Books published by publisher Indiana University Press

The movie Jeremiah Johnson introduced millions to the legendary mountain man, John Johnson. The real Johnson was a far cry from the Redford version. Standing 6’2" in his stocking feet and weighing nearly 250 pounds, he was a mountain man among mountain men, one of the toughest customers on the western frontier. As the story goes, one morning in 1847 Johnson returned to his Rocky Mountain trapper’s cabin to find the remains of his murdered Indian wife and her unborn child. He vowed vengeance against an entire Indian tribe. Crow Killer tells of that one-man, decades-long war to avenge his beloved. Whether seen as a realistic glimpse of a long ago, fierce frontier world, or as a mythic retelling of the many tales spun around and by Johnson, Crow Killer is unforgettable. This new edition, redesigned for the first time, features an introduction by western frontier expert Nathan E. Bender and a glossary of Indian tribes.

A new edition of the illustrated compendium that is “a gift to serious dinosaur enthusiasts” (Science). What do we know about dinosaurs, and how do we know it? How did they grow, move, eat, and reproduce? Were they warm-blooded or cold-blooded? How intelligent were they? How are the various groups of dinosaurs related to each other, and to other kinds of living and extinct vertebrates? What can the study of dinosaurs tell us about the process of evolution? And why did typical dinosaurs become extinct? These questions and more are addressed in this new, expanded edition of The Complete Dinosaur. Written by leading experts on the “fearfully great” reptiles, the book covers what we have learned about dinosaurs, from the earliest discoveries to the most recent controversies. Where scientific contention exists, the editors have let the experts agree to disagree. The Complete Dinosaur is a feast for serious dinosaur lovers, from the enthusiastic amateur to the professional paleontologist. Praise for the first edition: “An excellent encyclopedia that serves as a nice bridge between popular and scholarly dinosaur literature.” —Library Journal (starred review) “Stimulating armchair company for cold winter evenings. . . . Best of all, the book treats dinosaurs as intellectual fun.” —New Scientist “Useful both as a reference and as a browse-and-enjoy compendium.” —Natural History “Copiously illustrated and scrupulously up-to-date.” —Publishers Weekly “The amount of information in [these] pages is amazing. This book should be on the shelves of dinosaur freaks as well as those who need to know more about the paleobiology of extinct animals. It will be an invaluable library reference.” —American Reference Books Annual

<P>The movie Jeremiah Johnson introduced millions to the legendary mountain man, John Johnson. The real Johnson was a far cry from the Redford version. Standing 6’2" in his stocking feet and weighing nearly 250 pounds, he was a mountain man among mountain men, one of the toughest customers on the western frontier. As the story goes, one morning in 1847 Johnson returned to his Rocky Mountain trapper’s cabin to find the remains of his murdered Indian wife and her unborn child. He vowed vengeance against an entire Indian tribe. Crow Killer tells of that one-man, decades-long war to avenge his beloved. Whether seen as a realistic glimpse of a long ago, fierce frontier world, or as a mythic retelling of the many tales spun around and by Johnson, Crow Killer is unforgettable. This new edition, redesigned for the first time, features an introduction by western frontier expert Nathan E. Bender and a glossary of Indian tribes.</P>

Named one of the 10 Best Books of 2019 by the New York Times Book Review “Damrosch brings the Club’s redoubtable personalities — the brilliant minds, the jousting wits, the tender camaraderie — to vivid life…”—The New York Times Book Review In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk’s Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.” In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth‑century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.

The international bestseller: E. H. Gombrich’s sweeping history of the world, for the curious of all ages “All stories begin with ‘Once upon a time.’ And that’s just what this story is all about: what happened, once upon a time.” So begins A Little History of the World, an engaging and lively book written for readers both young and old. Rather than focusing on dry facts and dates, E. H. Gombrich vividly brings the full span of human experience on Earth to life, from the stone age to the atomic age. He paints a colorful picture of wars and conquests; of grand works of art; of the advances and limitations of science; of remarkable people and remarkable events, from Confucius to Catherine the Great to Winston Churchill, and from the invention of art to the destruction of the Berlin Wall. For adults seeking a single-volume overview of world history, for students in search of a quick refresher course, or for families to read and learn from together, Gombrich’s Little History enchants and educates.

Prize-winning biographer Leo Damrosch tells the story of “the Club,” a group of extraordinary writers, artists, and thinkers who gathered weekly at a London tavern In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk’s Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.” In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth-century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.

<P>This volume, aimed at the general reader, presents life and times of the amazing animals that inhabited Earth more than 500 million years ago. The Cambrian Period was a critical time in Earth’s history. During this immense span of time nearly every modern group of animals appeared. Although life had been around for more than 2 million millennia, Cambrian rocks preserve the record of the first appearance of complex animals with eyes, protective skeletons, antennae, and complex ecologies. Grazing, predation, and multi-tiered ecosystems with animals living in, on, or above the sea floor became common. The cascade of interaction led to an ever-increasing diversification of animal body types. By the end of the period, the ancestors of sponges, corals, jellyfish, worms, mollusks, brachiopods, arthropods, echinoderms, and vertebrates were all in place. The evidence of this Cambrian "explosion" is preserved in rocks all over the world, including North America, where the seemingly strange animals of the period are preserved in exquisite detail in deposits such as the Burgess Shale in British Columbia. Cambrian Ocean World tells the story of what is, for us, the most important period in our planet’s long history.</P>

A glorious illustrated edition of the international bestseller E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages.Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work.For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index.Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.

“This thoughtful, engaging examination of the Reconstruction Era . . . will be appealing . . . to anyone interested in the roots of present-day American politics” (Publishers Weekly). The story of Reconstruction is not simply about the rebuilding of the South after the Civil War. In many ways, the late nineteenth century defined modern America, as Southerners, Northerners, and Westerners forged a national identity that united three very different regions into a country that could become a world power. A sweeping history of the United States from the era of Abraham Lincoln to the presidency of Theodore Roosevelt, this engaging book tracks the formation of the American middle class while stretching the boundaries of our understanding of Reconstruction. Historian Heather Cox Richardson ties the North and West into the post–Civil War story that usually focuses narrowly on the South. By weaving together the experiences of real individuals who left records in their own words—from ordinary Americans such as a plantation mistress, a Native American warrior, and a labor organizer, to prominent historical figures such as Andrew Carnegie, Julia Ward Howe, Booker T. Washington, and Sitting Bull—Richardson tells a story about the creation of modern America.

A new translation of two seminal works of existentialism It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture (“Existentialism Is a Humanism”) was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity. The idea of freedom occupies the center of Sartre’s doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes (“existence precedes essence”). Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind. This book presents a new English translation of Sartre’s 1945 lecture and his analysis of Camus’s The Stranger, along with a discussion of these works by acclaimed Sartre biographer Annie Cohen-Solal. This edition is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre’s introduction and a Q&A with Sartre about his lecture.

A lavishly illustrated global exploration of the vast array of styles and most significant practitioners of tattoo from ancient times to today Tattoo art and practice has seen radical changes in the 21st century, as its popularity has exploded. An expanding number of tattoo artists have been mining the past for lost traditions and innovating with new technology. An enormous diversity of styles, genres, and techniques has emerged, ranging from geometric blackwork to vibrant, painterly styles, and from hand-tattooed works to machine-produced designs. With over 700 stunning color illustrations, this volume considers historical and contemporary tattoo practices in Europe, the Americas, the Middle East, North and Sub-Saharan Africa, Asia, Australia, and the Pacific Islands. Each section, dedicated to a specific geographic region, features fascinating text by tattoo experts that explores the history and traditions native to that area as well as current styles and trends. The World Atlas of Tattoo also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs. The work of 100 notable artists from around the globe is showcased in this definitive reference on a widespread and intriguing art practice.

Named one of the 10 Best Books of 2019 by the New York Times Book Review “Damrosch brings the Club’s redoubtable personalities — the brilliant minds, the jousting wits, the tender camaraderie — to vivid life…”—The New York Times Book Review In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk’s Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.” In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth‑century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.