Books in Commissario Guido Brunetti Mysteries series

From the New York Times bestselling author of Unto Us a Son is Given, comes one of her most dark and thrilling mysteries yet. A woman’s cryptic dying words in a Venetian hospice lead Guido Brunetti to uncover a threat to the entire region in Donna Leon’s haunting twenty-ninth Brunetti novel. When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding.“They killed him. It was bad money. I told him no,” Benedetta Toso gasps the words about her recently-deceased husband, Vittorio Fadalto. Even though he is not sure she can hear him Brunetti softly promises he and Griffoni will look into what initially appears to be a private family tragedy. They discover that Fadalto worked in the field collecting samples of contamination for a company that measures the cleanliness of Venice’s water supply and that he had died in a mysterious motorcycle accident. Distracted briefly by Vice Questore Patta’s obsession with youth crime in Venice, Brunetti is bolstered once more by the remarkable research skills of Patta’s secretary, Signora Elettra Zorzi. Piecing together the tangled threads, in time Brunetti comes to realize the perilous meaning in the woman’s accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when, seeking solace, he reads Aeschylus’s classic play The Eumenides. As she has done so often through her memorable characters and storytelling skill, Donna Leon once again engages our sensibilities as to the differences between guilt and responsibility.

“Leon tells the story as if she loves Venice as much as her detective does, warts and all. The plot and subplots unfold elegantly; beauty and the beast march hand in hand, and the result is rich entertainment.” ―The Sunday Times (London) In Donna Leon’s ninth novel featuring her celebrated protagonist, Commissario Guido Brunetti finds himself caught up in a typically Venetian problem: red tape over renovations. Visited by a young bureaucrat, Brunetti learns that, officially, his apartment does not exist. The extra floor that was added years before was never approved. But what begins as troublesome headache ends in murder when the bureaucrat is found dead after a mysterious fall from a scaffold. Brunetti starts an investigation that takes him into unfamiliar and dangerous areas of Venetian life, and shows him, once again, what a difference it makes to have friends in high places.

“Your situation is always ambiguous, isn’t it, Guido?”, his father-in-law, Count Orazio Falier, observes of Donna Leon’s soulful detective, Guido Brunetti, at the beginning of her superb 28th Brunetti novel, Unto Us A Son Is Given. “The world we live in makes that necessary,” Brunetti presciently replies. Count Falier was urging his Venetian son-in-law to investigate, and preferably intervene in, the seemingly innocent plan of the Count’s best friend, the elderly Gonzalo Rodríguez de Tejada, to adopt a much younger man as his son. Under Italian inheritance laws this man would then be heir to Gonzalo’s entire fortune, a prospect Gonzalo’s friends find appalling. For his part, Brunetti wonders why the old man, a close family friend, can’t be allowed his pleasure in peace.And yet, what seems innocent on the Venetian surface can cause tsunamis beneath. Gonzalo unexpectedly, and literally, drops dead on the street, and one of his friends just arrived in Venice for the memorial service, is strangled in her hotel room―having earlier sent Gonzalo an email saying “We are the only ones who know you cannot do this,” referring to the adoption. Now with an urgent case to solve, Brunetti reluctantly untangles the long-hidden mystery in Gonzalo’s life that ultimately led to murder―a resolution that brings him way more pain than satisfaction.Once again, Donna Leon brilliantly plumbs the twists and turns of the human condition, reuniting us with some of crime fiction’s most memorable and enduring characters.

Early one morning Commissario Guido Brunetti of the Venice Police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All the clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient. When something is discovered in the victim’s apartment that suggests the existence of a high-level conspiracy, Brunetti becomes convinced that somebody is taking great pains to provide a ready-made solution to the crime.Rich with atmosphere and marvelous plotting, Death in a Strange Country is a superb novel in Donna Leon’s chilling Venetian mystery series.

The memorable characters and Venetian drama that have long captivated Donna Leon’s many readers are on full display in The Temptation of Forgiveness, the twenty-seventh novel in the bestselling mystery series. Surprised, if not dismayed, to discover from his superior that leaks are emanating from the Questura, Commissario Guido Brunetti is surprised more consequentially by the appearance of a friend of his wife’s, fearful that her son is using drugs and hopeful Brunetti can somehow intervene. When the woman’s husband is found unconscious with a serious brain injury at the foot of a bridge in Venice after midnight, Brunetti is drawn to pursue a possible connection to the boy’s behavior. But the truth, as Brunetti has experienced so often, is not so straightforward.

In Leon's fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains.Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavia's breathtaking talent than by the nontraditional relationship between the two women. Brunetti's deliberate and humane investigation to uncover a motive for Brett's beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery and base human desires.“Every fan’s first-pick Brunetti novel.” —The New Yorker“Music and art mingle delightfully with murder and mayhem in the course of this very engaging story.” —Pittsburgh Post-Gazette“A subtle study of emotion and character A sophisticated mystery.” —Library Journal

From the author of The Waters of Eternal Youth, twenty-first Commissario Brunetti mystery and Donna Leon’s biggest New York Times bestseller yet It’s no wonder that Donna Leon’s latest mystery debuted on the New York Times bestseller list at number ten. The series’s tantalizing crimes, Venetian setting, and much-loved commissario are a winning combination that continues to earn critical acclaim and a growing readership around the globe.In Beastly Things, Leon lives up to her reputation as a writer unafraid to address the corruption underlying La Serenissima’s outward beauty. When an unidentified murder victim winds up in a canal, Brunetti travels beyond his usual sphere to find the connection between the dead man and a local slaughterhouse.

Donna Leon’s Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy’s finest living sopranos, Flavia Petrelli—then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name and saved the life of her female American lover in Acqua Alta, Flavia has returned to Venice and La Fenice to sing the lead in Tosca, and Brunetti has tickets to an early performance.The night he and his wife, Paola, attend, Flavia gives a stunning performance to a standing ovation. Back in her dressing room, she finds bouquets of yellow roses—too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws’ palazzo, Flavia confesses her alarm at these excessive displays of adoration. Brunetti promises to look into it. And when a talented young Venetian singer who has caught Flavia’s attention is savagely attacked, Brunetti begins to think that Flavia’s fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm.

In Death and Judgment, the fourth novel in Donna Leon's best selling Commissario Guido Brunetti series, a truck crashes and spills its dangerous cargo on a treacherous road in the Italian Dolomite Mountains. Meanwhile, a prominent international lawyer is found dead aboard an intercity train bound for Venice. Brunetti suspects a connection between the two tragedies. Digging deep for an answer, he stumbles upon a seedy Venetian bar that holds the key to a crime network that reaches far beyond the laguna. But it will take another violent death in Venice before Brunetti and his colleagues can get to the bottom of what is behind the horrific events.

In the twenty-seventh novel in Donna Leon's bestselling mystery series, a suspicious accident leads Commissario Guido Brunetti to uncover a longstanding scam with disturbing unintended consequences The memorable characters and Venetian drama that have long captivated Donna Leon’s many readers are on full display in The Temptation of Forgiveness. Surprised, if not dismayed, to discover from his superior, Vice-Questore Patta, that leaks are emanating from the Questura, Commissario Guido Brunetti is surprised more consequentially by the appearance of a friend of his wife’s, fearful that her son is using drugs and hopeful Brunetti can somehow intervene. When Tullio Gasparini, the woman’s husband, is found unconscious and with a serious brain injury at the foot of a bridge in Venice after midnight, Brunetti is drawn to pursue a possible connection to the boy’s behavior. But the truth, as Brunetti has experienced so often, is not straightforward. As the twenty-seventh novel unfolds in Donna Leon’s exquisite chronicle of Venetian life in all its blissful and sordid aspects, Brunetti pursues several false and contradictory leads while growing ever more impressed by the intuition of his fellow Commissario, Claudia Griffoni, and by the endless resourcefulness and craftiness of Signorina Elettra, Patta’s secretary and gate-keeper. Exasperated by the petty bureaucracy that constantly bedevils him and threatens to expose Signorina Elettra, Brunetti is steadied by the embrace of his own family and by his passion for the classics. This predilection leads him to read Sophocles’ Antigone, and, in its light, consider the terrible consequences to which the actions of a tender heart can lead.

Donna Leon’s Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy’s finest living sopranos, Flavia Petrelli—then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca.Brunetti and his wife, Paola, attend an early performance, and Flavia receives a standing ovation. Back in her dressing room, she finds bouquets of yellow roses—too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws’ palazzo, Flavia confesses her alarm at these excessive displays of adoration. And when a talented young Venetian singer who has caught Flavia’s attention is savagely attacked, Brunetti begins to think that Flavia’s fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm.