Books in Laurel-Leaf Books series

Lena can recite the Scriptures by heart. Hoping to make her adored Papa proud of her and to make her white classmates notice her "Magic Mind," not her black skin, Lena vows to win the Bible-quoting contest. But winning does not bring Lena what she expected. Instead of honor, violence and death erupt and strike the one she loves most dearly. Lena, who has believed in vengeance, must now learn how to forgive.

When Lonnie Jackson leaves Harlem for a basketball scholarship to a midwestern college, he know he must keep his head straight and his record clean. That's the only way he'll have a chance of making it to the pros someday.But his street smarts haven't prepared him for the pressures of tough classes, high-stakes college ball, and the temptation to fix games for local gamblers. Everyone plays by a whole new set of rules -- including Sherry, who's determined to be a track star. Her independence attracts Lonnie, but their on-again, off-again relationship is driving him crazy.Lonnie has one year to learn how to make it as a "college man." It's his outside shot at a bright future. Does he have what it takes?

These lively stories follow Rey Castaneda from sixth through eighth grade in Nuevo Penitas, Texas. One side of Rey's family lives nearby in Mexico, the other half in Texas, and Rey fits in on both sides of the border. In Nuevo Penitas, he enjoys fooling around with his pals in the barrio; at school, he's one of the "A list" kids.As Rey begins to cross the border from childhood into manhood, he turns from jokes and games to sense the meaning of work, love, poverty, and grief, and what it means to be a proud Chicano-moments that sometimes propel him to show feelings un hombre should never express. It's a new territory where Rey longs to follow the example his hardworking, loving father has set for him.

Imamu Jones has two defenses against the world--his intelligence and the toothpick between his lips--and he needs them. After being acquitted of murdering the owner of a grocery store, he is released into the custody of the Aimsley family. Their immaculate Brooklyn brownstone is a long way from the dirty Harlem apartment he had been sharing with his wino mother. Things seem to be looking up unitl the Aimsleys' youngest daughter disappears. And Imamu is the prime suspect . . .

For fans of Gillian Flynn, Caroline Cooney, and R.L. Stine comes The Haunting from four-time Edgar Allen Poe Young Adult Mystery Award winner Joan Lowery Nixon. The walls whisper. The ceilings shriek. No one can survive a night of terror inside Graymoss. The old plantation house has been in Lia’s family since the Civil War, but it’s been possessed for generations by a malicious spirit, and Lia’s family has always stayed far away. Now her parents have decided to move into Graymoss, and Lia must either change their minds or chase away the horror lurking inside the old house. Using clues from her great-great-grandmother’s diary and an old copy of Favorite Tales of Edgar Allan Poe, Lia must discover what—or who—the evil wants. “Nixon creates a spooky setting fairly dripping in atmosphere, then spins an ever-tightening thread of tension.” –Kirkus Reviews “A book that will please mystery fans…[and a] plot [that] keeps readers guessing until the end.” –School Library Journal “Nixon has woven a tale that grabs and holds her readers…It’s a really fun read!” –VOYA “A page-turner that will satisfy mystery and ghost story fans.” –Booklist

I’m Kate Bjorkman. I don’t like romance novels. They’re full of three-paragraph kisses describing people’s tongues and spittle. But what do you do if you’ve lived a real romance with a great-looking guy (Richard) and he loves you as much as you love him? I know what I did. I wrote this romance novel about myself, using the Romance Writer’s Phrase Book. I also used stuff my English teach taught me about writing. He said a story must have conflict. No problem there. My life was one big conflict last Christmas. I didn’t make anything up. This is the honest truth and I want truth even in romance. I’m betting you’ll want the same.

Harold Kline is an albino—an outcast. Folks stare and taunt, calling him Ghost Boy. It’s been that way for all of his 14 years. So when the circus comes to town, Harold runs off to join it. Full of colorful performers, the circus seems like the answer to Harold’s loneliness. He’s eager to meet the Cannibal King, a sideshow attraction who’s an albino, too. He’s touched that Princess Minikin and the Fossil Man, two other sideshow curiosities, embrace him like a son. He’s in love with Flip, the pretty and beguiling horse trainer, and awed by the all-knowing Gypsy Magda. Most of all, Harold is proud of training the elephants, and of earning respect and a sense of normalcy. Even at the circus, though, two groups exist—the freaks, and everyone else. Harold straddles both groups. But fitting in comes at a price, and Harold must recognize the truth beneath what seems apparent before he can find a place to call home.

Fifteen-year-old Sarah can't wait to start her summer job as a mother's helper in exciting New York City. At first everything about the job looks great. Mrs. Friedman is outgoing, and her beautiful, 12-year-old daughter Emily seems too self-sufficient to need much looking after. Sarah's even met a good-looking guy in the building. But soon Sarah feels that she's landed in the middle of a mess. Emily has a serious eating disorder, and her divorced parents argue about how to handle her. As Sarah gets closer to Emily, she feels caught between her desire to help and fear that she is in over her head.

"The Wave" is based on a true incident that occured in a high school history class in Palo Alto, California, in 1969. The powerful forces of group pressure that pervaded many historic movements such as Nazism are recreated in the classroom when history teacher Burt Ross introduces a "new" system to his students. And before long "The Wave," with its rules of "strength through discipline, community, and action," sweeps from the classroom through the entire school. And as most of the students join the movement, Laurie Saunders and David Collins recognize the frightening momentum of "The Wave" and realize they must stop it before it's too late.