Books published by publisher SMITHSONIAN INST @ PRESS

“The photographs in this book focus on the people—from midway artists to roustabouts, from performers and their families to the audiences who watch them each night—who create the magic of the circus. Rogala’s work presents the highs and lows of circus life with a powerful combination of documentary pragmatism and empathy that conveys day-to-day details with a sense of wonder. Her rich black-and-white images follow light and shadow (and dust) from set up to rehearsal to performance, with color photography underscoring the drama of a red tent against a clear blue sky or the flash of sequins under the spotlight…. Dynamism and a spirit of collaboration are at the heart of circus life, animate Rogala’s archive, and are central to scholarship at the Smithsonian.” (From the introduction) Nearly two decades after Dawn Rogala’s time behind the scenes at America’s circuses, Dawn Rogala donated her photography archive to the National Museum of American History. The Rogala Collection is the basis for Rogala and colleagues David Haberstich and Shannon Perich to combine in one volume their complementary expertise in photography. Rogala’s essay revisits her time as a young photographer, documenting day-to-day struggles and triumphs of the workers who create a world of wonder for the rest of us. Haberstich reviews the history of documentary photography with an emphasis on depictions of people and their work, placing Rogala’s photographs in the context of the history of traveling societies and immigrant groups. Perich explores the changing roles and relationships between photography and the circus, both of which matured amid industrialized economy, and discusses the Rogala Collection’s place in a long history of circus photography.

Shooting the Sun reinterprets the Ida ritual of the Umeda society of Papua New Guinea, described in Alfred Gell's modern classic Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual (1975). Bernard Juillerat and eight other distinguished scholars, including Gell, apply a range of theoretical constructs - Freudian, Marxist, gender-based, and Lacanian, among others - to Ida ceremonies and the similar Yangis ritual of the neighboring Yafar people.Shooting the Sun begins with Juillerat's description and analysis of the Yangis ritual. Drawing on a secret exegesis provided by Yafar experts, Juillerat interprets the Ida-Yangis rituals as a reformulation of the oedipal ontogenetic scenario, with shooting arrows toward the sun as the ritual's finale, representing a decisive separation from the mother's womb (the earth) and the appropriation of the mother's breast (the sun).Five anthropologists and two psychoanalysts - including Andre Green, Francois Manenti, Marilyn Strathern, Richard Werbner, and Roy Wagner - comment on Juillerat's and Gell's analyses. Juillerat assesses the proposed theoretical concepts, reconsidering Yangis and the mythology that sustains it in light of this assessment and providing some recently uncovered ethnographic material. Shooting the Sun is significant both for the ethnographic data it contains and for the theoretical sophistication it displays.

Ethics on the Ark presents a passionate, multivocal discussion - among zoo professionals, activists, conservation biologists, and philosophers - about the future of zoos and aquariums, the treatment of animals in captivity, and the question of whether the individual, the species, or the ecosystem is the most important focus in conservation efforts. Contributors represent all sides of the issues. Some advocate proposals to increase zoos' work in captive breeding programs. Others call for zoos to turn away from exotic, charismatic species and focus instead on community education programs aimed at protecting local fauna and habitats. Still others contend that zoos ought to be abolished.Moving from the fundamental to the practical, from biodiversity to population regulation, from animal research to captive breeding, Ethics on the Ark represents an important gathering of the many fervent and contentious viewpoints shaping the wildlife conservation debate.

This book is dedicated to Michael Gannon and explicitly updates his 1965 The Cross in the Sand but views the subject from a different perspective: Where Gannon focused on the mission effort from the missionaries' point of view, Jerald T. Milanich is interested in the way Florida missions affected and were affected by the southeastern Indians they attempted to convert. In eight chapters he outlines the problem of the "lost" missions and the archaeology that has rediscovered them; describes the indigenous peoples of Florida at the time of contact with Europeans; recounts the major events of Spanish exploration; describes early Jesuit missions that failed; introduces the Franciscan missions that succeeded; provides detailed descriptions of Indian life in the mission settlements; traces significant Indian resistance to colonization and missionization; and finally recounts the collapse of the mission system under the inexorable onslaught of English attacks.

Born of the linguistic fascination of a noted paleontologist, Composition of Scientific Words includes a brief introduction to the history and elementary structure of English, Greek, and Latin, followed by a guide for the formulation of technical terms. The main selection, the lexicon, is an alphabetical list of key words. It gives their synonyms and cognates in English, Latin, and Greek, as well as occasional additions from among thirty-eight other languages. This section is a storehouse of fact and lore on the derivation of both everyday and technical terms. Numerous cross-references make the book fully accessible.