Books published by publisher COUNTERPOINT

NATIONAL BESTSELLER "[A] stunning new novel . . . Sexton’s writing is clear and uncluttered, the dialogue authentic, with all the cadences of real speech... This is a novel about the women, the mothers." ―New York Times Book Review "A powerful tale of racial tensions across generations." ―People In 1924, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine’s family. Nearly one hundred years later, Josephine’s descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays Ava to be her companion. But Martha’s behavior soon becomes erratic, then threatening, and Ava must escape before her story and Josephine’s converge. The Revisioners explores the depths of women’s relationships―powerful women and marginalized women, healers and survivors. It is a novel about the bonds between mothers and their children, the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom.

NATIONAL BESTSELLERA New York Times Book Review Notable Book of the Year"Sexton takes on [Toni Morrison's artful invocation of the ghost] in her new novel The Revisioners. . . She writes with such a clear sense of place and time that each of these intermingled stories feels essential and dramatic in its own way." —Ron Charles, The Washington Post"A powerful tale of racial tensions across generations." —PeopleIn 1924, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine’s family.Nearly one hundred years later, Josephine’s descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays Ava to be her companion. But Martha’s behavior soon becomes erratic, then threatening, and Ava must escape before her story and Josephine’s converge.The Revisioners explores the depths of women’s relationships—powerful women and marginalized women, healers and survivors. It is a novel about the bonds between mothers and their children, the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom."[A] stunning new novel . . . Sexton’s writing is clear and uncluttered, the dialogue authentic, with all the cadences of real speech... This is a novel about the women, the mothers." ―New York Times Book Review

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber. Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty. He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek. "You have been given questions to which you cannot be given answers. You will have to live them out―perhaps a little at a time." "And how long is that going to take?" "I don't know. As long as you live, perhaps." "That could be a long time." "I will tell you a further mystery," he said. "It may take longer." Wendell Berry’s clear-sighted depiction of humanity’s gifts―love and loss, joy and despair―is seen though his intimate knowledge of the Port William Membership.

Wendell Berry’s Sabbath Poems are filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials. With the publication of this new complete edition, it has become increasingly clear that the Sabbath Poems have become the very heart of Berry’s work. And these magnificent poems, taken as a whole for the first time in This Day, have become one of the greatest contributions ever made to American poetry.

First published in 1972, “Think Little” is cultural critic and agrarian Wendell Berry at his best: prescient about the dire environmental consequences of our mentality of greed and exploitation, yet hopeful that we will recognize war and oppression and pollution not as separate issues, but aspects of the same. “Think Little” is presented here alongside one of Berry’s most popular and personal essays, “A Native Hill.” This gentle essay of recollection is told alongside a poetic lesson in geography, as Berry explains at length and in detail, that what he stands for is what he stands on. Each palm-size book in the Counterpoints series is meant to stay with you, whether safely in your pocket or long after you turn the last page. From short stories to essays to poems, these little books celebrate our most-beloved writers, whose work encapsulates the spirit of Counterpoint Press: cutting-edge, wide-ranging, and independent.

A magnificent poetry collection spanning 1979 to 2013, revealing the incomparable genius of “a poet, his window, and his poems.” For more than thirty-five years, Wendell Berry has been spending his sabbaths outdoors, walking and wandering around familiar territory, seeking a deep intimacy that inspired poems in which “Thoreau would be gratified” (Lexington Herald-Leader). Each year since, he has completed a series of these poems dated by the year of its composition. This Day, “a book well worth reading, on a Sabbath or any other day of the week” (Marginalia Review of Books) collects Berry’s Sabbath Poems from 1979–2013 Filled with spiritual longing and political extremity, memorials and celebrations, elegies and lyrics, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials, Berry’s Sabbath Poems have become the very heart of Berry’s grand work. And these magnificent poems, taken as a whole for the first time in This Day, have become one of the greatest contributions ever made to American poetry. “Wendell Berry is one of those rare individuals who speaks to us always of responsibility, of the individual cultivation of an active and aware participation in the arts of life, be they those of composing a poem, preparing a hill for planting, raising a family, working for the good of oneself and one’s neighbors, loving.” —The Bloomsbury Review “[Berry’s] poems, novels and essays . . . are probably the most sustained contemporary articulation of America’s agrarian, Jeffersonian ideal.” —Publishers Weekly

NATIONAL BESTSELLER "Neely’s naturalist, erudite work will appeal to readers of Thoreau’s Walden and Edward Abbey’s Desert Solitaire." ―Publishers Weekly "Rich in little-known history. . . Up the Santa Barbara and San Luis Obispo county coasts, then inland into the Salinas Valley to Monterey Bay. Somewhere along here, the owl moons and woodpeckers do something you might not have thought possible in 2019: they make you fall, or refall, in love with California, ungrudgingly, wildfires and insane housing prices and all . . . What a journey, you think. What a state."―San Francisco Chronicle In Alta California, Nick Neely chronicles his 650-mile trek on foot from San Diego to San Francisco, following the route of the first overland Spanish expedition into what was soon called Alta California. Led by Gaspar de Portolá in 1769, the expedition sketched a route that would become, in part, the famous El Camino Real. It laid the foundation for the Golden State we know today, a place that remains as mythical and captivating as any in the world. Neely grew up in California but realized how little he knew about its history. So he set off to learn it bodily, with just a backpack and a tent, trekking through stretches of California both lonely and urban. For twelve weeks, following the journal of expedition missionary Father Juan Crespí, Neely kept pace with the ghosts of the Portolá expedition―nearly 250 years later Weaving natural and human history, Alta California relives his adventure, tells a story of Native cultures and the Spanish missions that soon devastated them, and explores the evolution of California and its landscape. The result is a collage of historical and contemporary California, of lyricism and pedestrian serendipity, and of the biggest issues facing California today―water, agriculture, oil and gas, immigration, and development―all of it one step at a time.

“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber.Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty.He began his search as a "pre-ministerial student" at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with "Old Grit," his profound professor of New Testament Greek. "You have been given questions to which you cannot be given answers. You will have to live them out—perhaps a little at a time." "And how long is that going to take?" "I don't know. As long as you live, perhaps." "That could be a long time." "I will tell you a further mystery," he said. "It may take longer."Wendell Berry’s clear-sighted depiction of humanity’s gifts—love and loss, joy and despair—is seen though his intimate knowledge of the Port William Membership.

A thoughtfully researched, movingly presented dual-biography of two iconic American writers, each trying to find the ideal friend with whom they could share their journey through our imperfect world. Any biography that concentrates on either Henry David Thoreau or Ralph Waldo Emerson tends to diminish the other figure, but in Solid Seasons both men remain central and equal. Through several decades of writing, friendship remained a primary theme for them both. Collecting extracts from the letters and journals of both men, as well as words written about them by their contemporaries, Jeffrey S. Cramer beautifully illustrates the full nature of their twenty-five-year dialogue. Biographers like to point at the crisis in their friendship, focusing particularly on Thoreau's disappointment in Emerson―rarely on Emerson's own disappointment in Thoreau―and leaving it there, a friendship ruptured. But the solid seasons remained, as is evident when, in 1878, Anne Burrows Gilchrist, the English writer and friend of Whitman, visited Emerson. She wrote that his memory was failing "as to recent names and topics but as is usual in such cases all the mental impressions that were made when he was in full vigour remain clear and strong." As they chatted, Emerson called to his wife, Lidian, in the next room, "What was the name of my best friend?" "Henry Thoreau," she answered. "Oh, yes," Emerson repeated. "Henry Thoreau."

Nathan Coulter, Wendell Berry’s first book, was published in 1960 when he was twenty-seven. In his first novel, the author presents his readers with their first introduction to what would become Berry’s life’s work, chronicling through fiction a place where the inhabitants of Port William form what is more than community, but rather a “membership” in interrelatedness, a spiritual community, united by duty and bonds of affection for one another and for the land upon which they make their livelihood. When young Nathan loses his grandfather, Berry guides readers through the process of Nathan's grief, endearing the reader to the simple humanity through which Nathan views the world. Echoing Berry's own strongly held beliefs, Nathan tells us that his grandfather's life "couldn't be divided from the days he'd spent at work in his fields." Berry has long been compared to Faulkner for his ability to erect entire communities in his fiction, and his heart and soul have always lived in Port William, Kentucky. In this eloquent novel about duty, community, and a sweeping love of the land, Berry gives readers a classic book that takes them to that storied place.

Originally published in 2005, That Distant Land brings together twenty-three stories from the Port William Membership. Arranged in their fictional chronology, the book is not an anthology so much as it is a coherent temporal mapping of this landscape over time, revealing Berry’s mastery of decades of the life lived alongside this clutch of interrelated characters bound by affection and followed over generations. This volume combines the stories found in The Wild Birds (1985), Fidelity (1992), and Watch with Me (1994), together with a map and a charting of the complex and interlocking genealogies.

From the author of The Seed Collectors comes a darkly comic take on power, privilege, and the pressure put on young women to fit in―and be thin―at their all-girls boarding school It’s already the second week of term when Natasha, the daughter of a Russian oligarch, arrives at a vast English country house for her first day of boarding school. She soon discovers that the headmaster gives special treatment to the skinniest girls, and Tash finds herself thrown into the school’s unfamiliar, moneyed world of fierce pecking orders, eating disorders, and Instagram angst. The halls echo with the story of Princess Augusta, the White Lady whose portraits―featuring a hypnotizing black diamond―hang everywhere and whose ghost is said to haunt the dorms. It’s said that she fell in love with a commoner and drowned herself in the lake. But the girls don’t really know anything about the woman she was, much less anything about one another. When Tash’s friend Bianca mysteriously vanishes, the routines of the school seem darker and more alien than ever before. Tash must try to stay alive―and sane―while she uncovers what’s really going on. Hilariously dark, Oligarchy is The Prime of Miss Jean Brodie for the digital age, exploring youth, power, and privilege. Scarlett Thomas captures the lives of privileged teenage girls, in all their triviality and magnitude, seeking acceptance and control in a manipulative world.