Books published by publisher Continuum

Tracing the creation of Exile on Main Street from the original songwriting done while touring America through the final editing in Los Angeles, Bill Janovitz explains how an album recorded by a British band in a villa on the French Riviera is pure American rock & roll. Looking at each song individually, Janovitz unveils the innovative recording techniques, personal struggles, and rock & roll mythmaking that culminated in this pivotal album.

From the preface by Alain Badiou: It is no exaggeration to say that Quentin Meillassoux has opened up a new path in the history of philosophy, understood here as the history of what it is to know ... This remarkable "critique of critique" is introduced here without embellishment, cutting straight to the heart of the matter in a particularly clear and logical manner. It allows the destiny of thought to be the absolute once more. "This work is one of the most important to appear in continental philosophy in recent years and deserves a wide readership at the earliest possible date ... Après la finitude is an important book of philosophy by an authnted emerging voices in continental thought. Quentin Meillassoux deserves our close attention in the years to come and his book deserves rapid translation and widespread discussion in the English-speaking world. There is nothing like it."-Graham Harman in Philosophy Today Quentin Meillassoux's remarkable debut makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of continental philosophy. Written in a style that marries great clarity of expression with argumentative rigour, After Finitude provides bold readings of the history of philosophy and sets out a devastating critique of the unavowed fideism at the heart of post-Kantian philosophy. The exceptional lucidity and the centrality of argument in Meillassoux's writing should appeal to analytic as well as continental philosophers, while his critique of fideism will be of interest to anyone preoccupied by the relation between philosophy, theology and religion. Meillassoux introduces a startlingly novel philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.

Tracing the creation of Exile on Main Street from the original songwriting done while touring America through the final editing in Los Angeles, Bill Janovitz explains how an album recorded by a British band in a villa on the French Riviera is pure American rock & roll. Looking at each song individually, Janovitz unveils the innovative recording techniques, personal struggles, and rock & roll mythmaking that culminated in this pivotal album.

From the preface by Alain Badiou: It is no exaggeration to say that Quentin Meillassoux has opened up a new path in the history of philosophy, understood here as the history of what it is to know ... This remarkable "critique of critique" is introduced here without embellishment, cutting straight to the heart of the matter in a particularly clear and logical manner. It allows the destiny of thought to be the absolute once more."This work is one of the most important to appear in continental philosophy in recent years and deserves a wide readership at the earliest possible date ... Après la finitude is an important book of philosophy by an authnted emerging voices in continental thought. Quentin Meillassoux deserves our close attention in the years to come and his book deserves rapid translation and widespread discussion in the English-speaking world. There is nothing like it."-Graham Harman in Philosophy TodayQuentin Meillassoux's remarkable debut makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of continental philosophy. Written in a style that marries great clarity of expression with argumentative rigour, After Finitude provides bold readings of the history of philosophy and sets out a devastating critique of the unavowed fideism at the heart of post-Kantian philosophy. The exceptional lucidity and the centrality of argument in Meillassoux's writing should appeal to analytic as well as continental philosophers, while his critique of fideism will be of interest to anyone preoccupied by the relation between philosophy, theology and religion. Meillassoux introduces a startlingly novel philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.

People Get Ready!: A New History of Gospel Music is a passionate, celebratory, and carefully researched chronology of one of America's greatest treasures. From Africa through the spirituals, from minstrel music through jubilee, and from traditional to contemporary gospel, People Get Ready! shows the links between styles, social patterns, and artists. The emphasis is on the stories behind the songs and musicians. From the nameless slaves of Colonial America to Donnie McClurkin, Yolanda Adams, and Kirk Franklin, People Get Ready! provides, for the first time, an accessible overview of this musical genre. In addition to the more familiar stories of Thomas A. Dorsey and Mahalia Jackson, the book offers intriguing new insights into the often forgotten era between the Civil War and the rise of jubilee-that most intriguing blend of minstrel music, barbershop harmonies, and the spiritual. Also chronicled are the connections between some of gospel's precursors (Blind Willie Johnson, Arizona Dranes, and Sister Rosetta Tharpe) and modern gospel stars, including Andrae Crouch and Clara Ward. People Get Ready! knits together a number of narratives, and combines history, musicology and spirituality into a coherent whole, stitched together by the stories of dozens of famous and forgotten musical geniuses.FROM THE INTRODUCTION"Among the richest of the lavish gifts Africa has given to the world is rhythm. The beat. The sound of wood on wood, hand on hand. That indefinable pulse that sets blood to racing and toes to tapping. It is rhythm that drives the great American musical exports, the spiritual (and, by extension, gospel), the blues, jazz and rock 'n' roll. But first you must have the spirituals-religion with rhythm.In this book, I will show the evolution of a musical style that only occasionally slows down its evolution long enough to be classified before it evolves yet again. In historical terms, spirituals emerged from African rhythm, work-songs, and field hollers in a remarkably short time-years, perhaps days-after the first African slaves landed on American shores. From the spirituals sprang not just their spiritual heir jubilee, but jazz and blues. And gospel music in its modern understanding morphed from the spirituals, the blues, jubilee and-of course-African rhythm.What today's gospel music is and what it is becoming is part of the continuing evolution of African American music. Religion with rhythm."

In 1910 Robert Falcon Scott and Roald Amundsen set sail for Antarctica, each from his own starting point, and the epic race for the South Pole was on. For the first time Scott's unedited diaries run alongside those of both Amundsen and Olav Bjaaland, never before translated into English. Cutting through the welter of controversy to the events at the heart of the story, Huntford weaves the narrative from the protagonists' accounts of their own fate. What emerges is a whole new understanding of what really happened on the ice and the definitive account of the Race for the South Pole.

In 1910 Robert Falcon Scott and Roald Amundsen set sail for Antarctica, each from his own starting point, and the epic race for the South Pole was on. For the first time Scott's unedited diaries run alongside those of both Amundsen and Olav Bjaaland, never before translated into English. Cutting through the welter of controversy to the events at the heart of the story, Huntford weaves the narrative from the protagonists' accounts of their own fate. What emerges is a whole new understanding of what really happened on the ice and the definitive account of the Race for the South Pole.

From the preface by Alain Badiou: It is no exaggeration to say that Quentin Meillassoux has opened up a new path in the history of philosophy, understood here as the history of what it is to know ... This remarkable "critique of critique" is introduced here without embellishment, cutting straight to the heart of the matter in a particularly clear and logical manner. It allows the destiny of thought to be the absolute once more. "This work is one of the most important to appear in continental philosophy in recent years and deserves a wide readership at the earliest possible date ... Après la finitude is an important book of philosophy by an authnted emerging voices in continental thought. Quentin Meillassoux deserves our close attention in the years to come and his book deserves rapid translation and widespread discussion in the English-speaking world. There is nothing like it."-Graham Harman in Philosophy Today Quentin Meillassoux's remarkable debut makes a strikingly original contribution to contemporary French philosophy and is set to have a significant impact on the future of continental philosophy. Written in a style that marries great clarity of expression with argumentative rigour, After Finitude provides bold readings of the history of philosophy and sets out a devastating critique of the unavowed fideism at the heart of post-Kantian philosophy. The exceptional lucidity and the centrality of argument in Meillassoux's writing should appeal to analytic as well as continental philosophers, while his critique of fideism will be of interest to anyone preoccupied by the relation between philosophy, theology and religion. Meillassoux introduces a startlingly novel philosophical alternative to the forced choice between dogmatism and critique. After Finitude proposes a new alliance between philosophy and science and calls for an unequivocal halt to the creeping return of religiosity in contemporary philosophical discourse.

<img src="http://www.continuumbooks.com/pub/images/impactslogo.gif" align="left"><br/>Desiderius Eramsus (1466/9-1536) was the most renowned scholar of his age, a celebrated humanist and Classicist, and the first teacher of Greek at Cambridge. An influential figure in the Protestant Reformation, though without ever breaking from the Church himself, he satirised both human folly and the corruption of the Church.<br/>Martin Luther (1483-1546) was the founder of the German Reformation. His 95 Theses became a manifesto for reform of the Catholic Church and led to his being tried for heresy. He remained in Germany, Professor of Biblical Exegesis at the University of Wittenburg, until his death, publishing a large number of works, including three major treatises and a translation of the New Testament into German. <br/><br/>Comprising Erasmus's The Free Will and Luther's The Bondage of the Will, Discourse on Free Will is a landmark text in the history of Protestantism. Encapsulating the perspective on free will of two of the most important figures in the history of Christianity, it remains to this day a powerful, thought-provoking and timely work.<br/><br/>Translated and edited by Ernst F. Winter>

Published in time for the centenary of Seuss's birth in March 2004, Dr. Seuss: American Icon, celebrates one of the most influential authors and artists of the 20th century: Theodor Seuss Geisel, best known as 'Dr. Seuss'. Dr Seuss's ascendance from children's author to American icon confirms that his cultural significance rests not just with the beginning reader, but with the scholar, the artist, and the poet.Seuss's Beginner Books(starting with The Cat in the Hat in 1957) have obscured the enormous range of his contributions to American literature. Similarly his art, unfairly overlooked because it appears in children's books, cartoons, and commercials, actually covers a range of styles, including Surrealism, Art Nouveau, and Cubism. Bringing to light the adult perspective behind the children's writer, Philip Nel examines Seuss's lesser-known works, such as the 'adult book' The Seven Lady Godivas (1939), and the live-action musical The 5,000 Fingers of Dr. T (1953). The book also features the most comprehensive Seuss bibliography ever produced, documenting his prodigious output.As well as establishing Seuss's place among poets and artists, Dr. Seuss: American Icon links the Seuss people know and the Seuss people do not know.