Books in Library of America College Editions series

Modern Library College Editions William Bradford's "Of Plymouth Plantation" is a remarkable work by a man who himself was something of a marvel. It remains one of the most readable seventeenth-century American books, attractive to us as much for its artfulness as for its high seriousness, the work of a good storyteller with intelligence and wit. Edited, with an Introduction, by Francis Murphy.

HarperCollins is proud to present its new range of best-loved, essential classics. 'Wouldn't it be fun if all the castles in the air which we make could come true and we could live in them?' A heart-warming tale of love, sisterhood and hardship during the New England Civil War, Little Women tells the story of the lovable March family. Meg, Beth, Jo and Amy try to support their mother at home while their father is away at war and enter into various scrapes and adventures as they do so. Alcott beautifully interweaves bad times and good as her characters struggle with the trials and tribulations of growing up and their relationships with one another.

(Book Jacket Status: Not Jacketed)Set in the magical Wessex landscape so familiar from Thomas Hardy’s early work, Tess of the D’Urbervilles is unique among his great novels for the intense feeling that he lavished upon his heroine, Tess, a pure woman betrayed by love. Hardy poured all of his profound empathy for both humanity and the rhythms of natural life into this story of her beauty, goodness, and tragic fate. In so doing, he created a character who, like Emma Bovary and Anna Karenina, has achieved classic stature.

Joseph Andrews, or The History of the Adventures of Joseph Andrews and of his Friend Mr. Abraham Adams, was the first published full-length novel of the English author and magistrate Henry Fielding, and indeed among the first novels in the English language. Published in 1742 and defined by Fielding as a ‘comic epic poem in prose’, it is the story of a good-natured footman's adventures on the road home from London with his friend and mentor, the absent-minded parson Abraham Adams. The novel represents the coming together of the two competing aesthetics of eighteenth-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift; and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson.