Other editions of book Fathers and Sons - The Franklin Library

Novel by Ivan Turgenev, published in 1862 as Ottsy i deti. Quite controversial at the time of its publication, Fathers and Sons concerns the inevitable conflict between generations and between the values of traditionalists and intellectuals. The physician Bazarov, the novel’s protagonist, is the most powerful of Turgenev’s creations. He is a nihilist, denying the validity of all laws save those of the natural sciences. Uncouth and forthright in his opinions, he is nonetheless susceptible to love and by that fact doomed to unhappiness. In sociopolitical terms, he represents the victory of the revolutionary intelligentsia over the aristocracy, to which Turgenev belonged. At the novel’s first appearance, the radical younger generation attacked it bitterly as a slander, and conservatives condemned it as too lenient in its characterization of nihilism.

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Turgenev’s timeless tale of generational collision, in a sparkling new translationWhen Arkady Petrovich returns home from college, his father finds his eager, naïve son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought home with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady’s father with his criticisms of the landowning way of life and his determination to overthrow the traditional values of contemporary society. Vividly capturing the hopes and fears, regrets and delusions of a changing Russia around the middle of the nineteenth century, Fathers and Sons is Ivan Turgenev’s masterpiece.

Fathers and Sons is a novel dealing with the divide between the two generations of Russians, and the character Yevgeny Bazarov, a nihilist who rejects the old order. Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals and the growing nihilist movement. Both the nihilists and the liberals sought Western-based social change in Russia. Fathers and Sons is regarded as one of the first wholly modern novel in

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When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

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When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

“Well, Pyotr, still not in sight?” was the question asked on 20th May, 1859, by a gentleman of about forty, wearing a dusty overcoat and checked trousers, who came out hatless into the low porch of the posting station at X. He was speaking to his servant, a chubby young fellow with whitish down growing on his chin and with dim little eyes.The servant, in whom everything — the turquoise ring in his ear, the hair plastered down with grease and the polite flexibility of his movements — indicated a man of the new improved generation, glanced condescendingly along the road and answered, “No, sir, definitely not in sight.”“Not in sight?” repeated his master.“No, sir,” replied the servant again.His master sighed and sat down on a little bench. We will introduce him to the reader while he sits, with his feet tucked in, looking thoughtfully around.

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.