Books in Classics series

A ruthless dissection of American life in the late 1960s, Joan Didion's Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil---literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul---it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America―particularly California―in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under -- maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

200 years after it was first published, Mary Shelley's Frankenstein has stood the test of time as a gothic masterpiece—a classic work of humanity and horror that blurs the line between man and monster...The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. With an Introduction by Douglas Clegg And an Afterword by Harold Bloom

First published in 1979, The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era―including Charles Manson, the Black Panthers, and the shopping mall―through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period when strong sled dogs were in high demand. The novel's central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara valley of California as the story opens. Stolen from his home and sold into the brutal existence of an Alaskan sled dog, he reverts to atavistic traits. Buck is forced to adjust to, and survive, cruel treatments and fight to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and lessons he learns, to emerge as a leader in the wild.London lived for most of a year in the Yukon collecting material for the book. The story was serialized in the Saturday Evening Post in the summer of 1903; a month later it was released in book form. The novel’s great popularity and success made a reputation for London. Much of its appeal derives from the simplicity with which London presents the themes in an almost mythical form. As early as 1908 the story was adapted to film and it has since seen several more cinematic adaptations.

Nominated as one of America’s best-loved novels by PBS’s The Great American ReadA popular bestseller since its publication in 1844, The Count of Monte Cristo is one of the great page-turning thrillers of all time. Set against the tumultuous years of the post-Napoleonic era, Alexandre Dumas’s grand historical romance recounts the swashbuckling adventures of Edmond Dantès, a dashing young sailor falsely accused of treason. The story of his long imprisonment, dramatic escape, and carefully wrought revenge offers up a vision of France that has become immortal. As Robert Louis Stevenson declared, “I do not believe there is another volume extant where you can breathe the same unmingled atmosphere of romance.”

Frederick Douglass's dramatic autobiographical account of his early life as a slave in America.Born into a life of bondage, Frederick Douglass secretly taught himself to read and write. It was a crime punishable by death, but it resulted in one of the most eloquent indictments of slavery ever recorded. His gripping narrative takes us into the fields, cabins, and manors of pre–Civil War plantations in the South and reveals the daily terrors he suffered. Written more than a century and a half ago by a Black man who went on to become a famous orator, U.S. minister to Haiti, and leader of his people, this timeless classic still speaks directly to our age. It is a record of savagery and inhumanity that goes far to explain why America still suffers from the great injustices of the past. With an Introduction by Peter J. Gomes and an Afterword by Gregory Stephens

Winner of the 1962 National Book Award and one of Time magazine’s 100 Best English-Language Novels, Walker Percy’s debut The Moviegoer is an American masterpiece and a classic of Southern literature. Insightful, romantic, and humorous, it is the story of a young man’s search for meaning amid a shallow consumerist landscape. Binx Bolling, a young New Orleans stockbroker, fills his days with movies and casual sex. His life offers him nothing worth retaining; what he treasures are scenes from The Third Man or Stagecoach, not the personal experiences he knows other people hold dear. On the cusp of turning thirty, however, something changes: At Mardi Gras, he embarks on a quest for some form of authentic experience. The consequences of Binx’s quest, on both himself and his unstable cousin Kate, prove outrageous, absurd, moving, and indelible.Featuring an afterword by Paul Elie, this new edition of The Moviegoer cements Walker Percy’s place as a giant of American literature.

Robert Louis Stevenson’s rousing seafaring classic. “Fifteen men on a dead man’s chest— Yo-ho-ho, and a bottle of rum!” For sheer storytelling delight and pure adventure, Treasure Island has never been surpassed. From young Jim Hawkins’s first encounter with the sinister beggar Pew to the climactic battle with the most memorable villain in literature, Long John Silver, this novel has fired readers’ imaginations for generations. A rousing tale of treachery, greed, and daring, Treasure Island continues to enthrall readers of all ages.With an Introduction by Patrick Scott and an Afterword by Sara Levine

Before there was Game of Thrones, there was Beowulf... SONG OF BATTLE AND KINGS Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable—reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel. Translated and with an Introduction by Burton Raffel and an Afterword by Roberta Frank