Books published by publisher Three Roads Press

Finalist, 2017 Indie Book Awards for Autobiography/Memoir, Foreword Reviews Punk Avenue: The New York City Underground 1972-1982 is an intimate look at author Paris-born Phil Marcade’s first ten years in the United States where drifted from Boston to the West Coast and back, before winding up in New York City and becoming immersed in the early punk rock scene. From backrooms of Max’s and CBGB’s to the Tropicana Hotel in Los Angeles and back, Punk Avenue is a tour de force of stories from someone at the heart of the era. With brilliant, often hilarious prose, Marcade relays first-hand tales about spending a Provincetown summer with photographer Nan Goldin and actor-writer Cookie Mueller, having the Ramones play their very first gig at his party, working with Blondie’s Debbie Harry on French lyrics for her songs, enjoying Thanksgiving with Johnny Thunders’ mother, and starting the beloved NYC punk-blues band The Senders. Along the way, he smokes a joint with Bob Marley, falls down a mountain, gets attacked by Nancy Spungen’s junkie cat, become a junkie himself, adopts a dog who eats his pot, opens for The Clash at Bond’s Casino, opens a store named Rebop on Seventh Avenue, throws up in some girl’s mouth, talks about vacuum cleaners with Sid Vicious, lives thru the Blackout of 1977, gets glue in his eye, gets mugged at knife point, plays drums with Johnny Thunders’ band Gang War, sets some guy’s attache-case on fire, listens to pre-famous Madonna singing in the rehearsal studio next to his, gets mugged at gun point, O.D.s on heroin, gets saved by a gentle giant named Bill, lives at night Never sleeps A very funny book.

Dark cults and shady politics are right at home in The Tower.When Adam Church checks in to The Tower to search for any hint of his missing wife, he soon learns his life will never be the same. Deciding who is with you or against you is never easy, but here the lines are so much more than blurred. Can he learn the strange rules this hotel obeys and avoid the horrors lurking inside, or will he lose everything he holds dear?Your humanity is not the only price The Tower demands when you check in.

***2020 LAMBDA LITERARY AWARD FINALIST***DISASTERAMA: Adventures in the Queer Underground 1977 to 1997, is the true story of Alvin Orloff who, as a shy kid from the suburbs of San Francisco, stumbled into the wild, eclectic crowd of Crazy Club Kids, Punk Rock Nutters, Goofy Goofballs, Fashion Victims, Disco Dollies, Happy Hustlers, and Dizzy Twinks of post-Stonewall American queer culture of the late 1970s, only to see the “subterranean lavender twilit shadow world of the gay ghetto” ravished by AIDS in the 1980s. Includes an introduction by Alexander Chee (How to Write an Autobiographical Novel.In Disasterama, Orloff recalls the delirious adventures of his youth―from San Francisco to Los Angeles to New York―where insane nights, deep friendships with the creatives of the underground, and thrilling bi-coastal living led to a free-spirited life of art, manic performance, high camp antics, and exotic sexual encounters, until AIDS threatened to destroy everything he lived for.In his introduction, award-winning essayist and novelist Alexander Chee notes, "There’s a strange love I have for these times that can be hard to explain. How can I love what I lived through from a time that was as ‘bad’ as that? But as I read this, and those days came into view again, what I think of that love now is that there was a beauty to the beauty you found then that was made the more fierce by the horror of what was happening. If you could still find the worth of your life, still find sex, love, friendship, your own self-worth amid these attempts by the state at erasure and the ravages of the AIDS epidemic, then it had the strength of something forged in fire." Orloff looks past the politics of AIDS to the people on the ground, friends of his who did not survive AIDS’ wrath―the boys in black leather jackets and cackling queens in tacky frocks―remembering them not as victims, but as people who loved life, loved fun, and who were a part of the insane jigsaw of Orloff’s friends. Disasterama showcases Orloff's wit and poignancy as he relays the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster, and, struggled to keep the spirit of camp and radicalism alive, even as their friends lost their lives to the plague.

Finalist, 2017 Indie Book Awards for Autobiography/Memoir, Foreword ReviewsPunk Avenue: The New York City Underground 1972-1982 is an intimate look at author Paris-born Phil Marcade’s first ten years in the United States where drifted from Boston to the West Coast and back, before winding up in New York City and becoming immersed in the early punk rock scene. From backrooms of Max’s and CBGB’s to the Tropicana Hotel in Los Angeles and back, Punk Avenue is a tour de force of stories from someone at the heart of the era. With brilliant, often hilarious prose, Marcade relays first-hand tales about spending a Provincetown summer with photographer Nan Goldin and actor-writer Cookie Mueller, having the Ramones play their very first gig at his party, working with Blondie’s Debbie Harry on French lyrics for her songs, enjoying Thanksgiving with Johnny Thunders’ mother, and starting the beloved NYC punk-blues band The Senders. Along the way, he smokes a joint with Bob Marley, falls down a mountain, gets attacked by Nancy Spungen’s junkie cat, become a junkie himself, adopts a dog who eats his pot, opens for The Clash at Bond’s Casino, opens a store named Rebop on Seventh Avenue, throws up in some girl’s mouth, talks about vacuum cleaners with Sid Vicious, lives thru the Blackout of 1977, gets glue in his eye, gets mugged at knife point, plays drums with Johnny Thunders’ band Gang War, sets some guy’s attache-case on fire, listens to pre-famous Madonna singing in the rehearsal studio next to his, gets mugged at gun point, O.D.s on heroin, gets saved by a gentle giant named Bill, lives at night Never sleeps A very funny book.

***2020 LAMBDA LITERARY AWARD FINALIST***DISASTERAMA: Adventures in the Queer Underground 1977 to 1997, is the true story of Alvin Orloff who, as a shy kid from the suburbs of San Francisco, stumbled into the wild, eclectic crowd of Crazy Club Kids, Punk Rock Nutters, Goofy Goofballs, Fashion Victims, Disco Dollies, Happy Hustlers, and Dizzy Twinks of post-Stonewall American queer culture of the late 1970s, only to see the “subterranean lavender twilit shadow world of the gay ghetto” ravished by AIDS in the 1980s. Includes an introduction by Alexander Chee (How to Write an Autobiographical Novel.In Disasterama, Orloff recalls the delirious adventures of his youth—from San Francisco to Los Angeles to New York—where insane nights, deep friendships with the creatives of the underground, and thrilling bi-coastal living led to a free-spirited life of art, manic performance, high camp antics, and exotic sexual encounters, until AIDS threatened to destroy everything he lived for.In his introduction, award-winning essayist and novelist Alexander Chee notes, "There’s a strange love I have for these times that can be hard to explain. How can I love what I lived through from a time that was as ‘bad’ as that? But as I read this, and those days came into view again, what I think of that love now is that there was a beauty to the beauty you found then that was made the more fierce by the horror of what was happening. If you could still find the worth of your life, still find sex, love, friendship, your own self-worth amid these attempts by the state at erasure and the ravages of the AIDS epidemic, then it had the strength of something forged in fire." Orloff looks past the politics of AIDS to the people on the ground, friends of his who did not survive AIDS’ wrath—the boys in black leather jackets and cackling queens in tacky frocks—remembering them not as victims, but as people who loved life, loved fun, and who were a part of the insane jigsaw of Orloff’s friends. Disasterama showcases Orloff's wit and poignancy as he relays the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster, and, struggled to keep the spirit of camp and radicalism alive, even as their friends lost their lives to the plague.

Set in rural Tennessee, QUIVER, a YA novel by Julia Watts, focuses on the unlikely friendship between two teens from opposite sides of the culture wars. Libby is the oldest child of six, going on seven, in a family that adheres to the "quiverfull" lifestyle: strict evangelical Christians who believe that they should have as many children as God allows because children are like arrows in the quiver of "God's righteous warriors." Meanwhile, her new neighbor, Zo is a gender fluid teen whose feminist, socialist, vegetarian family recently relocated from the city in search of a less stressful life. Zo and hir family are as far to the left ideologically as Libby's family is to the right, and yet Libby and Zo, who are the same age, feel a connection that leads them to friendship―a friendship that seems doomed from the start because of their families' differences. Through deft storytelling, built upon extraordinary character development, author Watts offers a close examination of the contemporary compartmentalization of social interactions. The tensions that spring from their families’ cultural differences reflect the pointed conflicts found in today’s society, and illuminate a path for broader consideration.

Set in rural Tennessee, QUIVER, a YA novel by Julia Watts, focuses on the unlikely friendship between two teens from opposite sides of the culture wars. Libby is the oldest child of six, going on seven, in a family that adheres to the "quiverfull" lifestyle: strict evangelical Christians who believe that they should have as many children as God allows because children are like arrows in the quiver of "God's righteous warriors." Meanwhile, her new neighbor, Zo is a gender fluid teen whose feminist, socialist, vegetarian family recently relocated from the city in search of a less stressful life. Zo and hir family are as far to the left ideologically as Libby's family is to the right, and yet Libby and Zo, who are the same age, feel a connection that leads them to friendship—a friendship that seems doomed from the start because of their families' differences. Through deft storytelling, built upon extraordinary character development, author Watts offers a close examination of the contemporary compartmentalization of social interactions. The tensions that spring from their families’ cultural differences reflect the pointed conflicts found in today’s society, and illuminate a path for broader consideration.

IndieFab Young Adult Fiction Book of the Year 2015!Kirkus Reviews Best Teen Books 2015!In the podunk town of Hawthorne, North Carolina, seventeen-year-old geeks Lula and Rory share everything—sci-fi and fantasy fandom, Friday night binge-watching of old X-Files episodes, and that feeling that they don’t quite fit in. Lula knows she and Rory have no secrets from each other; after all, he came out to her years ago, and she’s shared with him her “sacred texts”—the acting books her mother left behind after she walked out of Lula’s life. But then Lula discovers that Rory—her Rory, who maybe she’s secretly had feelings for—has not only tried out for the Hawthorne football team without telling her, but has also been having an affair with his middle-aged divorcee boss. With their friendship disrupted, Lula begins to question her identity and her own sexual orientation, and she runs away in the middle of the night on a journey to find her mother, who she hopes will have all the answers. Meagan Brother’s piercing prose in this fresh LGBT YA novel speaks to anyone who has ever felt unwanted and alone, and who struggles to find their place in an isolating world. Ages 14–up.

IndieFab Young Adult Fiction Book of the Year 2015!Kirkus Reviews Best Teen Books 2015!In the podunk town of Hawthorne, North Carolina, seventeen-year-old geeks Lula and Rory share everything—sci-fi and fantasy fandom, Friday night binge-watching of old X-Files episodes, and that feeling that they don’t quite fit in. Lula knows she and Rory have no secrets from each other; after all, he came out to her years ago, and she’s shared with him her “sacred texts”—the acting books her mother left behind after she walked out of Lula’s life. But then Lula discovers that Rory—her Rory, who maybe she’s secretly had feelings for—has not only tried out for the Hawthorne football team without telling her, but has also been having an affair with his middle-aged divorcee boss. With their friendship disrupted, Lula begins to question her identity and her own sexual orientation, and she runs away in the middle of the night on a journey to find her mother, who she hopes will have all the answers. Meagan Brother’s piercing prose in this fresh LGBT YA novel speaks to anyone who has ever felt unwanted and alone, and who struggles to find their place in an isolating world. Ages 14–up.

"This inspiring collection makes a strong case for how women can design their work lives to meet both personal and professional needs.” ―Publishers Weekly, starred review Womentality: Thirteen Empowering Stories by Everyday Women Who Said Goodbye to the Workplace and Hello to Their Lives is a collection of powerful, personal essays from enterprising women around the world who came to the same realization: work shouldn’t have to be painful and demeaning. Armed with an internet connection and plenty of creativity and ingenuity, they prove that it is possible to redefine the nine-to-five work paradigm and create a flourishing career that is flexible and fulfilling outside the corporate structure. The thirteen women―from diverse countries such as Uganda, Venezuela, Poland, Palestine, and the Philippines―approach independent work in different ways, but are all motivated by the same impulses―to escape the drudgery of office life, to have control of their time, and to enjoy the freedom of working for themselves. Importantly, many discover that―outside of the office―it is possible to triumph over global pay disparities that favor men. Womentality is not a book about people who do not work―on the contrary, these women work hard and their stories illustrate how they overcame challenges to achieve their goals―whether they sought freedom to travel, to spend more time with the family, escape demeaning office politics, or simply to control their career. The essays in Womentality prove that a life of independence is not reserved for elite, American workers. It is possible for anyone. As the women who contributed to Womentality can attest: escaping the nine-to-five life isn’t easy―it takes guts and persistence―but it’s absolutely worthwhile.

Narrated by an Archaeon, a 3.8 billion year old species, the oldest on earth, Downdrift is a work of speculative eco-fiction that describes the impact of ecological pressures on animals that are adopting human behaviors, with droll and sometimes alarming, results. The book follows a year of changes and the travels of a housecat and a lion who are inexplicably driven towards a rendezvous. At first, a few isolated harbingers of change appear, but they quickly escalate. Squirrels take up manic knitting, wild hares steal earth-moving equipment, rats go in for disco music and form-fitting metallic leisure-ware. Data-sorting abilities appear among urban populations of birds, and frenzied domestic pets seek celebrity careers. Droll, melancholic, and poetic, the tale is crammed with witty vignettes and poignant reflections on the ways the pressures on the once-natural world are accelerating mutations in behaviors among the animals. Genetic material alters. The differences between animals blur. Odd mutant forms appear–goat-chicks and dog-flies, fish-birds and flying lizards–as if some mad rush is propelling genetic code to propagate across every form of flesh and living matter. As large-scale infrastructure projects make their appearance, each of the animals takes the role appropriate to its disposition―or not. Melancholic rather than apocalyptic, the book is a celebration of species as well as a mourning of the damage done in our time. Throughout, the emergent voice and character of the Archaeon extremophile records events as well as a slow coming to consciousness about its own identity as a hyper-organism.

Narrated by an Archaeon, a 3.8 billion year old species, the oldest on earth, Downdrift is a work of speculative eco-fiction that describes the impact of ecological pressures on animals that are adopting human behaviors, with droll and sometimes alarming, results. The book follows a year of changes and the travels of a housecat and a lion who are inexplicably driven towards a rendezvous. At first, a few isolated harbingers of change appear, but they quickly escalate. Squirrels take up manic knitting, wild hares steal earth-moving equipment, rats go in for disco music and form-fitting metallic leisure-ware. Data-sorting abilities appear among urban populations of birds, and frenzied domestic pets seek celebrity careers. Droll, melancholic, and poetic, the tale is crammed with witty vignettes and poignant reflections on the ways the pressures on the once-natural world are accelerating mutations in behaviors among the animals. Genetic material alters. The differences between animals blur. Odd mutant forms appear–goat-chicks and dog-flies, fish-birds and flying lizards–as if some mad rush is propelling genetic code to propagate across every form of flesh and living matter. As large-scale infrastructure projects make their appearance, each of the animals takes the role appropriate to its disposition—or not. Melancholic rather than apocalyptic, the book is a celebration of species as well as a mourning of the damage done in our time. Throughout, the emergent voice and character of the Archaeon extremophile records events as well as a slow coming to consciousness about its own identity as a hyper-organism.