Books published by publisher Catapult

Everything you’ve ever wanted to know about publishing but were too afraid to ask is right here in this funny, candid guide by acclaimed author Courtney Maum. Before and After the Book Deal: A Writer's Guide to Finishing, Publishing, Promoting, and Surviving Your First Book has over 150 contributors from all walks of the industry, including international bestselling authors Anthony Doerr, Roxane Gay, Garth Greenwell, Lisa Ko, R. O. Kwon, Rebecca Makkai, and Ottessa Moshfegh, alongside cult favorites Sarah Gerard, Melissa Febos, Mitchell S. Jackson, and Mira Jacob. Agents, film scouts, film producers, translators, disability and minority activists, and power agents and editors also weigh in, offering advice and sharing intimate anecdotes about even the most taboo topics in the industry. Their wisdom will help aspiring authors find a foothold in the publishing world and navigate the challenges of life before and after publication with sanity and grace.Are MFA programs worth the time and money? How do people actually sit down and finish a novel? Did you get a good advance? What do you do when you feel envious of other writers? And why the heck aren’t your friends saying anything about your book? Covering questions ranging from the logistical to the existential (and everything in between), Before and After the Book Deal is the definitive guide for anyone who has ever wanted to know what it’s really like to be an author.

Everything you’ve ever wanted to know about publishing but were too afraid to ask is right here in this funny, candid guide by acclaimed author Courtney Maum. Before and After the Book Deal: A Writer's Guide to Finishing, Publishing, Promoting, and Surviving Your First Book has over 150 contributors from all walks of the industry, including international bestselling authors Anthony Doerr, Roxane Gay, Garth Greenwell, Lisa Ko, R. O. Kwon, Rebecca Makkai, and Ottessa Moshfegh, alongside cult favorites Sarah Gerard, Melissa Febos, Mitchell S. Jackson, and Mira Jacob. Agents, film scouts, film producers, translators, disability and minority activists, and power agents and editors also weigh in, offering advice and sharing intimate anecdotes about even the most taboo topics in the industry. Their wisdom will help aspiring authors find a foothold in the publishing world and navigate the challenges of life before and after publication with sanity and grace.Are MFA programs worth the time and money? How do people actually sit down and finish a novel? Did you get a good advance? What do you do when you feel envious of other writers? And why the heck aren’t your friends saying anything about your book? Covering questions ranging from the logistical to the existential (and everything in between), Before and After the Book Deal is the definitive guide for anyone who has ever wanted to know what it’s really like to be an author.

NATIONAL BESTSELLER "Think the next Educated or Wild. Palmer’s memoir of beating the odds to become a horse champion is an inspiring saga of perseverance―and a classic underdog tale." ―Entertainment Weekly "If you like your memoirs to revolve around singular experiences, Lara Prior-Palmer’s Rough Magic delivers." ―John Williams, The New York Times At the age of nineteen, Lara Prior-Palmer discovered a website devoted to “the world’s longest, toughest horse race”―an annual competition of endurance and skill that involves dozens of riders racing a series of twenty-five wild ponies across 1,000 kilometers of Mongolian grassland. On a whim, she decided to enter the race. As she boarded a plane to East Asia, she was utterly unprepared for what awaited her. Riders often spend years preparing to compete in the Mongol Derby, a course that re-creates the horse messenger system developed by Genghis Khan, and many fail to finish. Prior-Palmer had no formal training. She was driven by her own restlessness, stubbornness, and a lifelong love of horses. She raced for ten days through extreme heat and terrifying storms, catching a few hours of sleep where she could at the homes of nomadic families. Battling bouts of illness and dehydration, exhaustion and bruising falls, she decided she had nothing to lose. Each dawn she rode out again on a fresh horse, scrambling up mountains, swimming through rivers, crossing woodlands and wetlands, arid dunes and open steppe, as American television crews chased her in their jeeps. Told with terrific suspense and style, in a voice full of poetry and soul, Rough Magic captures the extraordinary story of one young woman who forged ahead, against all odds, to become the first female winner of this breathtaking race.

One of NPR's Best Books of the Year "Black Card holds many modes and many moods in its packed and tactile narrative. Chris L. Terry has managed to capture, all at once, the complications of being black, being young, and being in love. This is a detailed ride about finding one's way to the inside, and finding that the inside isn't all you thought it would be. This book is a mirror, inside of which I saw so many selves." ―Hanif Abdurraqib, author of They Can't Kill Us Until They Kill Us and Go Ahead in the Rain Chris L. Terry’s Black Card is an uncompromising examination of American identity. In an effort to be “black enough,” a mixed-race punk rock musician indulges his own stereotypical views of African American life by doing what his white bandmates call “black stuff.” After remaining silent during a racist incident, the unnamed narrator has his Black Card revoked by Lucius, his guide through Richmond, Virginia, where Confederate flags and memorials are a part of everyday life. Determined to win back his Black Card, the narrator sings rap songs at an all-white country music karaoke night, absorbs black pop culture, and attempts to date his black coworker Mona, who is attacked one night. The narrator becomes the prime suspect and earns the attention of John Donahue, a local police officer with a grudge dating back to high school. Forced to face his past, his relationships with his black father and white mother, and the real consequences and dangers of being black in America, the narrator must choose who he is before the world decides for him.

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures. Victoria Blanco relates how those with family in both El Paso and Ciudad Juárez experience life on the border. Nina Li Coomes recalls the heroines of Japanese animator Hayao Miyazaki and what they taught her about her bicultural identity. Nur Nasreen Ibrahim details her grandfather’s crossing of the India-Pakistan border sixty years after Partition. Krystal A. Sital writes of how undocumented status in the United States can impact love and relationships. Porochista Khakpour describes the challenges in writing (and rewriting) Iranian America. Through the power of personal narratives, as told by both emerging and established writers, A Map Is Only One Story offers a new definition of home in the twenty-first century.

“Tense and evocative . . . . Despite its powerful social critique, Vengeance is cautious and prismatic, openly troubled by its own claims to authority.” —Katy Waldman, The New Yorker As the narrator attempts to sort out what happened in King’s life—paying visits to his devoted mother, his estranged young daughter and her mother, his girlfriend, his brother, and his cousin—the writer’s own sense of identity begins to feel more and more like a fiction. He is one of the “free people” while Kendrick, who studies theology and philosophy, will never get his only wish, expressed plainly as “I just need to get out of here.” The dichotomy between their lives forces the narrator to confront the violence in his own past, and also to reexamine American notions of guilt and penance, racial bias, and the inherent perversity of punitive justice. It is common knowledge that we have an incarceration crisis in our country. Vengeance, by way of vivid storytelling, helps us to understand the failure of empathy and imagination that causes it.

The intimate debut memoir by the man known to the world as Mister Rogers’ Neighborhood’s Officer Clemmons, who made history as the first African American actor to have a recurring role on a children’s television program.When he created the role of Officer Clemmons on the award-winning television series Mister Rogers’ Neighborhood, François Clemmons made history as the first African American actor to have a recurring role on a children’s program. A new, wide world opened for Clemmons―but one that also required him to make painful personal choices and sacrifices. Officer Clemmons details Clemmons’s incredible life story, beginning with his early years in Alabama and Ohio, marked by family trauma and loss, through his studies as a music major at Oberlin College, where Clemmons began to investigate and embrace his homosexuality, to a chance encounter with Fred Rogers that changed the whole course of both men’s lives, leading to a deep, spiritual friendship and mentorship spanning nearly forty years.From New York to Russia, Berlin to California, Grammy Award–winner Clemmons has performed for audiences around the world and remains a beloved figure. Evocative and intimate, and buoyed by its author’s own vivacious, inimitable energy, Officer Clemmons chronicles a historical and enlightening life and career of a man who has brought joy to millions of adults and children, across generations and borders.

"You don’t often get collections, or even anthologies where every story knocks you out, but I’ve been bewildered in the best way over each one [in The Story Prize] so far." ―Lillian Li, author of Number One Chinese Restaurant This anthology of short stories marks the fifteenth anniversary of The Story Prize and includes one story from each of the annual winning collections, beginning with Edwidge Danticat’s The Dew Breaker and concluding with Elizabeth Strout’s Anything Is Possible. The founder of The Story Prize, Julie Lindsey, and its director, Larry Dark, created this award to address the lack of one specifically for collections of stories. Together they choose three finalists from the previous year’s publications, which are sent to three judges―an author, a bookseller or librarian, and a critic or editor―who, independently of one another, relay their choices. The prize is then presented at an annual celebration in New York, where the finalists read from their books and then discuss their work with Dark. Excerpts from these interviews―or, in a few cases, the judges’ citations―introduce each story in the book. The authors chose the stories included to read at the annual Story Prize event.

From rediscovering an ancestral village in China to experiencing the realities of American life as a Nigerian, the search for belonging crosses borders and generations. Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures. Victoria Blanco relates how those with family in both El Paso and Ciudad Juárez experience life on the border. Nina Li Coomes recalls the heroines of Japanese animator Hayao Miyazaki and what they taught her about her bicultural identity. Nur Nasreen Ibrahim details her grandfather’s crossing of the India-Pakistan border sixty years after Partition. Krystal A. Sital writes of how undocumented status in the United States can impact love and relationships. Porochista Khakpour describes the challenges in writing (and rewriting) Iranian America. Through the power of personal narratives, as told by both emerging and established writers, A Map Is Only One Story offers a new definition of home in the twenty-first century.

“Tense and evocative . . . . Despite its powerful social critique, Vengeance is cautious and prismatic, openly troubled by its own claims to authority.” ―Katy Waldman, The New Yorker As the narrator attempts to sort out what happened in King’s life―paying visits to his devoted mother, his estranged young daughter and her mother, his girlfriend, his brother, and his cousin―the writer’s own sense of identity begins to feel more and more like a fiction. He is one of the “free people” while Kendrick, who studies theology and philosophy, will never get his only wish, expressed plainly as “I just need to get out of here.” The dichotomy between their lives forces the narrator to confront the violence in his own past, and also to reexamine American notions of guilt and penance, racial bias, and the inherent perversity of punitive justice. It is common knowledge that we have an incarceration crisis in our country. Vengeance, by way of vivid storytelling, helps us to understand the failure of empathy and imagination that causes it.

The intimate debut memoir by the man known to the world as Mister Rogers' Neighborhood's Officer Clemmons, who made history as the first African American actor to have a recurring role on a children's television programWhen he created the role of Officer Clemmons on the award-winning television series Mister Rogers' Neighborhood, François Clemmons made history as the first African American actor to have a recurring role on a children's program. A new, wide world opened for Clemmons--but one that also required him to make painful personal choices and sacrifices. Officer Clemmons details Clemmons's incredible life story, beginning with his early years in Alabama and Ohio, marked by family trauma and loss, through his studies as a music major at Oberlin College, where Clemmons began to investigate and embrace his homosexuality, to a chance encounter with Fred Rogers that changed the whole course of both men's lives, leading to a deep, spiritual friendship and mentorship spanning nearly forty years. From New York to Russia, Berlin to California, Grammy Award winner Clemmons has performed for audiences around the world and remains a beloved figure. Evocative and intimate, and buoyed by its author's own vivacious, inimitable energy, Officer Clemmons chronicles a historical and enlightening life and career of a man who has brought joy to millions of adults and children, across generations and borders.

A New York Times Book Review Editors' Choice"A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision―of observation, of language―is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought." ―Parul Sehgal, The New York Times"What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self-absorbed hedonists―The Great Gatsby, Bright Lights, Big City, and now Neon in Daylight. Hermione Hoby paints a garish world that drew me in and held me spellbound. She is a marvel." ―Ann Patchett, author of CommonwealthNew York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat-sit an indifferent feline named Joni Mitchell.The city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them.Set in a heatwave that feels like it will never break, Neon In Daylight marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.