Other editions of book The Taming of the Shrew

Love and marriage are the concerns of Shakespeare’s The Taming of the Shrew. Lucentio’s marriage to Bianca is prompted by his idealized love of an apparently ideal woman. Petruchio’s wooing of Katherine, however, is free of idealism. Petruchio takes money from Bianca’s suitors to woo her, since Katherine must marry before her sister by her father’s decree; he also arranges the dowry with her father. Petruchio is then ready to marry Katherine, even against her will. Katherine, the shrew of the play’s title, certainly acts much changed. But have she and Petruchio learned to love each other? Or is the marriage based on terror and deception? The authoritative edition of The Taming of the Shrew from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Newly revised explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An up-to-date annotated guide to further reading Essay by Karen Newman The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

The story of Katherina and her marriage to Petruchio has been popular in the theater for four centuries, but the joke of taming an unruly woman has long been growing increasingly controversial. This edition examines how theater directors and performers have explored the complexities of Katherina's story and that of Christopher Sly, the poor man whose story frames hers. It surveys productions in the English-speaking world, reviewing precise details of the stage action in a social and political context.

The Taming of the Shrew is a comedy by William Shakespeare. It was one of his earlier plays, believed to have been written between 1590 and 1594. The play begins with a framing device in which a drunkard is deceived into thinking he is a nobleman who then watches the "play" itself, which depicts a nobleman, Petruchio, who marries an outspoken, intelligent, and bad-tempered shrew named Katherina. Petruchio manipulates and "tames" her until she is obedient to his will. The main subplot features the courting of Katherina's more conventional sister Bianca by numerous suitors.

Read-along sets for each title are paced for students to follow the text word-for-word and include one classic play and two audio CDsmore help for struggling readers.Timeless Shakespearedesigned for the struggling reader and adapted to retain the integrity of the original play. These classic plays retold will grab a students attention from the first page. Presented in traditional play script format, each title features simplified language, easy-to-read type, and strict adherence to the tone and integrity of the original.

Widely regarded as the greatest play right in the English language William Shakespeare wrote 38 plays and 154 sonnets. With works such as Romeo and Juliet, Hamlet, A Mid Summer's Night Dream and The Taming of the Shrew his work has made a lasting impression on western culture. For the last four hundred years Shakespeare's plays have been the most preformed and studied of any playwright. From the words he invented, to the grammar he developed and phrases that linger in our vernacular the "Bard of Avon" has influenced much of the development of the English language.

SLY. I'll pheeze you, in faith. HOSTESS. A pair of stocks, you rogue! SLY. Y'are a baggage; the Slys are no rogues. Look in the chronicles: we came in with Richard Conqueror. Therefore, paucas pallabris; let the world slide. Sessa! HOSTESS. You will not pay for the glasses you have burst? SLY. No, not a denier. Go by, Saint Jeronimy, go to thy cold bed and warm thee.

The Wonder of Shakespeare One who reads a few of Shakespeare's great plays and then the meager story of his life is generally filled with a vague wonder. Here is an unknown country boy, poor and poorly educated according to the standards of his age, who arrives at the great city of London and goes to work at odd jobs in a theater. In a year or two he is associated with scholars and dramatists, the masters of their age, writing plays of kings and clowns, of gentlemen and heroes and noble women, all of whose lives he seems to know by intimate association. In a few years more he leads all that brilliant group of poets and dramatists who have given undying glory to the Age of Elizabeth. Play after play runs from his pen, mighty dramas of human life and character following one another so rapidly that good work seems impossible; yet they stand the test of time, and their poetry is still unrivaled in any language. For all this great work the author apparently cares little, since he makes no attempt to collect or preserve his writings. A thousand scholars have ever since been busy collecting, identifying, classifying the works which this magnificent workman tossed aside so carelessly when he abandoned the drama and retired to his native village. He has a marvelously imaginative and creative mind; but he invents few, if any, new plots or stories. He simply takes an old play or an old poem, makes it over quickly, and lo! this old familiar material glows with the deepest thoughts and the tenderest feelings that ennoble our humanity; and each new generation of men finds it more wonderful than the last. How did he do it? That is still an unanswered question and the source of our wonder.