Books in Ballantine Reader's Circle series

The magical saga of the women behind King Arthur's throne.“A monumental reimagining of the Arthurian legends . . . reading it is a deeply moving and at times uncanny experience. . . . An impressive achievement.”—The New York Times Book ReviewIn Marion Zimmer Bradley's masterpiece, we see the tumult and adventures of Camelot's court through the eyes of the women who bolstered the king's rise and schemed for his fall. From their childhoods through the ultimate fulfillment of their destinies, we follow these women and the diverse cast of characters that surrounds them as the great Arthurian epic unfolds stunningly before us. As Morgaine and Gwenhwyfar struggle for control over the fate of Arthur's kingdom, as the Knights of the Round Table take on their infamous quest, as Merlin and Viviane wield their magics for the future of Old Britain, the Isle of Avalon slips further into the impenetrable mists of memory, until the fissure between old and new worlds' and old and new religions' claims its most famous victim.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields, a feminist leader ahead of her time. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes, even of sexual assassinations. It is a novel rich with lunacy and sorrow, yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries–with more than ten million copies in print–this novel provides almost cheerful, even hilarious evidence of its famous last line: “In the world according to Garp, we are all terminal cases.”

“The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving’s novel break all the rules, and yet they remain noble and free-spirited.”—The Houston PostFirst published in 1985, The Cider House Rules is set in rural Maine in the first half of the twentieth century. The novel tells the story of Dr. Wilbur Larch—saint and obstetrician, founder and director of the orphanage in the town of St. Cloud’s, ether addict and abortionist. This is also the story of Dr. Larch’s favorite orphan, Homer Wells, who is never adopted.Praise for The Cider House Rules“ [Irving] is among the very best storytellers at work today. At the base of Irving’s own moral concerns is a rare and lasting regard for human kindness.”—The Philadelphia Inquirer“ Superb in scope and originality, a novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.”—Joseph Heller“ An old-fashioned, big-hearted novel . . . with its epic yearning caught in the nineteenth century, somewhere between Trollope and Twain.”—Boston Sunday Globe

““As compelling as Tan’s first bestseller, The Joy Luck Club. . . No one writes about mothers and daughters with more empathy than Amy Tan.”–The Philadelphia Inquirer“[An] absorbing tale of the mother-daughter bond . . . this book sing[s] with emotion and insight.”–PeopleRuth Young and her widowed mother, LuLing, have always had a tumultuous relationship. Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known. . . .In a remote mountain village where ghosts and tradition rule, LuLing grows up in the care of her mute Precious Auntie as the family endures a curse laid upon a relative known as the bonesetter. When headstrong LuLing rejects the marriage proposal of the coffinmaker, a shocking series of events are set in motion–all of which lead back to Ruth and LuLing in modern San Francisco. The truth that Ruth learns from her mother’s past will forever change her perception of family, love, and forgiveness.“A strong novel, filled with idiosyncratic, sympathetic characters; haunting images; historical complexity; significant contemporary themes; and suspenseful mystery.”–Los Angeles Times“For Tan, the true keeper of memory is language, and so the novel is layered with stories that have been written down–by mothers for their daughters, passing along secrets that cannot be said out loud but must not be forgotten.”–The New York Times Book Review“Tan at her best . . . rich and hauntingly forlorn . . . The writing is so exacting and unique in its detail.”–San Francisco Chronicle

“Anyone who finds it is finding a jewel. Its themes are profound and universal.”—The Wall Street JournalIt is the now-classic story of two fathers and two sons and the pressures on all of them to pursue the religion they share in the way that is best suited to each. And as the boys grow into young men, they discover in the other a lost spiritual brother, and a link to an unexplored world that neither had ever considered before. In effect, they exchange places, and find the peace that neither will ever retreat from again. . . .

With “incantatory prose” that “sweeps over the reader like a dream,” (Philadelphia Inquirer), Hoffman follows her celebrated bestseller The Probable Future, with an evocative work that traces the lives of the various occupants of an old Massachusetts house over a span of two hundred years.In a rare and gorgeous departure, beloved novelist Alice Hoffman weaves a web of tales, all set in Blackbird House. This small farm on the outer reaches of Cape Cod is a place that is as bewitching and alive as the characters we meet: Violet, a brilliant girl who is in love with books and with a man destined to betray her; Lysander Wynn, attacked by a halibut as big as a horse, certain that his life is ruined until a boarder wearing red boots arrives to change everything; Maya Cooper, who does not understand the true meaning of the love between her mother and father until it is nearly too late. From the time of the British occupation of Massachusetts to our own modern world, family after family’s lives are inexorably changed, not only by the people they love but by the lives they lead inside Blackbird House. These interconnected narratives are as intelligent as they are haunting, as luminous as they are unusual. Inside Blackbird House more than a dozen men and women learn how love transforms us and how it is the one lasting element in our lives. The past both dissipates and remains contained inside the rooms of Blackbird House, where there are terrible secrets, inspired beauty, and, above all else, a spirit of coming home.From the writer Time has said tells "truths powerful enough to break a reader’s heart” comes a glorious travelogue through time and fate, through loss and love and survival. Welcome to Blackbird House.

For nearly two decades, since the publication of her iconic first novel, The Good Mother, Sue Miller has distinguished herself as one of our most elegant and widely celebrated chroniclers of family life, with a singular gift for laying bare the interior lives of her characters. In each of her novels, Miller has written with exquisite precision about the experience of grace in daily life–the sudden, epiphanic recognition of the extraordinary amid the ordinary–as well as the sharp and unexpected motions of the human heart away from it, toward an unruly netherworld of upheaval and desire. But never before have Miller’s powers been keener or more transfixing than they are in Lost in the Forest, a novel set in the vineyards of Northern California that tells the story of a young girl who, in the wake of a tragic accident, seeks solace in a damaging love affair with a much older man.Eva, a divorced and happily remarried mother of three, runs a small bookstore in a town north of San Francisco. When her second husband, John, is killed in a car accident, her family’s fragile peace is once again overtaken by loss. Emily, the eldest, must grapple with newfound independence and responsibility. Theo, the youngest, can only begin to fathom his father’s death. But for Daisy, the middle child, John’s absence opens up a world of bewilderment, exposing her at the onset of adolescence to the chaos and instability that hover just beyond the safety of parental love. In her sorrow, Daisy embarks on a harrowing sexual odyssey, a journey that will cast her even farther out onto the harsh promontory of adulthood and lost hope.With astonishing sensuality and immediacy, Lost in the Forest moves through the most intimate realms of domestic life, from grief and sex to adolescence and marriage. It is a stunning, kaleidoscopic evocation of a family in crisis, written with delicacy and masterful care. For her lifelong fans and those just discovering Sue Miller for the first time, here is a rich and gorgeously layered tale of a family breaking apart and coming back together again: Sue Miller at her inimitable best.

"Intriguing...A thoughtful, intelligent work...The novel traces the yeasr from he '50s to the ate '80s, from Eisenhower to George Bush....She writes with simple eloquence about small-town life in the South, right after the start of the great social upheaval of he civil rights movement....Campbell has a strong creative voice."THE WASHINGTON POST BOOK WORLDChicago-born Amrstrong Tood is fifteen, black, and unused to the ways of the segregated Deep South, when his mother sends him to spend the summer with relatives in rural Mississippi. For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.

My name is Avocet Abigail Jackson. But because Mama couldn't find anyone who thought Avocet was a fine name for a child, she called me Bird. Which is okay by me. She named both her children after birds, her logic being that if we were named for something with wings then maybe we'd be able to fly above the shit in our lives. . . . So says Bird Jackson, the mesmerizing narrator of Connie May Fowler's vivid and brilliantly written, Before Women Had Wings. Starstruck by a dime-store picture of Jesus, Bird fancies herself "His girlfriend" and embarks upon a spiritual quest for salvation, even as the chaos of her home life plunges her into a stony silence. In stark and honest language, she tells the tragic life of her father, a sweet-talking wanna-be country music star, tracks her older sister's perilous journey into womanhood, and witnesses her mother make a courageous and ultimately devastating decision. Yet most profound is Bird's own story--her struggle to sift through the ashes of her parents' lives, her meeting with Miss Zora, a healer whose prayers over the bones of winged creatures are meant to guide their souls to heaven, and her will to make sense of a world where fear is more plentiful than hope, retribution more valued than love. . . . "A thing of heart-rending beauty, a moving exploration of love and loss, violence and grief, forgiveness and redemption." --Chicago Tribune "There is no denying the depth of Connie May Fowler's talent and the breadth of her imagination." --The New York Times Book Review "Brilliant." --The Boston Sunday Globe

In this beautifully written biography, Alison Weir paints a vibrant portrait of a truly exceptional woman and provides new insights into her intimate world. Renowned in her time for being the most beautiful woman in Europe, the wife of two kings and mother of three, Eleanor of Aquitaine was one of the great heroines of the Middle Ages. At a time when women were regarded as little more than chattel, Eleanor managed to defy convention as she exercised power in the political sphere and crucial influence over her husbands and sons. Eleanor of Aquitaine lived a long life of many contrasts, of splendor and desolation, power and peril, and in this stunning narrative, Weir captures the woman—and the queen—in all her glory. With astonishing historic detail, mesmerizing pageantry, and irresistible accounts of royal scandal and intrigue, she recreates not only a remarkable personality but a magnificent past era.

She has as much business keeping a stray dog as she would walking across Egypt–which not so incidentally is the title of her favorite hymn. She’s Mattie Rigsbee, an independent, strong-minded senior citizen who, at seventy-eight, might be slowing down just a bit. When teenage delinquent Wesley Benfield drops in on her life, he is even less likely a companion than the stray dog. But, of course, the dog never tasted her mouth-watering pound cake. Wise and witty, down-home and real, Walking Across Egypt is a book for everyone.

NEW YORK TIMES BESTSELLER • Pulitzer Prize-winning author Jane Smiley recaptures an almost forgotten part of the American story and once again demonstrates her extraordinary range and brilliance in The All-True Travels and Adventures of Lidie Newton Set in the 1850s, The All-True Travels and Adventures of Lidie Newton speaks to us in a splendidly quirky voice—the strong, wry, no-nonsense voice of Lidie Harkness of Quincy, Illinois, a young woman of courage, good sense, and good heart. It carries us into an America so violently torn apart by the question of slavery that it makes our current political battlegrounds seem a peaceable kingdom. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW “Rousing . . . Action-packed . . . A gripping story about love, fortitude, and convictions that are worth fighting for.”—Los Angeles Times “Powerful . . . Smiley takes us back to Kansas in 1855, a place of rising passions and vast uncertainties. Narrated in the spirited, unsentimental voice of 20-year-old Lidie Newton, the novel is at once an ambitious examination of a turning point in history and the riveting story of one woman's journey into uncharted regions of place and self.”—Chicago Tribune “[A] grand tale of the moral and political upheavals igniting antebellum frontier life and a heroine so wonderfully fleshed and unforgettable you will think you are listening to her story instead of reading it. Smiley may have snared a Pulitzer for A Thousand Acres . . . but it is with Lydia (Lidie) Harkness Newton that she emphatically captures our hearts. . . . The key word in Smiley's title is Adventures, and Lydia's are crammed with breathless movement, danger, and tension; populated by terrifically entertaining characters and securely grounded in telling detail.”—The Miami Herald “Smiley brilliantly evokes mid-nineteenth century life. . . . Richly imagined and superbly written, Jane Smiley's new novel is an extraordinary accomplishment in an already distinguished career.”—Atlanta Journal-Constitution“A sprawling epic . . . A garrulous, nights-by-the-hearth narrative not unlike those classics of the period it emulates. In following a rebellious young woman of 1855 into Kansas Territory and beyond, the novel is so persuasively authentic that it reads like a forgotten document from the days of Twain and Stowe.”—The Boston Sunday Globe