Books published by publisher Texas Christian University Press

A New York Times Best Seller A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus. And a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.

Since it was first published in 1996, Official Guide to Texas State Parks and Historic Sites has become Texans’ one-stop source for information on great places to camp, fish, hike, backpack, swim, ride horseback, go rock climbing, view scenic landscapes, tour historical sites, and enjoy almost any other outdoor recreation.Freshly redesigned, this revised edition includes eight new state parks and historical sites, completely updated information for every park, and beautiful new photographs for most of the parks. The book is organized by geographical regions to help you plan your trips around the state. For every park, Laurence Parent provides all of the essential information:The natural or historical attractions of the parkTypes of recreation offeredCamping and lodging facilitiesAddresses and phone numbersMagnificent color photographsSo if you want to watch the sun set over Enchanted Rock, fish in the surf on the beach at Galveston, or listen for a ghostly bugle among the ruins of Fort Lancaster, let this book be your complete guide. Don’t take a trip in Texas without it.

In the 1950s, West Texas suffered the longest drought in the memory of most men then living. By that time, Charlie Flagg, the central character of this novel, was one of a dying breed of men who wrested their living from the harsh land of West Texas. The struggle made them fiercely independent, a trait personified in Charlie’s persistence throughout the seven dry years, his refusal to accept defeat, his opposition to federal aid programs and their inevitable bureaucratic regulations, his determination to stay on the land he loves and respects even as he suffers with that land. Charlie is by no means the typical cowboy hero. Self-sufficient, courageous, with a strong sense of right and wrong, he is also old and overweight, a thoroughly believable human being who has trouble communicating with the wife who loyally struggles to keep life in its pattern, the son who has no feel for the land but yearns for the rodeo circuit, the Mexican family who has worked for him for years and whose help he can no longer afford. Although Charlie never loses his dignity and never quits, he does not win out in the end. When the drought breaks, it has lasted too long and he is too old.There is no surprise ending to this story, no magical solution to the harsh realities of life in West Texas. The reading of this novel lies not in what happens next but in the unfolding depth of a strong character and the clear picture of a time and a place.

"The happiness I feel in offering these to you is vast as a savanna," Pablo Neruda wrote his adored wife, Matilde Urrutia de Neruda, in his dedication of One Hundred Love Sonnets. Set against the backdrop of his beloved Isla Negra, these joyfully sensual poems draw on the wind and tides, the white sand with its scattering of delicate wildflowers, and the hot sun and salty scent of the sea to celebrate their love. Generations of lovers since Pablo and Matilde have shared these poems with each other, making One Hundred Love Sonnets one of the most popular books of poetry of all time. This beautifully redesigned volume, perfect for gift-giving, presents both the original Spanish sonnets and graceful English translations.

Texas native James Farmer is one of the “Big Four” of the turbulent 1960s civil rights movement, along with Martin Luther King Jr., Roy Wilkins, and Whitney Young. Farmer might be called the forgotten man of the movement, overshadowed by Martin Luther King Jr., who was deeply influenced by Farmer’s interpretation of Gandhi’s concept of nonviolent protest. Born in Marshall, Texas, in 1920, the son of a preacher, Farmer grew up with segregated movie theaters and “White Only” drinking fountains. This background impelled him to found the Congress of Racial Equality in 1942. That same year he mobilized the first sit-in in an all-white restaurant near the University of Chicago. Under Farmer’s direction, CORE set the pattern for the civil rights movement by peaceful protests which eventually led to the dramatic “Freedom Rides” of the 1960s. In Lay Bare the Heart Farmer tells the story of the heroic civil rights struggle of the 1950s and 1960s. This moving and unsparing personal account captures both the inspiring strengths and human weaknesses of a movement beset by rivalries, conflicts and betrayals. Farmer recalls meetings with Franklin and Eleanor Roosevelt, Jack and Bobby Kennedy, Adlai Stevenson (for whom he had great respect), and Lyndon Johnson (who, according to Farmer, used Adam Clayton Powell Jr., to thwart a major phase of the movement). James Farmer has courageously worked for dignity for all people in the United States. In this book, he tells his story with forthright honesty. First published in 1985 by Arbor House, this edition contains a new foreword by Don Carleton, director of the Dolph Briscoe Center for American History at the University of Texas at Austin, and a new preface.

In the 1950s, West Texas suffered the longest drought in the memory of most men then living. By that time, Charlie Flagg, the central character of this novel, was one of a dying breed of men who wrested their living from the harsh land of West Texas. The struggle made them fiercely independent, a trait personified in Charlie’s persistence throughout the seven dry years, his refusal to accept defeat, his opposition to federal aid programs and their inevitable bureaucratic regulations, his determination to stay on the land he loves and respects even as he suffers with that land. Charlie is by no means the typical cowboy hero. Self-sufficient, courageous, with a strong sense of right and wrong, he is also old and overweight, a thoroughly believable human being who has trouble communicating with the wife who loyally struggles to keep life in its pattern, the son who has no feel for the land but yearns for the rodeo circuit, the Mexican family who has worked for him for years and whose help he can no longer afford. Although Charlie never loses his dignity and never quits, he does not win out in the end. When the drought breaks, it has lasted too long and he is too old.There is no surprise ending to this story, no magical solution to the harsh realities of life in West Texas. The reading of this novel lies not in what happens next but in the unfolding depth of a strong character and the clear picture of a time and a place.

Through touching rhymes and vivid illustrations (and a heap of help from the letter H), H is for Harvey portrays the struggles and heartaches of those caught in Hurricane Harvey’s rising waters. This engaging and memorable story shows how the plight of Harvey’s victims brought out the best in Texans and in compassionate people everywhere. Written with a whole lot of heart, H is for Harvey provides children and families a greater understanding of this historic storm and a greater appreciation for human kindness as a whole. Readers of all ages will be touched by the book’s message of help, healing, and hope to hang onto—no matter what storms life throws your way. Inquisitive readers will learn even more Hurricane Harvey facts in the “H is for How” section. H is for Heroes. H is for Hashtags like #Houstonstrong. H is for Helping—with all of the book’s royalties going to Harvey relief efforts.

For decades, a riot that killed three hundred people and wounded hundreds of others was scarcely heard of. But several new studies have focused attention on Tulsa's Greenwood race riot of 1921. In If We Must Die novelist Pat Carr turns that tragedy into a riveting novel. When Berneen O'Brien's mother dies, the seventeen-year-old moves from Wyoming to Tulsa to live with her stern uncle. Berneen secures a teaching position at Liberty Elementary School. When she meets the principal, Nelson Flowers, she is amazed to find that he is a black man. Slowly, as she meets the other teachers, Berneen realizes that she is teaching in a black school. Her worries about being an outcast soon disappear, as the other teachers make her welcome. Berneen, who is of Black-Irish descent, doesn't realize that the teachers and students all assume she is also black. At school and after hours Berneen finds herself moving in the world of the segregated Greenwood neighborhood. And she finds herself increasingly drawn to Nelson Flowers. Racial tension erupts into violence when a young white girl accuses a black shoeshine boy of raping her in an office-building elevator. Whites burn Greenwood and storm the neighborhood, shooting and beating black men, women, and children. Berneen is trapped in the school with Nelson Flowers and the teachers when the mob approaches. The story of their desperate attempt to escape is realistic and frightening, made more so by its historical accuracy. This novel is both insightful and a real page-turner.

“Of what use is one ugly little tree?”Atop a windswept hill, a crooked little tree stands alone . . . until one Christmas Eve, when an old woman labors up the hill with a box of ornaments, and tells the tree that he is special. He is to be the official Christmas tree for all of the homeless people in the city below!Year after year, colored balls and garland adorn the tree at Christmastime, but one year, the woman does not come. Will there be a Christmas for homeless? This story is based on actual events about a funny-looking mimosa tree that sits above a busy freeway in Fort Worth, Texas. A formerly homeless woman decorated the tree, year after year, so that the homeless would have a Christmas tree. When she died, neighbors took over the custom and now decorate it for Easter, Halloween, and other holidays as well. It can be seen on the north side of Interstate 30 near the Oakland exit.

Drawing upon the increasing popularity of graphic or illustrated novels among young readers, Texas Tales Illustrated: The Revolution is an innovative retelling of the Texas revolution for independence, sure to become an invaluable classroom resource. Author Mike Kearby and illustrator Mack White designed the book for use in seventh grade Texas history courses in response to a need for more interactive textbooks, which will appeal to the learning styles of students in today’s overwhelmingly visual media culture.White’s detailed line drawings recall classic comic book style and capture the dramatic tension of the battles, while Kearby’s narration is enticing, full of intriguing historical detail. The comic pages are supplemented with traditional text, including excerpts of historical documents and visual materials such as maps and battlefield schematics.Students at three North Texas middle schools found the graphic format “easy to read,” the illustrations “exciting” and well executed. Many responded that they would check out the book from their school libraries—event if the text were not required reading.

When a team of five explorers embarked on a 1,200-mile journey down the Rio Grande, the river that marks the southern boundary of Texas and the US-Mexico border, their goal was to experience and capture on film the rugged landscapes of this vast frontier before the controversial construction of a border wall changed this part of the river forever. The crew—Texas filmmaker Ben Masters, Brazilian immigrant Filipe DeAndrade, Texas conservationist Jay Kleberg, wildlife biologist Heather Mackey, and Guatemalan-American river guide Austin Alvarado—began the trip in El Paso, pedaling mountain bikes through the city’s dry river bed. Their path took them on horseback through the Big Bend, down the Wild and Scenic stretch of the river in canoes, and back to bikes from Laredo to Brownsville. They paddled the last ten miles through a forest of river cane to the Gulf of Mexico. As they made their way to the Gulf, they met and talked with the people who know and live on the river—border patrol, wildlife biologists, ranchers, politicians, farmers, social workers, locals, and travelers. They climbed the wall (in twenty seconds). They encountered rare black bears, bighorn sheep, and birds of all kinds. And they sought to understand the complexities of immigration, the efficacy of a wall, and the impact of its construction on water access, wildlife, and the culture of the borderlands.The River and the Wall is both a wild adventure on a spectacular river and a sobering commentary on the realities of walling it off.

Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it's Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it's the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly's Madison Vain considers Loretta Lynn's girl-power anthem "The Pill"; and rocker Grace Potter embraces Linda Ronstadt's unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America's most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.