Other editions of book CHANCE—A TALE IN TWO PARTS

Chance tells the story of Flora de Barral, the vulnerable abandoned daughter of a bankrupt tycoon, who struggles to achieve dignity and happiness; 'no consideration, no delicacy, no tenderness, no scruples should stand in the way of a woman ... from taking the shortest cut towards securing for herself the easiest possible existence.’ It is narrated by different narrators, including Conrad's regular narrator, Charles Marlow, who describe and attempt to interpret various episodes in Flora’s life and is the only book to focus on a female character.

Chance(1914) was the first of Conrad's novels to bring him popular success and it holds a unique place among his works. It tells the story of Flora de Barral, a vulnerable and abandoned young girl who is "like a beggar, without a right to anything but compassion." After her bankrupt father is imprisoned, she learns the harsh fact that a woman in her position "has no resources but in herself." Her only means of action is to be what she is. Flora's long struggle to achieve some dignity and happiness makes her Conrad's most moving female character. Reflecting the contemporary interest in the New Woman and the Suffragette question, Chance also marks the final appearance of Marlow, Conrad's most effective and wise narrator. This revised edition uses the English first edition text and has a new chronology and bibliography. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Chance(1914) was the first of Conrad's novels to bring him popular success and it holds a unique place among his works. It tells the story of Flora de Barral, a vulnerable and abandoned young girl who is "like a beggar, without a right to anything but compassion." After her bankrupt father is imprisoned, she learns the harsh fact that a woman in her position "has no resources but in herself." Her only means of action is to be what she is. Flora's long struggle to achieve some dignity and happiness makes her Conrad's most moving female character. Reflecting the contemporary interest in the New Woman and the Suffragette question, Chance also marks the final appearance of Marlow, Conrad's most effective and wise narrator. This revised edition uses the English first edition text and has a new chronology and bibliography. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Chance(1914) was the first of Conrad's novels to bring him popular success and it holds a unique place among his works. It tells the story of Flora de Barral, a vulnerable and abandoned young girl who is "like a beggar, without a right to anything but compassion." After her bankrupt father is imprisoned, she learns the harsh fact that a woman in her position "has no resources but in herself." Her only means of action is to be what she is. Flora's long struggle to achieve some dignity and happiness makes her Conrad's most moving female character.Reflecting the contemporary interest in the New Woman and the Suffragette question, Chance also marks the final appearance of Marlow, Conrad's most effective and wise narrator. This revised edition uses the English first edition text and has a new chronology and bibliography.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Apparently a two part story about a Damsel and a Knight, perhaps a damsel who depends upon the kindness of strangers. It was originally entitled "Dynamite" and first published by installments in the New York Herald. The book itself was the biggest commercial success for Conrad up until that time, 1913. It allowed Conrad for the first time to settle his financial affairs. The author's disdain for people who live on the land is apparent. A new understanding of the word "enthusiastic" is promulgated. And it is a love story. Let us see how the tale goes.

Chance(1914) was the first of Conrad's novels to bring him popular success and it holds a unique place among his works. It tells the story of Flora de Barral, a vulnerable and abandoned young girl who is "like a beggar, without a right to anything but compassion." After her bankrupt father is imprisoned, she learns the harsh fact that a woman in her position "has no resources but in herself." Her only means of action is to be what she is. Flora's long struggle to achieve some dignity and happiness makes her Conrad's most moving female character.

Chance(1914) was the first of Conrad's novels to bring him popular success and it holds a unique place among his works. It tells the story of Flora de Barral, a vulnerable and abandoned young girl who is "like a beggar, without a right to anything but compassion." After her bankrupt father is imprisoned, she learns the harsh fact that a woman in her position "has no resources but in herself." Her only means of action is to be what she is. Flora's long struggle to achieve some dignity and happiness makes her Conrad's most moving female character.Reflecting the contemporary interest in the New Woman and the Suffragette question, Chance also marks the final appearance of Marlow, Conrad's most effective and wise narrator. This revised edition uses the English first edition text and has a new chronology and bibliography.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Chance CHAPTER ONE--YOUNG POWELL AND HIS CHANCE I believe he had seen us out of the window coming off to dine in the dinghy of a fourteen-ton yawl belonging to Marlow my host and skipper. We helped the boy we had with us to haul the boat up on the landing-stage before we went up to the riverside inn, where we found our new acquaintance eating his dinner in dignified loneliness at the head of a long table, white and inhospitable like a snow bank. The red tint of his clear-cut face with trim short black whiskers under a cap of curly iron-grey hair was the only warm spot in the dinginess of that room cooled by the cheerless tablecloth. We knew him already by sight as the owner of a little five-ton cutter, which he sailed alone apparently, a fellow yachtsman in the unpretending band of fanatics who cruise at the mouth of the Thames. But the first time he addressed the waiter sharply as 'steward' we knew him at once for a sailor as well as a yachtsman. Presently he had occasion to reprove that same waiter for the slovenly manner in which the dinner was served. He did it with considerable energy and then turned to us. "If we at sea," he declared, "went about our work as people ashore high and low go about theirs we should never make a living. No one would employ us. And moreover no ship navigated and sailed in the happy-go- lucky manner people conduct their business on shore would ever arrive into port." Since he had retired from the sea he had been astonished to discover that the educated people were not much better than the others. No one seemed to take any proper pride in his work: from plumbers who were simply thieves to, say, newspaper men (he seemed to think them a specially intellectual class) who never by any chance gave a co