across Berlin to catch the dirty rotten thief.Erich Kästner was a German author, poet, screenwriter and satirist, known primarily for his humorous, socially astute poetry and children's literature. For the latter contributions he received the biennial,international Hans Christian Andersen Award in 1960.Carl Miller was the Artistic Director of the Young People's programme at the Royal Court Theatre from 1997to 1999. Since 2002, he has been the Literary Manager of the Unicorn Theatre. He was textual advisor on Phyllida Lloyd's production of Webster's The Duchess of Malfi at the National Theatre in 2003."Carl Miller’s savvy adaptation of Erich Kästner’s 1929 adventure story is an enjoyable seasonal offering full of youthful zest... A thrill to see it adapted for the stage." – Evening Standard"A very decent, enjoyable Christmas show which will go down well with families." – The Stage

I'm not doing a German accentYou aren't doing an African accentWe aren't doing accentsA group of actors gather to tell the little-known story of the first genocide of the twentieth century. As the full force of a horrific past crashes into the good intentions of the present, what seemed a far-away place and time is suddenly all too close to home. Just whose story are they telling?Award-winning playwright Jackie Sibblies Drury collides the political with the personal in a play that is irreverently funny and seriously brave.We Are Proud To Present . . . received its European premiere at the Bush Theatre, London, on 28 February 2014.