Books published by publisher School for Advanced Research Press

When you hold a Pueblo pot in your hands, you feel a tactile connection through the clay to the potter and to centuries of tradition. You will find no better guide to this feeling than Talking with the Clay. Stephen Trimble's photographs capture the spirit of Pueblo pottery in its stunning variety, from the glittering micaceous jars of Taos Pueblo to the famous black ware of San Ildefonso Pueblo, from the bold black-on-white designs of Acoma Pueblo to the rich red and gold polychromes of the Hopi villages. His portraits of potters communicate the elegance and warmth of these artists, for this is the potters' book. Revealed through dozens of conversations, their stories and dreams span seven generations and more than a century, revealing how pottery making helps bridge the gap between worlds, between humans and clay, springing from old ways but embracing change. In this revised, expanded, and redesigned edition, Trimble brings his classic into the twenty-first century with interviews and photographs from a new generation of potters working to preserve the miraculous balance between tradition and innovation.

The site of a great Ancestral Pueblo center in the 11th and 12th centuries AD, the ruins in Chaco Canyon look like a city to some archaeologists, a ceremonial center to others. Chaco and the people who created its monumental great houses, extensive roads, and network of outlying settlements remain an enigma in American archaeology. Two decades after the latest and largest program of field research at Chaco (the National Park Service's Chaco Project from 1971 to 1982) the original researchers and other leading Chaco scholars convened to evaluate what they now know about Chaco in light of new theories and new data. Those meetings culminated in an advanced seminar at the School of American Research, where the Chaco Project itself was born in 1968. In this capstone volume, the contributors address central archaeological themes, including environment, organization of production, architecture, regional issues, and society and polity. They place Chaco in its time and in its region, considering what came before and after its heyday and its neighbors to the north and south, including Mesoamerica.

Katherine Dunham was an anthropologist. One of the first African Americans to obtain a degree in anthropology, she conducted groundbreaking fieldwork in Jamaica and Haiti in the early 1930s and wrote several books including Journey to Accompong, Island Possessed, and Las Danzas de Haiti. Decades before Margaret Mead was publishing for popular audiences in Redbook, Dunham wrote ethnographically informed essays for Esquire and Mademoiselle under the pseudonym Kaye Dunn. Katherine Dunham was a dancer. The first person to head a black modern dance company, Dunham toured the world, appeared in numerous films in the United States and abroad, and worked globally to promote the vitality and relevance of African diasporic dance and culture. Dunham was a cultural advisor, teacher, Kennedy Center honoree, and political activist.This book explores Katherine Dunham’s contribution to anthropology and the ongoing relevance of her ideas and methodologies, rejecting the idea that art and academics need to be cleanly separated from each other. Drawing from Dunham’s holistic vision, the contributors began to experiment with how to bring the practice of art back into the discipline of anthropology—and vice versa.

When you hold a Pueblo pot in your hands, you feel a tactile connection through the clay to the potter and to centuries of tradition. You will find no better guide to this feeling than Talking with the Clay. Stephen Trimble's photographs capture the spirit of Pueblo pottery in its stunning variety, from the glittering micaceous jars of Taos Pueblo to the famous black ware of San Ildefonso Pueblo, from the bold black-on-white designs of Acoma Pueblo to the rich red and gold polychromes of the Hopi villages. His portraits of potters communicate the elegance and warmth of these artists, for this is the potters' book. Revealed through dozens of conversations, their stories and dreams span seven generations and more than a century, revealing how pottery making helps bridge the gap between worlds, between humans and clay, springing from old ways but embracing change. In this revised, expanded, and redesigned edition, Trimble brings his classic into the twenty-first century with interviews and photographs from a new generation of potters working to preserve the miraculous balance between tradition and innovation.

Stephen Trimble conveys the beauty and fine craftsmanship of Pueblo Indian pottery and shows how pottery making is closely connected to the Pueblos' beliefs, their ties to the land, their role in the modern economic world, and their feelings of identity. With over 75 photographs, Talking with the Clay illustrates all the major pottery types, from the glittering micaceous of Taos and Picuris to the red and gold polychromes of Hopi. Stephen Trimble has become a primary narrator of the story of the Southwestern Indians through his books Our Voices, Our Land; The People: Indians of the American Southwest; The Village of Blue Stone; and an annual calendar based on The People. He has lived in the Four Corners states all his life and makes his home in Salt Lake City with his wife and two children.