Books in Dover Fashion and Costumes series

From 1861 to 1890 the Munich publishing firm of Braun & Schneider published plates of historic and contemporary costume in their magazine Münchener Bilderbogen. These plates were eventually collected in book form and published at the turn of the century in Germany and England. This volume presents all 125 double-spread plates from the third English edition. For the first time, the plates appear in chronological order and with English captions.Over 1,450 costumed figures are shown, from antiquity to the end of the nineteenth century, covering a wide variety of social classes, and professions: Egyptian and Assyrian kings, Byzantine emperors, Frankish and Norman nobles, priests, servants, soldiers of many lands and eras, crusaders, German knights, pages, Italian scholars, German townspeople, peasants, merchants, Dutch burghers, popes, nuns, bishops, monks, English Puritans and Cavaliers, English and French kings, Swiss citizens, French courtiers and republicans, and many more. In addition, there is excellent coverage of late-nineteenth-century folk and their costumes, captured just before the beginning of standard Western dress — Italian, Spanish, Dutch, French, German, Russian, Eastern European, Chinese, Japanese, Asian, and others. To avoid the variable and somewhat fanciful depictions of color in the early editions, all costumes are rendered in black-and-white.A comprehensive source of historic costume in pictures, this remarkable book will be invaluable to costume designers, students of fashion design, commercial artists, and anyone interested in the history of dress. The illustrations are uniformly excellent, and the exceptionally low price makes this book even more attractive.

Late in the 18th century, English children's apparel began to look different from that worn by their elders. The reason, says writer James Laver in his introduction, is that someone finally realized children were different! This engaging book records those changes, with illustrations depicting styles at five- or ten-year intervals, from 1775 to 1920. 32 black-and-white illustrations.

A wealthy Anglo-Italian connoisseur devoted to the nineteenth-century struggle for Italian unification, Frederick Stibbert amassed an extensive collection of arms, armor, and costume — which today can be found in the Tuscan museum bearing his name. During the years in which he built up the museum's collection, he examined countless illuminated manuscripts, ancient documents, frescoes, paintings, and other records of armor and dress.The illustrations in this book, based on exceptional drawings by Stibbert himself and engraved by leading craftsmen of the day, reveal a remarkable panorama of European costume history. The volume contains 217 handsome plates depicting nearly 1,000 individual figures and their accessories, all scrupulously accurate and rendered in meticulous detail. Here are excellent illustrations of priests, warriors, Roman citizens, and women of ancient Britain; the German Emperor Otto and his wife; French monarchs and Scottish kings; jousting English knights of the thirteenth century; fifteenth-century Italian gentlewomen; elaborately coiffed ladies from the court of Versailles; and much more. Captions give the origins of the armor and dress, the sources of the drawings, precise descriptions of each item represented, and explanations of the function and manner of wearing armor.This extraordinary work has wide appeal: fashion historians will be attracted by its scrupulous accuracy and the authenticity of the garments; the royalty-free illustrations will be prized by artists and illustrators; and the handsome engravings and informative captions will entertain and instruct readers interested in the history of costume.

Late in the 18th century, English children's apparel began to look different from that worn by their elders. The reason, says writer James Laver in his introduction, is that someone finally realized children were different! This engaging book records those changes, with illustrations depicting styles at five- or ten-year intervals, from 1775 to 1920. 32 black-and-white illustrations.